In Contention

Tag: Oscar Guide

  • WEEKLY WRAP: Top shots, Berlin coverage and more

    Paranormal Activity• You asked for it, you eventually got it: our annual list of the Top 10 shots of the year, part one and part two.

    • In our ongoing Oscar Guide series, we dug into the supporting actor, foreign language film, art direction, makeup and sound editing races.

    • Guy’s Berlinale coverage continued, with “The Illusionist,” “The Kids Are All Right” and “Winter’s Bone” among the highlights.

    • We interviewed “The Cove” director Louie Psihoyos, as well as the creative minds behind “Coraline,” Neil Gaiman and Henry Selick.

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  • OSCAR GUIDE: Best Makeup

    Toni Servillo in Il DivoThe Academy’s makeup category is one of two fields that calls for a whittling down of the contenders via a “bake-off.” Reels of the work from the seven finalists are screened, so an impressive assemblage is all you need. The work on the whole isn’t really being considered, so this can yield surprises in the field.

    This year there were a couple of surprises to say the least. A little known foreign film pushed through while a costume drama that isn’t entirely memorable for its makeup (though perhaps is well-respected for hairstyling) also popped up. Meanwhile, the presumed frontrunner for the win — “District 9” — was snubbed outright, the general feeling being that CGI enhancement was its downfall.

    The nominees are:

    “Il Divo” (Aldo Signoretti and Vittorio Sodano)
    “Star Trek” (Barney Burman, Mindy Hall and Joel Harlow)
    “The Young Victoria” (Jon Henry Gordon and Jenny Shircore)

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  • OSCAR GUIDE: Best Foreign Language Film

    The Milk of SorrowThe foreign Language film category has been marred in controversy for the last few years. When films like “4 months, 3 weeks and 2 days” and “Persepolis” were unceremoniously nixed from the field a few years ago, a special new “executive committee” was established to have final say on the fallen, hopefully saving the committee (which has to see all the titles to vote) some embarrassment.

    Still, there is an inherent bias throughout the votership here. Violence rarely plays well, and they are loathe to be accepting of non-traditional filmmaking. One need only look back one year to 2008’s “Departures” upset for evidence. For thee reasons, the category always seems ready to surprise.

    The nominees are:

    “Ajami” (Scandar Copti and Yaron Shani)
    “The Milk of Sorrow (La Teta Asustada)” (Claudia Llosa)
    “A Prophet (Un Prophète)” (Jacques Audiard)
    “The Secret in Their Eyes (El Secreto de Sus Ojos)” (Juan José Campanella)
    “The White Ribbon (Das Weisse Band)” (Michael Haneke)

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  • OSCAR GUIDE: Best Supporting Actor

    Matt Damon in InvictusIn a slight rarity, the year’s Best Supporting Actor category reflected the Screen Actors Guild nominees 100% this season. Nominations for Alfred Molina and Alec Baldwin at the BAFTA Awards weren’t enough to generate enough cross-over support, while Christian McKay’s late surge couldn’t get him there, either.

    What we’re left with is a sleepwalking performance in a dud movie, a spellbinding portrayal from a consistent performer in an indie awards success story, the first nomination for one of the screen’s legends, a tip of the hat to an actor who showed a wide range this season and a multi-lingual piece of work that began its awards run way back at Cannes.

    The nominees are:

    Matt Damon, “Invictus”
    Woody Harrelson, “The Messenger”
    Christopher Plummer, “The Last Station”
    Stanley Tucci, “The Lovely Bones”
    Christoph Waltz, “Inglourious Basterds”

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  • OSCAR GUIDE: Best Sound Editing

    UpThis year marked the first year in recent memory that the Motion Picture Sound Editors offered up its list of nominees prior to the Oscar nominations announcement rather than after. Generally that batch of tea leaves is therefore elusive for those of us looking for indicators along the way.

    Nevertheless, there wasn’t a huge shift in ideology form the mixing field to the editing field. Four films crossed over while the one that pushed through here certainly isn’t as deserving as the one that was nixed, but c’est la vie. I get the feeling there was some chummy autopilot voting going on there, but it’s a relatively solid batch of competitors anyway.

    The nominees are:

    “Avatar” (Christopher Boyes and Gwendolyn Yates Whittle)
    “The Hurt Locker” (Paul N.J. Ottosson)
    “Inglourious Basterds” (Wylie Stateman)
    “Star Trek” (Mark Stoeckinger and Alan Rankin)
    “Up” (Michael Silvers and Tom Myers)

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  • OSCAR GUIDE: Best Art Direction

    The Imaginarium of Doctor ParnassusOver the weekend the Art Directors Guild handed out their awards in three categories: period, fantasy and contemporary.  And it’s a good thing they have the contemporary field since the Academy recognizing that kind of work is like Haley’s Comet.

