In Contention

Tag: The Town

  • ‘Social Network’ wins big with NBR

    The National Board of Review announcement is historically considered the “official” start of the film awards season, but with things like the Gotham Awards, Indie Spirit nominations and even the Hollywood Film Awards creeping more and more into mid-fall, this doesn’t seem to be the case anymore.

    Today the organization announced winners in the usual categories, winners to be honored at a New York ceremony in January.  Last year the organization picked “Up in the Air” as its Best Film winner, greatly solidifying the buzz of early December 2009.  This year, they’ve gone with David Fincher’s “The Social Network.”

    The film also took home awards for Best Director (David Fincher), Best Actor (Jesse Eisenberg), Best Adapted Screenplay (Aaron Sorkin).  Most exciting for me is to see that Lesley Manville won Best Actress for her performance in “Another Year.” The flames seemed to be dying as of late.  Christian Bale and Jacki Weaver won in the supporting races for “The Fighter” and “Animal Kingdom,” respectively.

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  • OFF THE CARPET: Kicking the tires on the circuit

    On the precipice of December, the season feels at once stale and fresh. We’re in the post-Thanksgiving food coma paradox that hits every year. But things are going to start heating up real soon.

    The last two films out of the gate, “TRON Legacy” and “True Grit” (both ironically starring Jeff Bridges), have already started screening.  SAG ballots are already in the hands of nominating committee members and voting deadlines are approaching for various organizations.

    The circuit “officially” begins Thursday with the always arbitrary National Board of Review announcement. The Washington, D.C. Area Film Critics Association will get a jump on the critics awards once again when they announce one week from today, while the Los Angeles (12/12) and New York online (12/12) and print (12/13) critics will have their say the following week, as well as the BFCA (12/13) and HFPA (12/14).

    The excitement will build to the usual pre-holiday stall and pick right back up on January 4 when the writers and producers guilds announce nominees, followed the same week by the art directors and sound mixers. And the date most will have their eyes on — January 10 — will bring the DGA’s list of contenders. Before you know it we’ll be on a collision course with the January 25 Oscar nominations announcement and things will be mercifully nearing an end.

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  • WEEKLY WRAP: Holiday cheer and seasonal grousing

    • Calmed by the holiday spirit, this week’s Off the Carpet column took stock of the season, and gave thanks where appropriate.

    • The Long Shot looked at the number of one-time rebel auteurs in this year’s Oscar race, and wondered if awards glory comes at the expense of creative edge.

    • Life Without Oscar highlighted a pair of mid-90s majors, one from a filmmaker who wouldn’t go unacknowledged by the Academy for long.

    • We interviewed Jeremy Renner, still basking in the glow of his first Oscar nod, and shooting for a second with “The Town.”

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  • OSCAR TALK: Ep. 42 — ‘The Way Back’ woes, Sturgess and Renner make the rounds, Best Actress race (kind of) taking shape and ‘The King’s Speech’ opens

    Oscar TalkWelcome to Oscar Talk.

    In case you’re new to the site and/or the podcast, Oscar Talk is a weekly kudocast, your one-stop awards chat shop between yours truly and Anne Thompson of Thompson on Hollywood. The podcast is weekly, every Friday throughout the season, charting the ups and downs of contenders along the way. Plenty of things change en route to Oscar’s stage and we’re here to address it all as it unfolds.

    Anne and I are in a bit of a food coma today, so the podcast was a bit all over the place. We free associate from topic to topic bringing in your questions where applicable, but there’s a lot to digest. Let’s see what’s on the docket today…

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  • INTERVIEW: ‘The Town’ actor Jeremy Renner

    Warner Bros. has been looking for any and every opportunity to get Jeremy Renner and his well-liked supporting performance in Ben Affleck’s “The Town” out there as Oscar season begins to take hold. Yesterday he was making the press rounds just as screener copies of the film were hitting voters’ doorsteps.

