In Contention

Tag: 81st Annual Academy Awards

  • THE LISTS: Top 10 movie-related moments of 2009

    UpAs the year (and decade) slowly winds down, I thought it would be a pretty good time to revive our long-slumbering Lists feature here at In Contention. And what better way to do so and salute the year at hand than to lay out the most significant movie-related moments of 2009?

    The American Film Institute kind of tried its hand at this yesterday. I was already considering a list along these lines, but the AFI thing definitely got my the ole’ gears turning once again. Suffice it to say, I think they missed a few spots.

    It was an intriguing year. For me, as mentioned many times, it was the best year of filmmaking the decade has seen. But it was also a pivotal year for the film industry, as everything from standardized digital projection to 3D technology, experimental distribution schemes to economic effects on the business seemed to be on the table as points of consideration along the way.

    It was the first year of the Obama administration, something that found its way into the arts discussion as well. Whether it was the consideration of “Slumdog Millionaire” (which ultimately won the Best Picture Oscar this year) as the “first film of the Obama era” or the desire to include films like “Precious” (a stretch) and “Invictus” (not such a stretch) in that conversation, the political environment, as ever, was in the cinema air.

    It was a year of many things, so obviously, a list like this could be filled with any number of instances. But these 10 stuck out to me as the most significant ticks on the clock of 2009. Agree, disagree, whatever the case, don’t look too hard for a “Twilight” mention (though I suppose one may have been warranted).

    My picks…

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  • Did…someone…miss an opportunity at the Oscarcast?

    Will Smith at the 81st annual Acadmey AwardsBy now, the 81st annual Academy Awards telecast is more than three weeks old and many of the interesting tid-bits on the behind-the-scenes production would prefer to die a natural death.  And indeed, none of the stories, hardly important or interesting outside of our little community, mattered on February 23, let alone March 16.  But one detail keeps bouncing around in my head as something I’d love to have seen.

    One of the chief complaints about the show I read, perhaps in the comments section here, regarded Will Smith’s presentation of all the post-production awards (Best Film Editing, Sound Editing, Sound Mixing and Visual Effects).  It seemed Smith was on the stage (after rising dramatically from within it) for nearly 15 minutes.  He even cracked a joke about it at one point: “I’m still here.”

    As it turns out, Smith wasn’t originally slated to appear alone for that segment of the show.  His partner, very much at the last minute, sent producers a note indicating that he was nervous about being upstaged by Smith (the biggest box office draw on the planet, of course, and with that squeaky-clean/magnetic personality to boot).  But I can’t help but think this guy didn’t miss a hell of an opportunity to stand alongside one of the planet’s popular icons and announce both a return to the spotlight and a capacity to be the guy next to him if he wants to be.  And I’d place a bet on his personality versus (and certainly in tandem with) Smith any day.

    I won’t bother dropping a name like this, since it’s old news and kind of bitchy to bring it up (like I said, it’s stuck in my head).  But it should be kind of obvious from the description.  Underneath it all, it boggles my mind the divas you apparently have to contend with when you put this show together.  Many of the disagreements are oddly understandable, but even with that in mind, it’s something of a shock anyone is ever able to get in and out without an absolute calamity.

    Obviously the Academy is stingy with it’s video content, so I can’t post up the full clip.  But here’s Smith’s off-the-cuff “boom goes the dynamite” reference:

  • Great point

    This would’ve been a great opportunity: If Nicholson were a supporting-actor presenter and spoke about Heath Ledger’s performance as the Joker.

    Longtime Oscar hound Wayman Wong to Tom O’Neil in O’Neil’s recent Gold Derby blog entry on the conspicuous absence of Jack Nicholson from Sunday’s Oscar telecast.

  • To the Oscar grouches

    Hugh Jackman at the 81st annual Academy AwardsAlright, we already we handled the “Slumdog Millionaire” backlash and overall sense of hatred toward the film from movie-goers who simply couldn’t handle the boredom of an awards season that was written.  Today, it’s time to take the folks to task who couldn’t get to their computers quickly enough to bemoan the Academy’s presentation of 25 honors Sunday night.

    Patrick Goldstein and Mary McNamara were two of the first to cut loose, leaving their own LA Times colleague T.J. Simers to wonder if they thought they could have done a better job.  And we all knew Nikki Finke was going to breathe fire because that’s what crotchety dragons do.