    The Best Art Direction category recognizes both the production designer and the set decorator of a given film, while the art director – an actual role on a film, mind you – isn’t recognized at all.  It’s very strange.  At some point they really need to change the name of the category to “Best Production Design,” but when you think of the changes the Academy needs to make — well, get in line.

    The nominees are:

    “Avatar” (Rick Carter and Robert Stromberg; Kim Sinclair)
    “The Imaginarium of Doctor Parnassus” (Dave Warren and Anastasia Masaro; Caroline Smith)
    “Nine” (John Myhre; Gordon Sim)
    “Sherlock Holmes” (Sarah Greenwood; Katie Spencer)
    “The Young Victoria” (Patrice Vermette; Maggie Gray)

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  • OSCAR GUIDE: Best Film Editing

    Gabourey Sidibe in PreciousThe Best Film Editing category tends to be a shadow of the Best Picture category in some ways. With there being 10 Best Picture nominees this year, however, the field was bound to nail down five of the contenders. So considering the old stand-by stat (no film has won Best Picture without an editing nomination since “Ordinary People”), this is a race to keep an eye on.

    In fact, it might be a bellwether for the rest of the show when the envelope is opened. Which means the competition has been boiled down to the same to films the media is keeping an eye on for Best Picture. In this instance, however, that reduction isn’t as ill-considered.

    The nominees are:

    “Avatar” (Stephen Rivkin, John Refoua and James Cameron)
    “District 9”     (Julian Clarke)
    “The Hurt Locker” (Bob Murawski and Chris Innis)
    “Inglourious Basterds” (Sally Menke)
    “Precious” (Joe Klotz)

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  • OSCAR GUIDE: Best Short Film (Live Action)

    Simon J. Berger in Instead of AbracadabraThis year’s crop of live action shorts is, in my opinion, one of the weaker fields in recent memory. There isn’t anything that stands out and announces its storytelling or cinema prowess, though the usual caveat with shorts — gimmicks in the plot — are mercifully scarce this time around.

    Generally films that showcase top notch filmmaking techniques, mini-features with noticeably rich production values, have a leg up here. There are exceptions, of course, and many times that built-in bias tends to shun more profound stories that might be assembled with lesser means, but nevertheless, there’s a decent mixture of budgets, genres and talent this time around.

    The nominees are:

    “The Door” (Juanita Wilson and James Flynn)
    “Instead of Abracadabra” (Patrik Eklund and Mathias Fjellström)
    “Kavi” (Gregg Helvey)
    “Miracle Fish” (Luke Doolan and Drew Bailey)
    “The New Tenants” (Joachim Back and Tivi Magnusson)

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  • OSCAR GUIDE: Best Actor

    Morgan Freeman in InvictusThe Best Actor category solidified pretty early on this year. I imagine the eventual line-up had slid into place as early as November, and after the Screen Actors Guild made things more official, the predictable race unfolded from there. What we have now is a typical mixture of seasoned veterans, solid industry players and newcomers to the awards season.

    But things weren’t always so clear. Before a last-minute decision to release what, from afar, always appeared to be a potential awards vehicle for a respected star, things could have gone a number of ways. Sometimes jumping in late can be a boost, and sometimes it just seems like the obvious play.

    The nominees are:

    Jeff Bridges, “Crazy Heart”
    George Clooney, “Up in the Air”
    Colin Firth, “A Single Man”
    Morgan Freeman, “Invictus”
    Jeremy Renner, “The Hurt Locker”

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  • OSCAR GUIDE: Best Sound Mixing

    Transformeres: Revenge of the FallenThe year’s sound mixing category had relatively few surprises, just glancing at the tea leaves of the season.  There was a typical 4/5 crossover between the Cinema Audio Society and the Academy, with “District 9” missing both here and in the sound editing field.

    One might be quick to chalk this, in fact all of the tech races up to the tech-heavy elephant in the room.  But let’s not forget “Slumdog Millionaire” managed a win here last year, over a decently respected piece of blockbuster entertainment.  And at the end of the day, the Academy at large generally just votes for its favorite film of the bunch, rather than think too much about what’s deserving in the field.

    The nominees are:

    “Avatar” (Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson)
    “The Hurt Locker” (Paul N.J. Ottosson and Ray Beckett)
    “Inglourious Basterds” (Michael Minkler, Tony Lamberti and Mark Ulano)
    “Star Trek” (Anna Behlmer, Andy Nelson and Peter J. Devlin)
    “Transformers: Revenge of the Fallen” (Greg P. Russell, Gary Summers and Geoffrey Patterson)

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  • OSCAR GUIDE: Best Animated Feature Film

    The Secret of KellsThis year’s Best Animated Feature Film race featured five nominees for just the second time in the category’s existence.  It was the result of a robust slate of qualifying contenders that reached the magic number of 16, and yet there was still quality work left lying in the also-rans pile.

