In Contention

Tag: Christopher Nolan

  • INTERVIEW: Leonardo DiCaprio on ‘Inception’ and ‘Shutter Island’ parallels and a shifting industry landscape

    *PLEASE NOTE: There will be spoilers of both “Inception” and “Shutter Island” in this two-part interview with actor Leonardo DiCaprio.  For yesterday’s installment, featuring extended conversation with the actor and director Martin Scorsese, click here.

    Leonardo DiCaprio was very aware of the similarities between “Shutter Island” and “Inception” when he was considering starring in the latter. The idea of a man haunted by his past and living in an alternate reality, these are themes that interest him, in particular because he enjoys playing characters which are in some ways unreliable protagonists (to play on the “unreliable narrator” literary device).

    “There’s nothing obvious,” he says. “It forces you to sit with the other characters and be deceitful to yourself and to the people around you. No line is taken for what it is. You can never read a line with either of these characters and say to yourself, ‘He means exactly what he says.’ There’s a hidden agenda there. Both of these characters are lost in the labyrinth of their own mind and living an alternate life completely that they hadn’t come to terms with. And how one lies to oneself is interesting, too, with both of these guys.”

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  • 12/8 OSCARWEB ROUND-UP: Karger ranks, Kubrickian directors and Arndy on the genius of the Pixar system

    • Dave Karger takes a stab at ranking the major categories. (Rush above Bale?) [Inside Movies]

    • Anne Thompson talks “Toy Story 3” and the genius of the Pixar system with Michael Arndt. [Thompson on Hollywood]

    • Which Kubrick-compared director is the most Kubrickian? [Vulture]

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  • Christopher Nolan’s interview with brother Jonathan in the ‘Inception’ shooting script

    If you’ve been itching for more “Inception,” this week will likely be a good one for you.  The DVD/Blu-ray hits shelves today, packed with plenty of features that’ll keep you geek-gasming all the way into the holiday and through awards season.

    One item that’s been on the market for a few months now is “Inception: The Shooting Script.” I received the book in the mail this afternoon and was pleasantly surprised to find a longish 10-page interview with Christopher Nolan as conducted by his brother (and “The Dark Knight” co-writer) Jonathan.

    Okay, it’s not THAT insightful.  And it has a lot of the usual talking points (Christopher) Nolan exhausted on the press tour for the film.  But there are nuggets here and there and it’s pretty cool to have Jonathan conduct the thing seeing as he’s been hearing about the idea from his brother for the last 10 years.

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  • 11/30 OSCARWEB ROUND-UP: Nolan circling back, Carpetbagger returns, debating Oscarcast hosts

    • Composers Trent Reznor and Atticus Ross and sound mixer Ren Klyce talk “The Social Network. [SoundWorks Collection]

    • Patrick Goldstein catches up with the idea that the new Disney is pushing hard for “Toy Story 3,” deems it “crazy,” but smartly warns against chafing. [The Big Picture]

    • Christopher Nolan circles back around as “Inception” readies for home video release. [Wired]

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  • THE LONG SHOT: When you’re strange

    (Updated predictions available here.)

    I shan’t often find room for Gaspar Noé’s name in a space ostensibly dedicated to the Oscar race, so bear with me if this seems an unlikely opening gambit, but inspiration for this week’s column began with a conversation about his fluorescent, drug-addled ghost story “Enter the Void.”

    A friend had recently caught up with it, and found herself disappointed: having been promised a psychotropic headfuck, she instead found something more sentimental and less questioning than his previous work. “At this rate,” she muttered aggrievedly, “he’s about 10 years away from a bloody Oscar nomination.”

    That’s a flip exaggeration, of course, but there’s a kernel of truth in it: the Academy likes its enfants terribles most when they’ve passed the teething stage and begin to play nice — or at least safe. There’s a long and illustrious list of adventurous, iconoclastic directors who scored with AMPAS either by putting a leash on their wilder creative instincts or making sly concessions to the mainstream.