    And yet, despite the sniping — ratings were up.  And they’ll probably go up again next year just due to the anticipation created by this year’s telecast, which was the plan all along.

    Pete Hammond, in his final installment of Notes on a Season this year, addressed the issue with this wrap-up of the reaction to the reaction:

    It was fitting that it all ended Sunday night with an Oscar ceremony that was one for the ages — a beautifully produced show by Bill Condon and Laurence Mark that captured everything we still love about movies and the Academy Awards. Those bloggers, columnists and critics out there who were panning it before it was even over have had to run back into their holes and take cover from the vociferous reaction, in and out of the industry, to their ill-conceived attack.

    “I don’t get the criticism,” one longtime academy member told me Monday. “This was an amazing show. You could just feel it in waves as it went along. Those guys [Condon and Mark], they are really good.”

    I’m told the academy itself was fielding numerous calls complaining about the complainers — but, hey, everyone is entitled to an opinion even if it was formed before the show made it to the air. You can’t please everyone, but with this production the Academy got back on track — and the 13% increase in ratings was the cherry on top. Here’s hoping this team returns next year. Clearly, the public still has a jones on for the Oscars when they are produced with smarts and style.

    Smack down.

  • Bennett Miller’s opening montage sees the light of day

    Apparently the following montage, which played for the audience at the Kodak Theatre Sunday night but was ultimately pulled from the televised rundown, has popped up as a Vanity Fair exclusive.  It’s directed by Bennet Miller and I have to say, it’s nice, has a good flow, but is a little film festival-esque.  Not “big enough for an opening Oscar number, I’d say.

    Lots of interviews: William Friedkin, Robert Evans, Danny Boyle, I think I saw Scarlett Johansson in there, Roger Deakins, Janusz Kaminski, Flea (rocking out a Gus Van Sant T-shirt), Brett Ratner (ugh), Michael Stipe, etc.  Click on Kid Notorious below to have a look:

    Robert Evans

  • Three more highlights

    Philippe Petit at the 81st annual Academy AwardsCollecting all my thoughts last night was bound to leave a few gaps and so while flipping through the DVR recording of this year’s Oscar ceremony, I stumbled across a couple of moments that I had to tip my hat to.

    I already updated the recap post with a few notes about the Judd Apatow short, which was fantastic (especially the stoned giggling at “The Reader.”)  But having Janusz Kaminski in the mix was a stroke of genius.  We crossed paths last year and he cracked me up every time.  Nice to see him take the stage to present, the first time ever for a D.P.

    But also, I have to mention the class that was Danny Boyle thanking the producers of the telecast for putting on such a great show.  It really seemed like the obvious thing to do, yet it took until his Best Director presentation for someone to go there.  I can’t think of the last time the telecast was praised on the air like that, but then again, I can’t think of the last time the telecast deserved to be praised on the air, so there we are.

    And finally, I have to say that Philippe Petit’s appearance on the stage was a moment of levity that brought a huge smile to my face.  I preferred other docs in the category, but it’s difficult to argue with the feat.  And seeing him swiftly run up to the stage and steal the spotlight like he was meant to do so…it was just a great moment.

  • This is the best we can do?

    I’d love to see some great, hi-res photography from backstage at last night’s Oscar ceremony.  But somehow, this terrible quality AP photo is the best we can do:

    Hugh Jackman at the 81st annual Academy Awards

  • Ratings were up!

    From Nikki Finke at Deadline Hollywood Daily:

    News reports this morning say the 81st Academy Awards broadcast delivered increased ratings in the 50 or so biggest U.S. markets, up about 6% over 2008 which registered the lowest ratings in the history of the telecast. New York delivered the largest rating Sunday (34.1/49 share), followed by Chicago (31.2/46) and Los Angeles (28.1/44). For the night, ABC beat the combined household delivery of CBS, NBC and Fox by roughly 30%. If this holds (and a more complete Nielsen report will come out later today), then Oscars producers Larry Mark and Bill Condon, as well as host Hugh Jackman, and director Roger Goodman, and designer David Rockwell, did AMPAS proud by at least reversing the recent downward spiral.

