Only two weeks into my new feature and I’m already a day late — apologies. My laptop (now cured, at least until its next mood swing) will graciously accept the blame.
If you missed last week’s introductory instalment, the game is a simple one. In the run-up to nomination day, I’m picking five outstanding contenders in each major category in films from the first half of the 2010 release schedule: a period repeatedly neglected by voters in favor of newer, shinier delights. We started with Best Supporting Actress — during which I learned that a lot of you really don’t like Taylor Swift, but you still all saw “Valentine’s Day” — and this week we fill in the male half of the equation.
Keen as I am on all five performances I dredged up from the January-to-June wilderness, I was somewhat disappointed to note a very similar template forming to last week’s list: one French breakthrough talent, one blockbuster high point, even one star from a particular film. All accidental, I assure you… but to think I complain about “slot” mentality in the Oscar-analysis game.
All of the cards (save for the elusive James L. Brooks title 


If you were able to catch the live stream of the 20th anniversary Gotham Awards tonight (nominees
It’s been five years since an American film topped the annual poll of venerable British film mag Sight & Sound, and even longer since a major studio picture took the honor. So congratulations are in order to 


I spent some time this morning weeding and updating my current nomination 
(A day later than usual — apologies. Friday night got in the way.)
The nominees for the 20th annual Gotham Independent Film Awards were announced this morning by Elvis Mitchell via live stream and we get a lot of what we’d expect. Debra Granik’s 
