In Contention

Category: Daily

  • Top 100 movie lines in 200 seconds

    A healthy selection.  Perhaps not exactly the “best” throughout, but a pretty sweet trip down movie memory lane.

    (Courtesy: Liquid Generation, via /Film)

  • 6/10 Web Round-up

    Charlie Chaplin in The Great Dictator• A belated Happy Birthday to Kim Voynar, who digs back into the not-so-subtle themes of “Up.” [Movie City News]

    • Counting down the worst movie politicians. [Empire]

    • Taking a look at the key films of Palme d’Or winner Michael Haneke’s career. [Daily Telegraph]

    • Patrick Goldstein talks to Tony Kaye about his most recent off-the-wall art project. [The Big Picture]

    • A.O. Scott looks back at Oliver Stone’s “Wall Street.” [New York Times]

    • Speaking of which, Michael Douglas is all set to receive a lifetime achievement award from AFI. [Los Angeles Times]

    • Christopher Campbell aggregates all the speculation over who should play B.A. Baracus in the new “A Team” movie.  Shouldn’t we just hand it over to Craig Robinson and be done with it? [Spout Blog]

    • IMAX popularity sparks copycats.  Enough tweaking the distribution, let’s get back to basics.  You know, like quality of product? [Wall Street Journal]

  • First look at Mickey Rourke in ‘Iron Man 2’

    Courtesy of USA Today, Screen Rant and Jon Favreau’s Twitter page, we get our first peek at Mickey Rourke as Whiplash in “Iron Man 2.”  Quite low-tech, which is interesting.  Thoughts?

    Mickey Rourke in Iron Man 2

    Side-by-side comparison with a comic depiction of Whiplash after the jump.

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  • Mark-Paul Gosselaar, in character as Zack from ‘Saved by the Bell,’ interviewed on Late Night

    Frankly, I think this bit on last night’s “Late Night” is one of two or three funny ideas Jimmy Fallon has ever had.  And it totally sings.  Nikki Finke, by the way, is taking heavy fire for hating on the sketch.

  • Sam Mendes on Kate, Chekhov and cricket

    Sam Mendes and Kate WinsletPerhaps it’s telling that this recent Times interview with Sam Mendes mentions his latest film “Away We Go” in a single sentence, while focusing rather more attention on his upcoming theatrical double-bill, directing Chekhov’s “The Cherry Orchard” and Shakespeare’s “The Winter’s Tale” for Kevin Spacey’s Old Vic in London. I have yet to see the thus-far coolly received new film (I’ll catch up with it in Edinburgh next week), but I’ve booked my theater tickets — and I know which evening I’m more excited about.

    Be that as it may, it goes to demonstrate just what a busy guy he is at the moment: not many people can claim to have unveiled two major feature films and a weighty stage project in a six-month period. Not content with that, he also finds time to play cricket for a county team — there’s something I didn’t know.

    As the interview makes clear, Mendes’ sudden spurt of creativity is a sort of compensation for four rather quiet years which he devoted to raising his young family. I hope he maintains the newfound energy level, given the variable nature of his filmography thus far — for a gifted filmmaker, inconsistency is best accompanied by prolificacy. (Ask Woody Allen or Clint Eastwood.)

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  • The trouble with sci-fi

    Christian Bale in Terminator SalvationIt’s never too late to give another stiff kick to the ribs of “Terminator Salvation,” it seems.  The film just opened in the UK last week, opening the doors for this David Cox blog entry on the Guardian website.  It’s a thorough, well-conceived, smart piece about the fact that Hollywood seems to be making a mess of science-fiction these days, choosing nostalgia over novelty and sadly missing the boat on some of the most captivating ideas that lie right in front of our faces.

    Of course, this is why we should all rally around a guy like Duncan Jones who is clearly interested in those ideas and could push the genre, finally, into its brave new world.  But until creative people make the calls rather than fiscally conscious business conservatives, it’ll just be more of the same.  I’m elated that “Star Trek,” a film that at least touches on some more intriguing possibilities if by way of plot device alone, is the highest grossing film of the year.  Maybe that can help signal a change and guys like Jones can get their work out there more and more.  Ditto James Cameron’s “Avatar” when it finally makes its way to theaters.

    Here’s Cox’s argument, in a nutshell:

    A quarter of a century ago, when The Terminator hit the screen, things were a bit different. Then, advances in computing were a disquieting novelty to many. Hal’s terrifying takeover of the Discovery still haunted cinemagoers’ imaginations from 2001: A Space Odyssey. It was a time for murderous cyborgs. Now, however, we take artificial intelligence for granted. It’s become humdrum rather than chilling.

