In Contention

Category: Oscar Talk

  • OSCAR TALK: Ep. 7 — ‘Amelia,’ Hollywood film fest, Gothams, supposed ‘Precious’ backlash and more

    Oscar TalkWelcome to the seventh installment of Oscar Talk, a weekly kudocast between yours truly and Anne Thompson of indieWIRE’s Thompson on Hollywood.  Anne is calling from London today, where she’s gearing up for a weekend of London film fest screenings and events.

    Topics on today’s agenda:

    • Today’s big release, “Amelia,” finally crossed the bow of most critics this week and, with it quickly becoming obvious WHY it only crossed their bows this week, Anne and I discuss what went wrong with the movie.

    • In the wake of Anne’s recent hit piece on the Hollywood Film Festival and its leadership, we talk about the fluff of this event amid the award season chatter.

    • Speaking of awards, we get into the Gotham Award nominations, which caused a stir in some quarters due to the absence of “Precious.” Neither Anne nor I think there’s a backlash afoot.

    • Last week we talked about screeners that quickly end up at the bottom of voters’ piles this time of year.  We discuss a few titles that could unfortunately hit that low rung of priority, “That Evening Sun,” “The Messenger,” “Trucker,” etc.  Sony Pictures Classics seems to have a number of these titles.

    • Anne briefly previews some titles she hopes to catch at the London fest.

    We went a little long today, roughly 30 minutes.  Have a listen below, subscribe to Oscar Talk at iTunes here, and we’ll see you next week.

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  • OSCAR TALK: Ep. 6 — Foreign, animated, ‘Fantastic Mr. Fox,’ Plummer and more

    Oscar TalkWelcome to the sixth installment of Oscar Talk, a weekly awards-centric kudocast featuring yours truly and Anne Thompson of indieWIRE’s Thompson on Hollywood.

    As we move further into the season, there is finally substantial grist for the mill.  Here’s what we’re discussing today:

    • With 65 countries locked in for consideration in this year’s Best Foreign Language Film category, Anne and I offer up rough expectations for the eventual nominees and spotlight a handful of pics we hope to catch very soon.

    • As the animated feature film category seems ebb and flow with contenders the last few weeks, we talk about how the category might shake down and discuss Wes Anderson’s “Fantastic Mr. Fox,” playing the London Film Festival and set for an AFI Fest bow next month.

    • “Where the Wild Things Are” opens today, so Anne and I (of like minds on the film) offer our thoughts.

    • Making good on last week’s tease, we discuss Oren Moverman’s “The Messenger,” starring Ben Foster, Woody Harrelson and Samantha Morton.

    • And finally, we get into a late-comer to this year’s Oscar landscape, Christopher Plummer, suddenly looking at a campaign in the supporting actor category for “The Last Station” and the lead actor category for “The Imaginarium of Doctor Parnassus,” plus a debate on his classification in the former.

    We ran a little long today (and got into some fights along the way), but have a listen to this week’s podcast below.  And, as always, you can subscribe to Oscar Talk via iTunes here.

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  • OSCAR TALK: Ep. 5 — Oscar hosts, leading ladies and category placement

    Oscar TalkWelcome to the fifth installment of Oscar Talk between yours truly and Anne Thompson of indieWIRE’s Thompson on Hollywood.

    A somewhat streamlined show today.  Here’s what’s on the docket:

    • Spit-balling host ideas for this year’s Oscarcast, which seems to be a popular topic these days.

    • Doing the same on a potential producer for the show.

    • Our first fight!  Anne and I debate the merits of the leading actresses of this year’s films.  Anne says it’s a weak season, I say there are plenty of fine performances to choose from (and more on the way).

    • With “An Education” opening in limited release today, we discuss Peter Sarsgaard’s potential category fraud/confusion and debate the philosophies of what makes a performance a lead.

    • A brief tease of a topic on next week’s episode, Oren Moverman’s “The Messenger,” which I saw this week and Anne will catch up on before we chat again.

    Have a listen to this week’s podcast below (with a lead-in from the trailer for “An Education”).  And as always, you can subscribe to Oscar Talk via iTunes here.

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  • OSCAR TALK: Ep. 4 — Foreign submissions, PGA’s 10, ‘A Single Man’ a Best Picture possibility?

    Oscar TalkRecorded yesterday, here’s the fourth installment of Oscar Talk with yours truly and Anne Thompson of indieWIRE.  We took the week off last Friday due to traveling conflicts, but we’re back on today.

    On the docket:

    • Anne and I discuss the foreign language film submissions, up to 62 entries so far (61 at the time of this recording).

    • The PGA’s copy cat move to 10, which leads of course to further discussion on the Academy’s move to 10.

    • Jane Campion’s “Bright Star,” which has opened to glowing reviews.  Odds on Oscar, box office potential, etc.

    • Sony Pictures Classics’ shucking and jiving with their Oscar schedule, grabbing “The Last Station” (confirmed today) and moving “Get Low” (as reported here last week).

    • Anne wonders whether Weinstein pick-up “A Single Man” could be an under-the-radar contender for Best Picture.