    There was a wide open fifth slot throughout most of the season as a generally agreed-upon four slowly coagulated.  Come nomination morning, the field therefore offered one of the many exciting surprises as a foreign independent project from a first-time filmmaker one-upped films both critically (“Ponyo”) and commercially (“Cloudy with a Chance of Meatballs”) successful.

    The nominees are:

    “Coraline” (Henry Selick)
    “Fantastic Mr. Fox” (Wes Anderson)
    “The Princess and the Frog” (John Musker and Ron Clements)
    “The Secret of Kells” (Tomm Moore)
    “Up” (Pete Docter)

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  • OSCAR GUIDE: Best Visual Effects

    Star TrekThe field of visual effects contenders didn’t seem to need the annual bake-off reduction to know which way the wind was blowing this year.  Three films seemed to be headed for recognition from the outset, and on nomination morning, the category made for one of the least surprising collectives of the day.

    Furthermore, it has also become something of a foregone conclusion which film will ultimately take the win, and that hasn’t changed for months on end.  At the end of the day, I think few will argue with the fact that this will be the least compelling “race” of the night.  But each nominee is incredibly deserving of their invitation to the big dance and we are happy to spotlight them here.

    The nominees are:

    “Avatar” (Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones)
    “District 9”     (Dan Kaufman, Peter Muyzers, Robret Habros and Matt Aitken)
    “Star Trek” (Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton)

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  • OSCAR GUIDE: Best Short Film (Animated)

    French RoastThis is one of the few times the animated short category doesn’t have an American in the bunch.  One of the big snubs, in fact, was probably Pixar’s “Partly Cloudy.” So I wouldn’t bank on any domestic bias this time around.

    The animated short films feature a wide array of creative prowess, but it almost seems unfair to have such brief exercises up against longer-form narratives. The shortest entry of the bunch is roughly six minutes long, while the longest is nearly 30. You get vastly different pros and cons when you get that mixture of pace and comedic (since most animated shorts are comedies) timing. Nevertheless, none of them stands out as outright bad, so that’s certainly a plus.

    The nominees are:

    “French Roast” (Fabrice O. Joubert)
    “Granny O’Grimm’s Sleeping Beauty” (Nicky Phelan and Darragh O’Connell)
    “The Lady and the Reaper (La Dama y la Muerte)” (Javier Recio Gracia)
    “Logorama” (Nicolas Schmerkin)
    “Wallace & Gromit in ‘A Matter of Loaf and Death’” (Nick Park)

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  • OSCAR GUIDE: Best Supporting Actress

    Penelope Cruz in NineThis year’s Best Supporting Actress race made for, in many ways, one of the most wide open categories of the major nominees. While three of the contenders seemed fairly locked in place, the other two slots appeared up for grabs, and there was no shortage of deserving contenders waiting to fill out the field.

    Contenders such as Samantha Morton and Julianne Moore ultimately missed despite precursor attention, paving the way for last year’s winner in the category (a SAG nominee in a film that found itself floundering by year’s end) and a young actress who found herself opposite the year’s likely lead actor Oscar winner (and landing her first Oscar nomination in the process).

    The nominees are:

    Penélope Cruz, “Nine”
    Vera Farmiga, “Up in the Air”
    Maggie Gyllenhaal, “Crazy Heart”
    Anna Kendrick, “Up in the Air”
    Mo’Nique, “Precious”

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  • Introducing the Oscar Guide

    OscarsAs of this moment we are 32 days away from this year’s Academy Awards celebration, taking place on Sunday, March 7.  That gives us 23 business days, so I’ve decided to launch a new feature here at In Contention: the Oscar Guide.

    Every week day this month we’ll be featuring one of the 24 Oscar categories in depth, beginning later this afternoon with the Best Supporting Actress field.  On Saturday, March 6, we’ll wrap the feature up with a look at the 10 Best Picture nominees and one more analysis before the big day.

    Each Oscar Guide entry will be accompanied by a sidebar poll asking you, the readership, what you think deserves to win in said category.  That worked out nicely last year.  (The supporting actress poll is already live.)  At the end of the run we’ll have a master list of what you all think the slate of winners SHOULD look like, and we’ll have fun discussing and (surely) debating each category along the way.

    So keep an eye out later today and throughout the month as we inch closer to the 82nd annual Academy Awards!