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  • OFF THE CARPET: Giving thanks

    As we move into turkey (or tofurkey, if that happens to be your speed) week 2010, it seems proper, if a tad bit obvious, to take a moment and give thanks. So in lieu of a proper analysis of the season’s progression this week, allow me to express my boundless, breathless appreciation for the following:

    The filmmakers.

    I’m thankful for Mike Leigh’s consistently maturing perspective on life and how he manages to gift that to film audiences each and every time out, for Peter Weir’s tenacity in the face of an unfortunate shift in cinema investment and for Darren Aronofsky’s well-rewarded (in the form of a two-year studio deal) efforts pushing the envelope.

    I’m thankful for Danny Boyle’s energetic perspective on the cinema and his obsession with filling his frame with that passion, as well as for Christopher Nolan’s determination to take studio goodwill and prove that there is an audience and payoff for pricey originality.

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  • WEEKLY WRAP: Weinstein takes the gloves off, Hollywood mourns its own, doc and animated fields shortlisted

    • The Academy honored legends Francis Ford Coppola, Eli Wallach, Jean-Luc Godard and Kevin Brownlow at the annual Governors Awards.

    • Kris attended a Summit Entertainment holiday party, chatting with the talent in attendance.

    • Disney revealed a clever plan geared toward presenting “Toy Story 3” as a legitimate Best Picture contender.

    • The Weinstein Company lawyered up on the MPAA rulings on “Blue Valentine” and “The King’s Speech”

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  • OSCAR TALK: Ep. 41 — Governors Awards, animated and doc feature shortlists, circuit festivities and remembering Ronni Chasen

    Oscar TalkWelcome to Oscar Talk.

    In case you’re new to the site and/or the podcast, Oscar Talk is a weekly kudocast, your one-stop awards chat shop between yours truly and Anne Thompson of Thompson on Hollywood. The podcast is weekly, every Friday throughout the season, charting the ups and downs of contenders along the way. Plenty of things change en route to Oscar’s stage and we’re here to address it all as it unfolds.

    There have been toasts in honor of talent and in the way of remembrance during this busy, and heartbreaking, week on the Oscar circuit. So as always, there’s plenty to cover. Let’s dive in and see what’s on the docket today…

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  • Nolan to be honored by Visual Effects Society

    Christopher Nolan keeps racking up the kudos along the circuit.  Here’s the latest, from the press release, in part:

    The Visual Effects Society will honor Academy Award® nominated filmmaker Christopher Nolan with the inaugural VES Visionary Award at the 9th Annual VES Awards on Friday, January 28, 2011 at the Hyatt Regency Century Plaza Hotel in Los Angeles , CA . The award is designed to honor an individual who has uniquely and consistently employed the art and science of visual effects to foster imagination and ignite future discoveries by way of artistry, invention and groundbreaking work.

    “Christopher Nolan has been at the forefront in using vfx to help tell complex and astonishing stories that change the way we think about the world around us,” said Jeffrey A. Okun, Chair of the Visual Effects Awards Committee. “His body of work inspires and he continues to push the envelope both technically and in storytelling. Given the amazing work he’s already created in such a short span of time, he is absolutely the best person to receive our inaugural Visionary Award.”

    [Photo: Warner Bros. Pictures]

  • Nolan’s new Batman film gets a title and eliminates a villain possibility

    Christopher Nolan is hard at work on his third foray into the world of the Caped Crusader.  Recently Tom Hardy was cast in an unspecified role.  The latest word is that he’s busy trying to nail down the female lead in the film (we don’t know who the character is yet).  And today, two more nuggets.

    First, the film has a title, as reported by Geoff Boucher at the LA Times’ Hero Complex blog: “The Dark Knight Rises.” I am…not digging it.  At all.  It’s so dry.  It feels pedestrian, incidental, something.  But what’s in a title, right?  “Batman Begins” was kinda lame for a title, I thought.  But then “The Dark Knight” worked off of the potent thematic mojo going on in the script.  This is just the usual “He’s baaaaack” kind of thing.  Meh.

