In Contention

Tag: Best Animated Feature Film

  • OSCAR GUIDE: Best Animated Feature Film

    The Secret of KellsThis year’s Best Animated Feature Film race featured five nominees for just the second time in the category’s existence.  It was the result of a robust slate of qualifying contenders that reached the magic number of 16, and yet there was still quality work left lying in the also-rans pile.

    There was a wide open fifth slot throughout most of the season as a generally agreed-upon four slowly coagulated.  Come nomination morning, the field therefore offered one of the many exciting surprises as a foreign independent project from a first-time filmmaker one-upped films both critically (“Ponyo”) and commercially (“Cloudy with a Chance of Meatballs”) successful.

    The nominees are:

    “Coraline” (Henry Selick)
    “Fantastic Mr. Fox” (Wes Anderson)
    “The Princess and the Frog” (John Musker and Ron Clements)
    “The Secret of Kells” (Tomm Moore)
    “Up” (Pete Docter)

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  • WEEKLY WRAP: ‘Avatar’ awe, ‘Bones’ defense, original songs

    Avatar• A little movie called “Avatar” premiered. This week’s Oscar Talk tucked into the film.

    • As “The Lovely Bones” faces a frosty critical welcome, this week’s Off the Carpet column went to bat for the film.

    • We interviewed a quartet of young actors making strides this year: Abbie Cornish, Saoirse Ronan, Ben Foster and Bryce Dallas Howard.

    • In The Long Shot, we examined the animation race — and stood up for under-the-radar contender “Mary & Max.”

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  • THE LONG SHOT: Cartoon network

    Mary and MaxAs the year winds down, and critics and entertainment journalists search for neat blanket tags with which to label the year that was, “the year of animation” is a phrase that is getting increasingly bandied about – some going so far as to declare 2009 the greatest year of all time for animated product. (Certainly, TIME magazine has fed that narrative, by naming a trio of ‘toons the year’s three greatest films.)

    It’s up for debate whether such talk is a result of extraordinary across-the-board quality, or sheer numbers. Make no mistake, this year has turned up more visible animated titles, in a broader range of artistic formats, than any in recent memory.

    Confirmation of this deluge comes in the Academy’s official listing of 20 titles in the hunt for the Best Animated Feature Oscar – the largest number since the category’s inception in 2001, and one that ensures the first five-strong slate of nominees since 2002.

    Of course, 2002, despite the higher-than-usual proportion of contenders, was hardly a banner year for the medium: “Spirited Away” may have taken a well-deserved Oscar, but the amount of filler it had to beat in the process – including such already forgotten snoozes as “Spirit: Stallion of the Cimarron” and “Treasure Planet” – was proof positive that quantity doesn’t equal quality in this particular race.

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  • Golden Globes announce 15 animated contenders

    Hardly something to stop the presses for, but the Hollywood Foreign Press Association has revealed the 15 eligible titles vying for a Best Animated Feature nod at the Golden Globes.

    It’s the same as the 20-title longlist from which the Academy will pick its nominees, minus the following five films: “Astro Boy,” “The Dolphin: Story of a Dreamer,” “Tinkerbell and the Lost Treasure,” “A Town Called Panic” and “The Secret of Kells.” A pity in the latter two cases. (Irish festival hit “Kells” surprised many with a Best Feature nod at the Annie Awards earlier this week.)

    In case you forgot, the Globes have expanded the category to include five nominees this year. Nominations are announced December 15. As you were.

  • ‘Coraline’ leads the field of Annie nominees

    Coraline“Coraline” and “Up” both received nominations in eight categories.  “The Princess and the Frog” showed up in five while “Cloudy with a Chance of Meatballs” showed up in four.

    “Fantastic Mr. Fox” (3),  “Monsters vs. Aliens” (3), “9” (2), “Astro Boy” (2) and “Ice Age: Dawn of the Dinosaurs” (2) brought up the rear with mentions in three and two categories respectively.  “Ponyo” also only landed two nods, for music and direction, so that’s probably worth noting.