    • The weekend’s releases: “A Serious Man” (covered extensively last time) and “Zombieland” (to steer away from awards talk for a moment).

    • Anne talks Alain Resnais’s “Wild Grass,” which recently opened the New York Film Festival.

    • And the distribution strategy for “Paranormal Activity,” hardly an Oscar contender but right in line with Anne’s recent column on studios missing an opportunity to experiment with release paradigms on modestly budgeted films.

    Check out the podcast below, with a musical lead-in from Mark Bradshaw’s “Bright Star” score.  And as always, you can subscribe to Oscar Talk via iTunes here.

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  • OSCAR TALK: Ep. 3 — ‘A Serious Man,’ business in Toronto and unacquired hopefuls

    Oscar TalkThe third installment of Oscar Talk lands as Toronto winds down and, seemingly, the season’s biggest questions are being answered. Or are they?

    I’m joined by Anne Thompson of indieWIRE as always and we discussed the following:

    • The Coen brothers’ “A Serious Man,” Anne’s thoughts, my thoughts, the Coens doing Woody, etc.

    • The first sell of Toronto, “A Single Man” (not to be confused with “A Serious Man”), and the Oscar prospects of Colin Firth and Julianne Moore.

    • Business at the fest and a shifting acquisition paradigm in the industry.

    • Anne gives her thoughts on Annette Bening and Samuel L. Jackson in Rodrigo Garcia’s “Mother and Child,” great performances, but will it be picked up?

    • Robert Duvall’s Oscar-worthy work in “Get Low,” a film that has yet to be picked up when it’s the sort of film that may have ignited a bidding war in years past.

    • Thoughts on other films that bowed at Toronto, including “Capitalism: A Love Story,” “Bad Lieutenant: Port of Call New Orleans” and “Jennifer’s Body” (leading to a conversation about Megan Fox’s talents that will put each of us out on a limb).

    • Anne loved Edward Norton in Tim Blake Nelson’s “Leaves of Grass” but found the film on the whole to be a missed opportunity.

    But nothing seems to be decided even with a bulk of the season’s offerings having been screened in Venice, Telluride and Venice. Onward!

    As always you can subscribe to the podcast via iTunes here.  (If you have some audio issues with the levels, my apologies — with Anne in Toronto and me in North Carolina, we had some technical difficulties.)

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  • OSCAR TALK: Ep. 2 — ‘Up in the Air,’ disagreeing on ‘The Road’ and Toronto looms

    Oscar TalkWelcome to the second installment of Oscar Talk with yours truly and indieWIRE‘s Anne Thompson.  We tried to set aside some time in Telluride to do one of these, but time never seemed to permit.

    Anne is in Toronto this week, and, at the time of this recording (yesterday, so all “todays” and “tomorrows” should be re-purposed accordingly), was gearing up for a screening of Jon Amiel’s “Creation.”

    We tightened things up slightly this time, clocking in at just over 25 minutes.  Here are a few of the topics we discussed:

    • Which films are going to be tested by their exposure in Toronto (John’s coverage begins this weekend)?

    • The story out of Telluride, “Up in the Air,” and the awards prospects for the film across the board.

    • The dueling Best Supporting Actress hopefuls from the film, Anna Kendrick and Vera Farmiga.

    • The cool reception Jane Campion’s “Bright Star” is receiving in some quarters and how that could work against its major Oscar potential, despite exquisite craftwork.

    • By popular demand, Anne and I disagree on something: John Hillcoat’s “The Road.”

    • The “schizophrenic” marketing of the film, moving from genre/suspense to the love/warmth at its center.

    Have a listen below.  And by the way, these should be filtering in through iTunes now, so you can subscribe to the podcast here.

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  • OSCAR TALK: Ep. 1 — Best in show so far, campaign strategies, festival preview and “the 10”

    Oscar TalkWelcome to the first installment of Oscar Talk, a (hopefully) weekly podcast between myself and Anne Thompson, newly of indieWIRE.  We spend some time getting our feet wet in this introductory kudocast, but among the topics on the rundown:

    • Films screened thus far with the best Oscar profile heading into the awards season, including “The Hurt Locker,” “Up” and even some discussion on “Harry Potter and the Half-Blood Prince.”

    • Meryl Streep’s performance in “Julie & Julia,” what Anne calls “the story of the summer,” and how Streep succeeds into her 60s where her contemporary actresses have not.

    • Oscar’s controversial move to 10 and what how we think it will affect the awards landscape.

    • The rise of indie studios such as Overture Films, Summit Entertainment and Apparition.

    • Shifting philosophies of Oscar campaign strategies

    • Paramount bumping “Shutter Island” to 2010.

    • All things “Avatar”: the new trailer, “Avatar” Day, etc.

    • A festival preview as Anne runs down her list of anticipations at Toronto.

    And then we ran out of steam.  For now.  I runs close to 40 minutes, but we had plenty to discuss in this first edition. We’ll whittle it down by half that in future installments, I’m sure.

    Have a listen below.  (Audio?  How novel!)  We’ll try to do another one from Telluride but the more consistent stuff will probably pick up in a month or so.

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