    Next up, Nolan revealed to Boucher that the villain in the film is NOT the Riddler.  Most have just assumed Hardy was cast in that role, but now it looks like the character isn’t even in the film.  And part of me is really happy about that.  I’d have loved to see Nolan’s take on the Riddler, don’t get me wrong.  But I think the series desperately needs to go its own way character-wise in this third installment, so I’ll be very excited to see who’s who.

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  • Nolan tapped for Modern Master Award in Santa Barbara

    Pete Hammond originally reported this news yesterday and the press release dropped shortly thereafter, but “Inception” director Christopher Nolan will receive the Santa Barbara International Film Festival’s highest honor — the Modern Master Award — in January.  Here’s the release, in part:

    Established in 1995, [The Modern Master Award] was created to honor an individual who has enriched our culture through his/her multi-faceted accomplishments in the motion picture industry. Nolan joins an illustrious group of past recipients including Michael Douglas, Jodie Foster, Sir Anthony Hopkins, Diane Keaton, Sean Penn, Jeff Bridges, Peter Jackson, George Clooney, Will Smith, Cate Blanchett, Clint Eastwood, and James Cameron.

    “Every one of Nolan’s films has set a new standard for the film community, with Inception being the latest example,” comments [SBIFF Executive Director Roger] Durling. “Nolan was the natural choice for this year’s SBIFF’s Modern Master Award.”

    Standing out as one of the greatest minds in cinema, Nolan consistently pushes the boundaries of both filmmaking and storytelling. Demonstrating great versatility throughout his career, he has masterfully taken on the challenges of film as a director, writer, producer, editor, and cinematographer. His films have achieved immense success at the box office, drawing some of the largest profits in history, while at the same time they are recognized and renowned for being intellectually sophisticated and a challenge for all audiences alike.

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  • Tom Hardy cast in Nolan’s next Batman film

    I kind of don’t like calling it “Batman 3,” but in any case, Mike Fleming is reporting at Deadline that Tom Hardy, star of Christopher Nolan’s “Inception,” has been cast in a “lead role” in the sequel to 2008’s “The Dark Knight.”

    Naturally, “insiders are keeping the role secret and won’t even say if he’s up for a villain role, but that seems a reasonable assumption,” Fleming writes.  I find myself wondering.  I heard an interesting theory (there are many surrounding these films) some time ago that Hardy would be an intriguing choice for actor Basil Karlo, aka Clayface (given his actorly role in “Inception”).  All talk, of course.

    There is also discussion that, solely based on the fact that the film is shooting in New Orleans, the villain might be bayou-centric…Killer Croc.  I’d frankly be all about that if they could pull it off.  Part of me wants this third film to embrace the heightened reality of the universe, rather than boil too much further into realism.  Supernatural elements could be done in a classy fashion, I think.

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  • TECH SUPPORT: Best Art Direction — Volume II

    Oh how things have changed since I last wrote in this space. In the past four weeks, Tech Support has taken a break, allowing the dust from the festival circuit to settle, and other titles to open. Over the next 10 weeks, we’ll take a second look at each of the crafts categories, finishing in mid-December – just as awards circuit takes hold.

    Today, we take a second glance at Best Art Direction. As stated last time, this category tends to reward period and fantasy films.The branch  has some favorites, but it’s not overly incestuous. And while being a Best Picture contender certainly helps, nominees can often come from the surrounding fray.

    Perhaps I’ll start with a film that I thought would score here, but came out of Toronto in even greater shape than I expected: Tom Hooper’s “The King’s Speech.” With prestige and period attached, I am virtually certain Eve Stewart, who was nominated in this category 11 years ago for Mike Leigh’s “Topsy-Turvy,” will be heading to the Kodak. Not only am I confident she’ll be nominated again, I think she has excellent potential to win.

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  • Zack Snyder tapped for Nolan-produced ‘Superman’

    How’s that for an SEO-baiting headline?  You’ll find them everywhere today.

    And the thing is, I strangely have little to no comment on the matter.  Snyder is a good guy.  He’s done well by Warner Bros.  It makes sense for a lot of people involved but there’s still something insular and unimaginative about it all.  And moving in a direction I don’t see as a fan, but what do I matter?  (The villain will be General Zod, by the way.)