    The last time I saw Renner was on the C lot bus at the airport maybe a month after the Oscars put a bow on the long, rewarding haul of “The Hurt Locker.” He and that film’s co-star, Brian Geraghty, were coming back from some much-needed R&R and Renner told me at the time he was happily “unemployed.”

    Of course, plenty has changed since then. He finds himself starring opposite Tom Cruise in the latest installment of a “Mission: Impossible” franchise that he may well take over, joining the giant ensemble of Marvel’s hugely ambitious cross-over film “The Avengers” and, of course, kicking up awards buzz once again for his work in “The Town.”

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  • Stephen King’s top 10 films of 2010

    Entertainment Weekly columnist (and a dabbler in fiction) Stephen King is the first out of the gate this year with a top 10 list, beating the usual early likes of Peter Travers et al to the punch.

    King’s lists are always, shall we say, unique.  They generally lean toward the populist and make it rather obvious year in and year out that the author couldn’t possibly have seen everything there was to see in a film year.  And as you might imagine, genre fare is usually dominant.

    This year is no different.  Of COURSE this is his top 10 list.  Makes perfect sense.  And while his #1 couldn’t have been more predictable (given what he likes and what he’s written about the film), I wonder — was the original even on his radar?  (Answer: Nope.)  Anyway, check back Friday for Oscar Talk and an announcement regarding this year’s top 10 list (mine and Anne’s).  King’s full list (dug up courtesy of /Film) after the jump.

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  • WEEKLY WRAP: ‘Fighter’ bows, Jackman bows out, Best Picture questions

    • David O. Russell’s “The Fighter” unspooled at the AFI Fest. Kris was impressed and later reported from a Q&A with the film’s stars.

    • This week’s Off the Carpet column pondered the presence of money-spinners in this year’s Best Picture race.

    • The Long Shot, meanwhile, wondered if that very race is currently looking a little flimsy.

    • News of Hugh Jackman turning down the gig prompted the annual speculation over who should host the Oscar ceremony.

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  • THE LONG SHOT: Waiting for the miracle

    (From here on out, my nomination predictions will be updated weekly to coincide with this column. Check them out here.)

    Tweed-coated and steam-breathed, winter formally arrived in my corner of the world this week, and with it the slightly grim realization that just over seven weeks remain of this year.

    I say “grim” not so much because I’m unprepared for the rigors of Christmas shopping or because 90% of my year’s to-do list remains undone—though neither of those truths are helping—but because, from a film perspective, 2010 feels to me like it needs at least another couple of months to find itself.

    Yesterday, I found myself battling with two lists of 10 films: the first, my own provisional best-of-year collective, the second, my revised predictions for the Best Picture Oscar nominees. Neither list, in my experience, has ever had much to do with the other (of course, I’ll take that back should the Academy reveal hidden depths of enthusiasm for, say, “White Material” on nomination morning), but both the rough drafts I wound up with had one thing in common: they’re badly in need of a late-breaking great film or two.

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  • INTERVIEW: ‘The Town’ screenwriter, director and star Ben Affleck

    Actor — and as of late, filmmaker — Ben Affleck makes his way to a cozy corner of Santa Monica’s Casa Del Mar hotel restaurant. He’s coming from a “Dad’s event” at his daughter’s school, he says, propping his feet up on a nearby chair.

    Currently shooting Terrence Malick’s latest film in Oklahoma, the multi-hyphenate has a window for awards season publicity and Warner Bros. seized the opportunity. Affleck’s second directorial effort, “The Town,” has kicked up enough buzz to legitimize an all-out Oscar push, and judging by most reactions to the film, it could be an effort well-rewarded.

    I pass along one such reaction — from actor Robert Duvall, who greatly enjoyed the film — and Affleck’s eyes light up. “Wow, really? That’s great to hear.” He playfully riffs on Duvall’s characteristic voice, adding, “He’s a spectacular personality. A genius.”