    I’m listing per category, by the way, because it’s weird to me to have two separate “nominations” in fields like character design and production design, one per person.  Why not just one for the film with the artists listed as nominees?  It makes sense for vocal performance nods, but not really otherwise.  Anyway, to be fair, I guess “Coraline” leads the whole field with 10 total nominations, while “Up” has nine.  “The Princess and the Frog” has eight, with that in mind.

    Anyway, check out the full list of feature nominees after the jump (and the full list of all nominees at the Annie website).

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  • THE LONG SHOT: Popular mechanics

    Chris Pine in Star Trek“My God, they’ve thrown in everything but the Teenage Mutant Ninja Turtles.”

    Quoted by writer Anthony Holden in his gossipy history “The Oscars,” this was one publicist’s dismayed response to the 1990 Academy Award nominations, which included such unusual concessions to popular (as opposed to critical) opinion as a Best Picture nomination for “Ghost” and a Best Actress nod for Julia Roberts in “Pretty Woman.”

    I remember this year well – I was eight years old, and it was the first Oscar race I followed in detail from burbling Christmas hype to the ceremony itself, digging up and scrapbooking all the press and TV coverage I could find.

    And from what I recall of my fledgling research, the unnamed publicist above wasn’t alone in her discontent. In particular, the “Ghost” nomination attracted levels of critical scorn even higher than those usually reserved for the Oscars – the common line being that the Academy had sold out to commerce rather than art, and that the sky would be falling at any given moment.

    Does this situation sound at all familiar?

    It should do. Though it was a response to an outcome rather than a possibility, the kvetching over the 1990 nods more than slightly resembles the panic that set in among certain pundits and fans alike (including, admittedly, yours truly) when the switch to 10 Best Picture nominees was announced in June.

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  • Animated feature contenders pushing 18 now

    The Secret of KellsOne of the titles we mentioned a couple of weeks ago that could slide in and help rescue the animated feature category (as in, push the field of qualifying contenders closer to 16, which would yield the potential for five, rather than three nominees) was something called “The Secret of Kells.”

    Since then, “The Missing Lynx: Paws on the Run” has come to the category’s aid, as has the stop-motion “A Town Called Panic,” so we’ve got 17 contenders before this news, but 19 gives a nice cushion.

    Peter Debruge reports at Variety:

    GKIDS picked up U.S. rights to “The Secret of Kells” just three days before the Oscar submission deadline and plans to open the 2D toon for a one-week qualifying run on Dec. 4 at the AMC Burbank 8 in Los Angeles, followed by a wider release in March 2010.

    The story of a ninth-century boy who rebels against his guardian’s orders and helps to illuminate a famous Irish manuscript, pic garnered numerous accolades abroad, including an audience award at the Annecy toon fest and a nomination for the European Film Awards’ animated feature prize.

    Also worth noting: the film won the audience award at the Edinburgh Film Festival in June.

  • 11/11 Oscarweb Round-up

    Up• Steven Zeitchik plays things from the other side of the coin, says a high Best Picture profile for “Up” could cause the film in the animated feature category. [Hollywood Reporter]

    • Jeffrey Wells takes aim and fires heavily on “Precious.” [Hollywood Elsewhere]

    • The People’s Choice Award nominations are here.  I KNOW you care.  So go ahead and vote. [PeoplesChoice.com]

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  • WEEKLY WRAP: Oscar hosts, Bridges arrives, animated five

    Jeff Bridges in Crazy Heart• Oscar season ramped up this week, with the popular selection of Steve Martin and Alec Baldwin as this year’s Oscar emcees.

    • This week’s Off the Carpet column surveyed the runners and riders for Best Actor …

    • … only to be immediately outdated as Jeff Bridges and “Crazy Heart” arrived to turn that race on its head.

    • Big news in the Best Animated Feature race, as last-minute entry “A Town Called Panic” ensured we’ll have five nominees.

