ScreenDaily editor Mike Goodridge raises a topic that has provoked more than a few grumbles this season: the inordinate length of some of Hollywood’s biggest summer releases.
I’m not someone who automatically whines whenever a film pushes the 150-minute mark. Some films warrant that heft, and it’s not always directly related to the scale of the plot — more ambient pieces can need time and space to breathe and explore their environments. Many felt that “Public Enemies” hadn’t enough narrative to fill 140 minutes, which I can understand — though for me, the languidness felt right for a film that was principally an exercise in mood and texture.
I don’t entirely subscribe to Roger Ebert’s overly reductive stance that “no good film is too long, and no bad film is short enough” — there is plenty of “good” work that could enter “great” territory via some judicious pruning, after all — but the bottom line is that if I’m engaged by a film, I’m not checking my watch. (In any case, as a screenwriter, overlength is a factor I’m sympathetic to: I know the pain of cutting beloved scenes.)

Congratulations to Taylor Hackford, who was elected this weekend as president of the Directors Guild of America. He takes over from Michael Apted, who has held the position since 2003. Hackford ran unopposed after being nominated by Steven Soderbergh — who in turn retains his vice-president position. Here’s Hackford’s statement, via
I can’t say I saw this coming. Since the expansion of the Best Picture category, several people have considered Judd Apatow’s “Funny People” as a possible populist nominee in the race, while speculating that it could also land him a writing nod after near-misses (and Guild citations) for his previous two features.
*All historical figures cited are adjusted to today’s dollars.
I wish I could tell you how awesome the “Iron Man 2” footage form yesterday’s Paramount panel was, but Hall H was packed to the gills and even us schmoes int he VIP line couldn’t get in because it was at capacity. Without a doubt, the event was the most popular attraction at this year’s Comic-Con.
The crowning jewel of the 2009 San Diego Comic-Con, by far, has been the Entertainment Weekly-sponsored “Visionaries” panel yesterday evening, featuring filmmakers Peter Jackson and James Cameron. So many real-world, in-the-trenches, eye-on-the-future topics were discussed that it became tedious to sit and transcribe the proceedings, so after a while I just committed myself to as many video clips as I could grab. Though I was
Peter Jackson made his long-awaited first trip to Comic-Con yesterday in support of Neill Blomkamp’s “District 9,” which
Yesterday I moseyed on over to Seventh Ave., between J and K Streets for a glimpse of Disney’s “Alice in Wonderland” production design set-up, and the display was predictably jaw-dropping.
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