    That mixture of humility and humor highlights the majority of our conversation. Affleck is as affable as they come. Perhaps it’s years of navigating the game and knowing how to put his best foot forward with a journalist, but it rings through with authenticity. He’s a guy’s guy with a thoughtful charisma that has served him well over the years, but now he finds himself putting it all to use in the director’s chair. And while he is very appreciative of the success his latest film has achieved, he notes that he came to it apprehensively.

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  • OFF THE CARPET: Dolla billz, y’all!

    A reader comment got me thinking on box office and Oscar as the usual blockbuster and genre fare led the way in ticket sales this weekend.  It dawned on me that pickins might be extra slim when it comes to representing populist filmmaking in 2010’s Best Picture crop.

    Box office and finding room for ratings-friendly titles have long been assumed considerations in the decision to expand the Best Picture category to 10 nominations last year. One year after Christopher Nolan’s “The Dark Knight” nearly reached “Titanic”-level numbers and was snubbed of a Best Picture nomination, there were suddenly five more spots to be filled, widening the net.

    Academy members had seven films to choose from the $100 million-plus club in 2009 that had any legitimate excuse for being in the conversation. They were: “Avatar,” “The Blind Side,” “District 9,” “The Hangover,” “Inglourious Basterds,” “Star Trek” and “Up.” And some would consider “The Hangover” and “Star Trek” to be a stretch.  As such, they missed, and the other five made it.

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  • CINEJABBER: Close but no Jack

    Catch up with the idea behind these weekend posts here.

    What a coup it would have been if Jack Nicholson really was the first guest on “Conan.”  Shame on Movieline for not catching Andy Richter’s joke and getting my hopes up for the actor’s first talk show interview in nearly four decades.

    Caught up with AMC’s “The Walking Dead.”  Narratively, familiar.  Aesthetically unique at times but I couldn’t settle into it.  It felt like there was no sense of pace.  And I’m getting pretty trigger happy on bailing on shows lately.

    I need to catch up on docs.  A stack of them waiting for me when I can ever find the time.  It’s pitching season for publicity to say the least.

    Speaking of which, coffee with Ben Affleck later today says Warner Bros. is swinging buzz on “The Town” back around and looking for opportunities to stay in the conversation leading up to the film’s DVD release.  After that, the season will have its say on the matter.

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  • ‘The Town’ DVD release aimed for prime Oscar frame

    Reader Graysmith alerted me to this yesterday, but it’s worth passing along. Ben Affleck’s “The Town” will be making its way to DVD and Blu-ray on December 17. The film was released in theaters September 17. That makes it three months to the day between release and home video, and to say the least, an incredibly short window.

    I remember Disney’s “Alice in Wonderland” having an even shorter window (March 5 theatrical, June 1 home video), but this is more significant because clearly Warner Bros. is angling for prime exposure right in the middle of Oscar season.  And that mid-December stretch is key, bringing the Golden Globe nominations on the 14th and the SAG nominations on the 16th.

    “Inception,” meanwhile, will be hitting stores December 7, so get ready for the buzz to swing back around on both films.

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  • OFF THE CARPET: Leading men in the spotlight

    About a year ago I took to examining the 2009 Best Actor race.  The frontrunners for five slots seemed to be, in order, George Clooney, Colin Firth, Jeremy Renner, Morgan Freeman, Daniel Day-Lewis, Viggo Mortensen and Robert De Niro.

    A day later press members received their first invites to “Crazy Heart” screenings and were notified that the film would be released in 2009.  Jeff Bridges hit the ground running and never let off the gas until he was past the finish line.

    A year earlier we were looking at a pair of politico-biopic portrayals, either one of which would make a handsome winner: Frank Langella and Sean Penn.  But we were fairly sure the latter would be on his way to the podium one more time.

    But soon after, Mickey Rourke’s festival buzz caught serious fire and forged an atmosphere of doubt.  The season’s narrative seemed to be changing, and yet the early buzz carried through and brought Penn his Oscar.

    So that’s two drastically different directions – in as many years – that a lead actor race can take.  Given the mid-October fulcrum shared here, let’s consider our perspective on the Best Actor category right now.