    Anyway, I had my say on all of this once — no, twice, actually.  I wish the production well.  Why don’t you just tell me what you think already?

    Oh, speaking of Nolan, nifty “Inception” trailer, re-imagined for the 1950s, after the jump.

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  • OSCAR TALK: Ep. 33 — ‘Social Network’ front-running, Gibson persona non grata and why ‘The Fighter?’

    Oscar TalkWelcome to Oscar Talk.

    In case you’re new to the site and/or the podcast, Oscar Talk is a weekly kudocast, a one-stop awards chat shop between yours truly and Anne Thompson of Thompson on Hollywood. The podcast is weekly, every Friday throughout the season, charting the ups and downs of contenders along the way. Plenty of things change on route to Oscar’s stage and we’re here to address it all as it unfolds.

    There isn’t a whole lot to discuss this week though there are a number of forced stories out there which kind of prove the point. I’m up in Berkeley talking to Anne down in LA so, as the New York fest kicks off tonight, let’s see what’s on the docket today…

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  • Who should be on Christopher Nolan’s ‘Superman’ shortlist?

    My RSS feed was absolutely stuffed to the brim with the clamoring re-reporting of the geek press’s favorite story of the week yesterday: OMG! Christopher Nolan is meeting with a shortlist of potential “Superman” directors!

    Except the list is all wrong. The names: Tony Scott, Matt Reeves, Jonathan Liebsman, Duncan Jones and Zack Snyder.  Now, I love Reeves and Jones (the two getting most people excited) as much as the next guy. But they don’t feel thematically right for this material. And Superman boasts a scope that these directors, however talented on a smaller scale, have yet to prove capable of navigating.

    Liebsman, meanwhile, is the intriguing up-and-comer pick, and though I haven’t seen “Battle: Los Angeles,” I feel like this is just a way to insert some in-house cross-promoting potential (“from the director of ‘Clash of the Titans 2,’” you know?). And Snyder, well, I wouldn’t be entirely against it, but I’d know from the start that it would be a stylistic divergence unsuitable to the character.

    Scott is really the most interesting pick of the bunch, and if this were pre-frenetic filmmaking Scott (i.e. pre-“Enemy of the State”), I’d be all about it. I’d say the guy who copped Scott’s early style would be a better pick…

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  • James Cameron tops Guardian’s “most powerful” list

    There has been some debate this morning in the British corner of the Twitterverse about the merits of The Guardian’s inaugural Film Power 100 list, which claims to represent the 100 industry figures current wielding the most power over, and influence on, UK filmgoers.

    It’s an ungainly and frequently baffling collection of names, mashing together actors, directors, moguls and journalists, but as readers pick away at the inclusion of this star over that — and non-Brits scratch their heads and wonder who the hell Claudia Winkleman is — few are arguing with the paper’s #1 choice: the long-dormant but mightily resurrected James Cameron. They explain his selection as follows:

    [H]e is almost the entire reason why [3D] is no longer viewed exclusively as a sideshow gimmick … No film-maker has taken a more passionate interest and involvement in cinema technology than this Canadian-born writer-director-producer, who pushed 3D and computer-generated character creation to a point of sophistication that would enable him to make his Pocahontas-goes-science-fiction extravaganza.

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  • 9/22 OSCARWEB ROUND-UP: Carrey’s Oscar potential, ‘Inception’ with a joystick, demanding to see ‘Beaver’

    • Sasha Stone ponders Oscar possibilities for Jim Carrey in “I Love You Phillip Morris” as the hate-mongering right looks to block the repeal of Don’t Ask, Don’t Tell. [Awards Daily]

    • Anthony Michael Hall, Judd Nelson, Molly Ringwald and Ally Sheedy reunite to celebrate 25 years of “The Breakfast Club.”  Come on, Emilio.  Too cool for school?  (See what I did there?) [People]

    • Christopher Nolan briefly mentions that he’d like to develop “Inception” as a video game (and if you have a film-related news feed then you’ve already seen plenty of webmasters climbing over themselves to re-report this). [Variety]

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