    Here is the AP story she’s sourcing but not linking, mind you.  And lest she stop being herself, let it be known that Nikki hated the show.  I always get an icky feeling when I link to her…

  • 2/23 Oscarweb Round-up

    Kate Winslet at the 81st annual Academy AwardsThe day after. This will be the final installment of the Oscarweb Round-up this year.  I always enjoy scouring the net to find these little gems here and there and I hope you have enjoyed the daily cheat sheet.  Special thanks to all the hard-working journalists and pundits who keep cranking out copy to fill this space…even if I get testy with your words from time to time.

    • Jeff Wells salutes that hilarious James Franco/Seth Rogen/Janusz Kaminski sketch. [Hollywood Elsewhere]

    • David Carr’s on-the-spot Oscar coverage from last night, well worth a scroll. [The Carpetbagger]

    • The “Slumdog” kids’ neighbors watch the show from India. [The Huffington Post]

    • Anne Thompson wraps up the night and the season with coverage from the red carpet (including the Anne Cam!). [Thompson on Hollywood]

    • Mourning the acceptance speech Mickey Rourke would have given. [Vulture]

    • On the hateful protesters that lined the streets outside the Kodak: Sean Penn says ignore the ignorant. [Daily Telegraph]

    • Roger Ebert reports on teh festivities with all of his usual insights. [Chicago Sun-Times]

    • Patrick Goldstein was underwhelmed by the show (I don’t get it). [The Big Picture]

    • Karina Longworth reports that Bennett Miller’s opening short film was cut because it basically sucked. [Spout Blog]

    • Britain’s Press Association already digs into Kate Winslet’s speech. (I literally had a Brit at my Oscar party scream “Fuck off” when she won.) [The Independent]

  • POLL: What did you think of the Oscarcast?

    Very easy thumbs up, thumbs down poll this week.  But please, keep your opinions of the winners out of it.  We’re interested in what you thought of the actual show.  Let Bill Condon and Larry Mark know what you thought in the sidebar poll.

  • ‘Slumdog’ takes 8 trophies as Oscar keeps it under 190 minutes

    Danny Boyle at the 81st annual Academy AwardsIn the final analysis, there isn’t much to say other than: What a captivating way to put a bow on the worst and, ultimately, most boring Oscar season of all time.  The 81st annual Academy Awards swiftly went down earlier this evening with few surprise winners and a classy new sheen.  It was captivating and, at times, inspiring.  Here are my thoughts on Hollywood’s biggest night:

    The winners
    I did extremely well with my predictions this year, nailing 21 of the 24 categories and making good with gambles in the foreign language film and short film categories.  I stuck with my heart on Mickey Rourke despite the smart money being on Sean Penn, but regardless of the strong desire to see the former holding an Oscar in his hands and delivering one more barn-burning speech, it is, of course, impossible to argue with Sean Penn’s expert work in “Milk.”  His heartfelt acceptance was a highlight and it all felt somehow more complete than it did five years ago.

    That “Departures” win took the wind out of the sails of one of the year’s most ingenious productions and yes, this is a committee that still needs a major overhaul.  I don’t think I could possibly say it enough.  That should take nothing away from Japan’s victory, mind you, because their submission is a delightful film that won’t deserve most of the ill will coming its way from those who haven’t even seen it.  But “Bashir” seems to have wrongfully faced an uphill battle from the start.

    The sound categories (hotly debated all week) proved once again that the Academy doesn’t understand the impact of mixers and editors on animated films.  “Slumdog Millionaire” took the mixing award (I’m kicking myself for changing that), while “The Dark Knight” took the sound editing trophy.

    Regarding those shorts, by the way, Pixar remains winless in the animated field since 2001’s “For the Birds” (the gorgeous “La Maison en Petits Cubes” rightly won tonight), while “Toyland,” with its ambitious structure (for a short) and obviously baity subject matter reigned supreme in live action.

    The only award I missed kind of irritated me, I have to admit: Best Documentary Short.  “Smile Pinki” took down what I thought to be the best of the field (and being the most cinematic, the most likely winner), Steve Okazaki’s “The Conscience of Nhem En.”  But there was a concerted publicity effort behind the former that maybe I should have paid more attention to.

    (More, plus a full list of tonight’s Oscar winners, after the jump.)

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  • Oscar night open thread

    Oscars

    Alright, the time has come.  I’m signing off here to make some preparations and, eventually, enjoy the show.  I should hope you’ll all do the same, but in case you want some space to chat about the evening’s festivities, from the red carpet to telecast specifics to, of course, the night’s big winners, have at in here in the comments section.  But bear with us if the server starts to buckle under the pressure.  We’re looking into fixing that for next season, but if things start to slow down tonight, give it a minute and come on back to chat.