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  • OSCAR TALK: Ep. 9 — Baldwin/Martin, ‘Crazy Heart,’ animated contenders and the Gurus’ latest chart

    Oscar TalkWelcome to the latest installment of Oscar Talk, a weekly kudocast between yours truly and Anne Thompson of indieWIRE’s Thompson on Hollywood.

    On the docket this afternoon:

    • Anne and I discuss the week’s biggest Oscar news, the tapping of Alec Baldwin and Steve Martin as this year’s Oscar telecast hosts.

    • Another substantial news item this week was the revelation that Scott Cooper’s “Crazy Heart” would get a last minute 2009 release from Fox Searchlight.  Anne and I talk up the film and actor Jeff Bridges’s wonderful, certainly Oscar-worthy performance.

    • “A Christmas Carol” releases today, so we use that as an opportunity to revisit the animated feature contenders.

    • As mentioned earlier this morning, the latest Gurus o’ Gold chart has gone up.  Anne and I talk about a number of the contenders, placements, etc.

    Have a listen to this week’s podcast below, leading in with one of the original tracks from “Crazy Heart.” And as always, you can subscribe to Oscar Talk via iTunes here.

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  • The animated feature race doesn’t have to ‘Panic’ now

    A Town Called PanicWe’ve been hot on the animated feature trail as of late, keeping a keen eye on the number of films that have qualified, plan to qualify, or have opted out of qualifying, the magic number of 16 titles (which would warrant a five-nominee slate rather than three) being the key throughout.

    Earlier this week Raul Garcia’s “The Missing Lynx: Paws on the Run” was submitted for Academy consideration and is in the midst of its required Los Angeles qualifying run in Encino.  Now, Steve Pond reports that another film has joined the party, one that was, for a time, considered out: “A Town Called Panic.”

    Screen International’s Allan Hunter called the film a “blast of freewheeling inventiveness,” while Variety’s Leslie Felperin noted that the stop-motion effort “proves you don’t need fancy CGI techniques, 3-D, or stunt voice casting to make a sparkly little gem.”  The film was reviewed extensively out of Fantastic Fest last month and plays AFI Fest later this week.

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  • Animated feature looking like five all over again

    The Missing Lynx: Paws on the RunTwo weeks ago we told you about the animated feature film category’s state of flux and how a little film no one has heard of called “The Missing Lynx: Paws on the Run” could be its saving grace.

    With “Evangelion 1.0: You Are (Not) Alone” and “A Town Called Panic” currently off the qualification list, and Disney trying hard to pad the field of eligible titles by submitting Robert Zemeckis’s “A Christmas Carol” (when Zemeckis has gone on the record as saying such a thing is a “disservice to the great animators”) and even squeezing in the formerly-straight-to-DVD “Tinker Bell and the Lost Treasure,” the magic number of 16 has been too close to call.

    Well, today at 5:00pm is the official deadline for submissions, and prints of qualifying titles are due by November 13.  It’s now or never, and things will start to take shape soon.  But getting back to “The Missing Lynx,” Steve Pond is reporting that the film was officially submitted and gets some great quotes form director Raul Garcia about the situation.

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  • WEEKLY WRAP: Foxes, festivals and foreign contenders

    Fantastic Mr. Fox• The 53rd annual London Film Festival kicked off with Wes Anderson’s “Fantastic Mr. Fox” — we reviewed it here.

    • Speaking of festivals, the AFI Fest unveiled its own complete lineup, with “Fox” and “A Single Man” as its bookends.

    • This week’s edition of The Long Shot considered the extensive possibilities for black, gay and female filmmakers in this year’s awards race.

    • With actors like Meryl Streep and Christopher Plummer straddling lead and supporting territory this year, we addressed the awards category shuffling that may lie ahead.

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  • OSCAR TALK: Ep. 6 — Foreign, animated, ‘Fantastic Mr. Fox,’ Plummer and more

    Oscar TalkWelcome to the sixth installment of Oscar Talk, a weekly awards-centric kudocast featuring yours truly and Anne Thompson of indieWIRE’s Thompson on Hollywood.