    Future global conflict was an all too real prospect in the era of the cold war. Post-apocalyptic, Mad Max worlds, like the one in which Terminator Salvation is set, were far from fantastical for a generation living in genuine terror of imminent nuclear holocaust. Today, our fears lie elsewhere…Our own age ought to provide it with plenty of raw material for the performance of these functions. Cosmology, sub-atomic physics and the life sciences are transforming our understanding of reality, while the way human life should be organised has come once more into question.

    Yet, Hollywood continues to offer us sci-fi spectaculars that, like Terminator Salvation, seem strangely out of time. Star Wars: The Clone Wars was perhaps the most egregious example of an attempt to suck box-office dollars from the decaying corpse of a cold war masterpiece. Our decade’s superhero sagas carry a whiff of nostalgia for the age of the comic book. Star Trek was a reminder that space was once the final frontier. We’ve learned since then that the frontiers that matter are closer to home.

    Read the rest over at The Guardian.  Also, I have to say, I don’t think there is another traditional media outlet that has utilized new media, specifically blogs, as completely and smartly as The Guardian.  The posts are consistently interesting, never derivative and always reflective of the best op-ed journalism or commentary.

  • 6/8 Web Round-up

    Golden Gate Bridge• “Tonight Show” drummer Max Weinberg splits his attention between his new west coast late night gig and his east coast responsibilities with the E Street Band. [New York Times]

    • Nikki Finke reveals the real life Hollywood story that inspired the spec script for “The Hangover.” [Deadline Hollywood Daily]

    • Todd Leopold talks to “Hurt Locker” director Kathryn Bigelow. [CNN]

    • Noah Forrest questions the motivations of studios hoping to cash in on sequels nobody asked for. [Movie City News]

    • As “Land of the Lost” tanks at the box office, Chris Nashawaty asks what most of us have been wondering for a while: “Is America over Will Ferrell?” [MSNBC]

    • Patrick Goldstein treads similar territory, wonders whether Ferrell’s “movie-star credentials should be revoked.” [The Big Picture]

    • On the emo dorks actresses find appealing these days. [The Independent]

    • The Golden Gate Bridge: a sci-fi director’s favorite target. [The Guardian]

  • And again

    Sorry for the down time this morning, folks.  We had some final server issues to work out and things spilled over into the work day.

  • If at first you don’t succeed…

    I Hate Valentine's DayHas Nia Vardalos cloned herself? That’s a pretty terrifying thought, granted, but don’t shudder just yet, because my next statement is even more troubling: Vardalos has another movie out next month.

    Yes, fresh from the roaring success of “My Life in Ruins,” Hollywood’s favorite recycler of Hellenic schtick is striking while the iron’s, uh, hot with a romantic comedy titled “I Hate Valentine’s Day.” IFC are the fortunate distributors; I’d say riding the coattails of Fox Searchlight’s Vardalos project must have seemed like a good idea at the time, but, well, how could it have done?

    Unlike “My Life in Ruins,” this one is written and directed by the star herself, so Vardalos’ numerous fans can rejoice in the fact that her talent will be unbridled this time. And look! John Corbett is back for the ride, to rekindle that old Greek magic. I bet July 3 suddenly seems too long to wait, huh?

    Why had I not heard about this film until today? Why was I not warned? (Hat tip to Stale Popcorn for breaking the news to me gently.) And why, given the title of the film, could they not at least wait until Valentine’s Day 2010 to give us time to recover?

    Remember when it looked like a very real possibility that Nia Vardalos could win a Best Original Screenplay Oscar? And then when, in a rare and frankly astonishing gesture of common sense and good taste, they went for Pedro Almodovar instead? It’s days like this when I feel inspired to write a personal thank-you note to every member of the Academy.

  • HBO ‘Dark Knight’ promos featuring the Pixies

    Last year’s box office hog (and Best Picture no-show) “The Dark Knight” premieres on HBO this Friday, June 13.  There is nothing particularly creative about using the Pixies’ “Where is my Mind?” on these promo commercials of course, but I love the juxtaposition anyway.

    (Courtesy: Superherpo Hype)

  • Megan Fox at Tokyo ‘Transformers’ premiere

    Sorry for the testosterone overload on this admittedly pointless post, but I just…I…

    Megan Fox at the Tokyo premiere of Transformers: Revenge of the Fallen

  • So who’s going to make the first iPhone movie?

    Now that the new iPhone has been announced (releasing June 19), fit with video recording and editing right on the device, I find myself wondering when the first iPhone movie will be completed.  You know the hoop-la would be considerable and certainly someone’s going to give it a try.

    iPhone 3G S

  • Guessing games

    Carey Mulligan in An EducationOK, I held off compiling a set of 2009 Oscar predictions for as long as I could. Actually, I tried to hold off even thinking about them — so long and largely depressing was the 2008 derby that I felt I owed myself a few months of pretending that movies are their own reward. (Not that the artistically desolate spring season is the best time for idealism.)