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  • OFF THE CARPET: Can the ladies get some support?

    A number of people wanted Anne and I to discuss the seemingly thin Best Supporting Actress category on the podcast Friday, but we didn’t get to it. So it seemed an opportune time to dedicate this space to the discussion.

    One should keep in mind that the race is still in its early days. This time last year we didn’t even know “Crazy Heart” would be in the mix, and any number of things can change. But while I have been saying for a while now that the supporting actress field is week, it does seem to be taking shape as of late.

    There is no hard and fast frontrunner in the field right now. If Lesley Manville’s “Another Year” campaign were to switch gears, that would be a different story, but the only contender that feels right at the moment is Miranda Richardson as the fiery Barbara Castle in the Brit comedy “Made in Dagenham.”

    On the next tier, I feel pretty good about Dianne Wiest’s chances in “Rabbit Hole,” where the three-time nominee (and two-time winner) stars as a concerned but affable mother to Nicole Kidman’s grief-stricken housewife. Meanwhile, Helena Bonham Carter could well ride the coattails of “The King’s Speech” to a nomination for the comic relief and emotional support she maintains throughout the film.

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  • WEEKLY WRAP: ‘Speech’ rises, ‘Town’ hovers, foreign list

    • At Toronto, “The King’s Speech” scooped the Audience Award, recently a harbinger of Oscar success. (Days later, a trailer landed.)

    • This week’s Off the Carpet pondered the film’s rosy awards outlook, but also warned of the fickle nature of frontrunner status.

    • Guy’s seasonal Oscar column, The Long Shot, kicked off with a reminder to put the movies first. (He also tested the waters with some predictions.)

    • Following an unexpected display of box office muscle from “The Town,” we wondered how far it can go in the Oscar race.

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  • OSCAR TALK: Ep. 33 — ‘Social Network’ front-running, Gibson persona non grata and why ‘The Fighter?’

    Oscar TalkWelcome to Oscar Talk.

    In case you’re new to the site and/or the podcast, Oscar Talk is a weekly kudocast, a one-stop awards chat shop between yours truly and Anne Thompson of Thompson on Hollywood. The podcast is weekly, every Friday throughout the season, charting the ups and downs of contenders along the way. Plenty of things change on route to Oscar’s stage and we’re here to address it all as it unfolds.

    There isn’t a whole lot to discuss this week though there are a number of forced stories out there which kind of prove the point. I’m up in Berkeley talking to Anne down in LA so, as the New York fest kicks off tonight, let’s see what’s on the docket today…

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  • 9/23 OSCARWEB ROUND-UP: Brolin on Stone and Allen, remembering ‘Goodfellas’ and a ‘Boonmee’ how-to

    • In a joint venture with Interview magazine, Roger Ebert corners Casey Affleck on “I’m Still Here.” [Chicago Sun-Times]

    • Kevin Gray talks “Wall Street” and Woody Allen with Josh Brolin. [Vulture]

    • Steve Pond runs a comb through the contenders so far to gauge strengths and weaknesses. [The Odds]

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  • But is it?

    I’m not sure how I missed the memo, but in the past 48 hours, “The Town” apparently became an Oscar contender and nobody told me.

    You may recall that when I posted my updated predictions on Sunday, I actually found room for Ben Affleck’s popular sophomore feature in the Best Adapted Screenplay category. I thought that a relatively off-center guess at the time, but now others, emboldened by strong reviews and excellent box office for the straight-ahead thriller, are going much further.

    Just yesterday, both Deadline’s Pete Hammond and THR’s Gregg Kilday bestowed the “O” word upon “The Town,” with both reporters citing a wildly enthusiastic reception at the film’s Academy screening on Saturday. (I always take such screening reports with a pinch of salt — a film can play well without inspiring reverence — but I’m just passing along the message.) Kilday goes on to suggest that Affleck could benefit from the Academy’s noted fondness for heartthrob actors turned serious filmmakers.

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