Most of the invective, notably, has been leveled not at [Jay] Leno specifically but rather at NBC for having “given up,” as writer-producer Peter Tolan put it, by abandoning scripted dramas in an hour where the Peacock once aired such acclaimed programs as “Hill Street Blues” and “ER.” Nevertheless, for the ire expressed toward NBC to be fulfilled, Leno’s new endeavor, logically, has to fail.
From a Variety op-ed making the case for Leno as an enemy of creative Hollywood by moving to 10:00pm.
This is just my gut, and people are bitching about it but I think it’s a good thing, but I think people like my mother, who’s 82, are going to love to watch Jay at ten o’clock because they want to go to bed. And they love Jay. That’s going to make programming at ten o’clock much cheaper for all the networks. They’re going to lean in that direction. It’s going to make the business that I’m in, the ten o’clock, hour-long drama, it’s going to force it more into cable, which is where it should be because you can take more chances. Everybody’s going to be happy. That’s what I think. It’s going to be beneficial to actors and writers and producers over the long haul.
From my July interview with Peter Tolan’s “Rescue Me” partner, Denis Leary.
Just before I ducked out on vacation last week (big thanks to Guy for keeping the boat afloat), you might have caught my 
We rarely cover television with any real focus around these parts, but as you’ve probably gathered from my sporadic posts on the matter, I’m really digging the new season of “Rescue Me.” So it was a little difficult to pass up an opportunity to sit down with the film’s star and co-creator Denis Leary recently.