    In the meantime, be sure to post your predictions in our official thread, and keep your eyes on The Movie Blog, where I’ll soon be participating in a quick pre-show podcast with John Campea and IESB.net webmaster Robert Sanchez.  We’ll also hit it one more time after the show for a postmortem.

    And here…we…go!

  • Print out your ballots

    For the those rocking out an Oscar party this evening, be sure to print out your official ballot for a high stakes pool. (Thanks to Awards Daily for the tip.)

    Oscar ballot

  • Supporting Actress and screenplays first?

    I’m just now stumbling across this, but Yair Raveh over at Cinemascope has apparently come across a rundown of Sunday’s show.  No real details other than the order of presented awards, which seems to list Best Supporting Actress and the screenplay fields as the first out of the gate.  Supporting categories typically announce early on, but the screenplays tend to wait until the last act.

    If the tip is legit, this would certainly be a change up.  Best Supporting Actor isn’t presented until an hour and a half later, according to Raveh, and there are nearly 40 minutes in between the two short categories, which is interesting.  Those sound categories everyone will be looking to for a barometer aren’t unveiled until the 7:30pm (PST) mark, and the In Memoriam segment looks to be the last montage before the four biggest awards of the night — again, all according to Raveh’s source.

    Who knows if it’s legit, but anyone who has worked in live TV knows how quickly things can shift.

  • 2/19 Oscarweb Round-up

    Marisa Tomei in The Wrestler• I’m just now stumbling onto this site, but if you weren’t keen to the controversy surrounding Jerry Lewis receiving the Academy’s Jean Hersholt Humanitarian Award, here’s a hub with everything laid out for you. [TheTroubleWithJerry.net]

    • With Kate Winslet and Marisa Tomei in mind, Rachel Abramowitz wonders if nudity = Oscar glory. [The Envelope]

    • Patrick Goldstein on the bleak Oscar advertising picture. [The Big Picture]

    • Rex Reed blasts the stage designs of the 81st Annual Oscar telecast. [New York Observer]

    • David Poland captures a few frames of Loki Rourke’s recent existence. [The Hot Blog]

    • Steve Pond reports that Matilda Ledger will receive daddy Heath’s Oscar…if he wins, that is. [Associated Press]

    • LOL. [Oscars Leaked]

  • 2/16 Oscarweb Round-up

    Jerry Lewis• David Carr asks for your input if you ran the Academy. [The Carpetbagger]

    • Tom O’Neil talks to Best Supporting Actress contender Penelope Cruz. [Gold Derby]

    • Speaking of supporting, Betsy Sharkey writes up an appreciation of the lot. [The Envelope]

    • Michelle Phillips wonders which Jerry Lewis will show up at the Oscars next weekend. [Chicago Tribune]

    • Peter Bradshaw on the weirdest Oscar acceptance speeches. [The Guardian]

    • Patrick Goldstein remembers the Oscar impact of “Patton.” [The Big Picture]

    • Cosmo Landesman talks to Amy Adams across the pond. [The Times]

    • Nathaniel Rogers gets around to the shorts and docs. [The Film Experience]

    • Patricia Leigh Brown talks to Oscarcast designer David Rockwell. [New York Times]

  • 2/11 Oscarweb Round-up

    Hugh Jackman• The first Oscar promo pic of Hugh Jackman. [Just Jared]

    • David Steinberg writes up Johnny Carson’s Oscar hosting legacy. [Los Angeles Times Magazine]

    • David Carr ponders the lead actress race. [The Carpetbagger]

    • Tom O’Neil conveys a case for Amy Adams in “Doubt.” [Gold Derby]

    • Dave Karger needs Oscar campaigns to get out of the way in order to enjoy “The Reader.” [Entertainment Weekly]

    • Mark Olsen chats with “Doubt” star Philip Seymour Hoffman. [The Envelope]

    • Michael Ordoña, meanwhile, gets some face time with Marisa Tomei. [The Envelope]

    • Christopher Campbell goes all in for “Milk”‘s original screenplay. [Spout Blog]

    • Maria Puente reports on the interior design of Oscar’s green room. [USA Today]

    • Anne Thompson spotlights the magazine rack’s Oscar issues. [Thompson on Hollywood]