    Year-in-advance predictions are the strict preserve of crazy people. (And we love them for it.) By contrast, in offering up my first predictions a mere 7-8 months before nomination day, I feel only slightly unhinged.

    Before you peruse my predix, I should offer the disclaimer that my best guesses may just as easily be my worst. Living a continent away, I can’t approach Kris for ear-to-the-ground expertise, and I often run with notions that are fanciful, to say the least. This time last year, I was predicting 5 nominations for “Happy-Go-Lucky,” including a Best Picture bid.  Then again, I walked out of “In Bruges” last April convinced I’d seen a future screenplay nominee. I have my isolated (often very isolated) moments of clarity.

    All of which is to say to say that these predictions aren’t to be taken terribly seriously. At this early stage in the game, with so many variables in the equation, why not have a bit of fun and float a few wild-card possibilities? By the time the unknowns become known and the race starts narrowing down, there’s little room to be playful, so I like to get it out of my system now.

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  • Dr. Ken Jeong gets his day in the media sun

    Ken JeongI think it’s safe to assume that if you saw “The Hangover” this weekend (tell us what you thought), you caught Ken Jeong’s performance as a Korean Vegas crime lord.  Jeong has been on the rise ever since his first big screen cameo in Judd Apatow’s “Knocked Up” two years ago, but according to this Chris Lee profile in the Los Angeles Times, there’s an unlikely backstory to all of this.  “Before a casting coup landed Jeong an enviable spot on the batting order for some of movie comedy’s heaviest hitters…[his] day job didn’t involve making people laugh at all,” Lee writes.  “Unless prescribing pain medication for, say, an angry patient with a herniated disc is your idea of funny.”

    North Carolina native Jeong was practicing internal medicine at Kaiser in Woodland Hills before Hollywood came knocking.  Comedy, it turns out, was just a hobby to keep him loose and sane away from the job.  Now he’s landing the most laughs in what will surely be the summer’s biggest comedy:

    “I practiced internal medicine at Kaiser in Woodland Hills,” Jeong said over lunch near his home in Calabasas. “Comedy was a hobby. It was like my golf. I had another life.”

    According to “Hangover” director Phillips, Jeong’s defining characteristic is his “fearlessness” — something put on prominent display in the bawdy R-rated comedy…

    “He just comes in and crushes those little parts in films,” Phillips said. “That’s what you look for: a guy who can come in and just destroy it. He’s crazy!”

    It’s hardly the career path Jeong, 39, set out for himself. The North Carolina-born Korean American attended Duke University (major: pre-med, with a minor in drama) then attained his MD from the University of North Carolina. It was around that time he began going to open-mike nights at local bars and delivering his earliest stand-up routines.

    “It was just goofy Asian stuff,” Jeong recalled. “Definitely high energy, but I was too afraid to say I was in medicine. I’m just an educated idiot: I took that as my persona.”

    Moving to New Orleans for his medical residency, Jeong didn’t let a 90-hour workweek keep him from the comedy clubs. “It was grueling, but I had a work-hard, play-hard mentality,” he said. “Everyone has something to keep them sane outside medicine. Mine was comedy.”

    This is the first I’m hearing of Will Ferrell’s used car comedy “The Goods: Live Hard, Sell Hard,” by the way.  Make it stop.  Anyway, check out the rest at the LA Times.  And a taste of Jeong’s stand-up after the jump.

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  • French ‘Imaginarium’ poster

    This French poster for Terry Gilliam’s “The Imaginarioum of Dr. Parnassus” (courtesy of The Playlist) looks like a snipped shot of a banner, but I had to post it because it caught my eye:

    The Imaginarium of Doctor Parnassus

  • 6/8 Web Round-up

    Cover of Batman and Robin #1• The “Oh yeah, what happened to her?” blurb of the week. [Associated Press]

    • Yours truly covers Grant Morrison’s latest monthly, “Batman and Robin.” [Batman on Film]

    • David Poland analyzes the brave new world of media ad buys. [The Hot Blog]

    • Tom O’Neil on Geoffrey Rush’s new acting triple crown with last night’s lead actor Tony. [Gold Derby]

    • Marcia Gay Harden won lead actress from “God of Carnage,” by the way, while the film won best play.  “Billy Elliot” cleaned up, though. [TonyAwards.com]

    • With “Brüno” on the way, Michael Deacon digs into the elusive Sacha Baron Cohen. [Daily Telegraph]

    • Mickey Rourke works “The Wrestler” across the pond. [The Guardian]

    • Out-of-the-blue story of the day: motorcycles big on the big screen have retailers hopeful. [Los Angeles Times]

    • Glenn Kenny sees no grain in the “Dr. Strangelove” Blu-ray release, thank you very much. [Some Came Running]