    As we move further into the season, there is finally substantial grist for the mill.  Here’s what we’re discussing today:

    • With 65 countries locked in for consideration in this year’s Best Foreign Language Film category, Anne and I offer up rough expectations for the eventual nominees and spotlight a handful of pics we hope to catch very soon.

    • As the animated feature film category seems ebb and flow with contenders the last few weeks, we talk about how the category might shake down and discuss Wes Anderson’s “Fantastic Mr. Fox,” playing the London Film Festival and set for an AFI Fest bow next month.

    • “Where the Wild Things Are” opens today, so Anne and I (of like minds on the film) offer our thoughts.

    • Making good on last week’s tease, we discuss Oren Moverman’s “The Messenger,” starring Ben Foster, Woody Harrelson and Samantha Morton.

    • And finally, we get into a late-comer to this year’s Oscar landscape, Christopher Plummer, suddenly looking at a campaign in the supporting actor category for “The Last Station” and the lead actor category for “The Imaginarium of Doctor Parnassus,” plus a debate on his classification in the former.

    We ran a little long today (and got into some fights along the way), but have a listen to this week’s podcast below.  And, as always, you can subscribe to Oscar Talk via iTunes here.

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  • Animated slate still in limbo

    The Missing LynxEarlier today Tom O’Neil reported that “Evangelion 1.0: You Are (Not) Alone” will not qualify for the animated feature Oscar race because it was released in Japan in 2007.  That would bring the number of qualifying titles from 16 down to 15.

    However, there seem to be films in play that we hadn’t previously considered.  According to a commenter at the website Cartoon Brew, an Antonio Banderas-produced film called “The Missing Lynx: Paws on the Run” will receive a qualifying run on November 13.  I haven’t verified that info yet but it’s something to keep an eye on.  Here’s a quick profile of the project.  There is also the outside chance of “The Secret of Kells” making it’s way at the last minute.

    Nevertheless, for the moment, without “Evangelion,” we’re looking at a three-nominee race once again, unless something comes along to save the day.  Does Disney have anything else it would like to randomly shuffle from home video to theatrical run?

    More coverage of the category here, here and here.

  • 10/13 Oscarweb Round-up

    Jarvis Cocker• Could Jarvis Cocker step into the original song race with “Fantastic Mr. Fox AKA Petey’s Song” from Wes Anderson’s latest? [The Guardian]

    • Scott Feinberg talks to “A Single Man” star Julianne Moore. [And the Winner Is…]

    • What are the real lessons of Roman Polanski’s “Chinatown.” [Beyond the Multiplex]

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  • WEEKLY WRAP: ‘Education’ lands, animation expands

    Carey Mulligan and Peter Sarsgaard in An Education• After a quiet week for awards news, this week’s Off the Carpet column contemplated the depth of the Best Actress race.

    • A topic that Kris and Anne also debated in this week’s episode of Oscar Talk.

    • Speaking of Best Actress, “An Education,” with its nomination-bound performance by Carey Mulligan, finally hit theaters this week.

    • And speaking of Mulligan, she placed highly in our list of the Top 10 actors under 30.

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  • We can officially add ‘A Christmas Carol’ to the animated list

    Gary Oldman in A Christmas CarolYesterday we covered the animated feature film race and the potential for the category to have five nominees this year, largely dependent on Robert Zemeckis’s “A Christmas Carol” being submitted as animation (a decision completely in his hands).  As it turns out, the film will indeed be submitted for consideration.

    That, along with “Tinker Bell and the Lost Treasure” brings the tally up to 16 titles.  Some are expressing doubts that “Tinker Bell” can qualify, but I’m told the film “looks great, is made professionally, and will receive a theatrical run in LA, so those are the criteria.”  Still, being right on the edge, this thing could go either way.

    I’m still waiting on confirmation that the French film “A Town Called Panic” had a qualifying run or will have one (mass confusion), and ditto Summit’s “Astro Boy,” but that would be 17 and the absolute ceiling (by my calculation) on the number of submitted titles.

    Assuming five nominees, here’s what I’m thinking…

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