In Contention

Category: Daily

  • When Cedar Rapids ain’t good enough, light out for the territories

    Lina Leandersson in Let the Right One InI was going to include this David Frank Rope of Silicon op-ed in today’s round-up, but it’s just too good not to spotlight separately.  I laughed out loud a number of times because I understand this guy’s pain.  I’ve been there before.  And I’m sure plenty in the readership can relate.

    The piece is a week old, so you may have already come across it, but the central idea is the annual top 10 list/best of the year online frenzy and how it makes Frank, sitting helplessly in 33-screen Cedar Rapids, Iowa (two hours away from Des Moines, the closest market for limited releases), want to pull his hair out.  He compares his annual out-of-the-know agony to being “[t]hat one guy at your college roommate’s sexy art student girlfriend’s party who hasn’t illegally downloaded the latest Bright Eyes album that everyone around him is raving about.”

    Frank “gets it,” of course.  “Why give an auditorium to a movie that sells 5 tickets a day,” he asks, “when you can cram it full of old people who must see Marley and Me per their bucket lists?”  But eventually he comes around to the all-too-familiar “movie road trip,” that splendid ritual of trekking it however many miles it takes to see the films that simply aren’t making it to the multiplexes (or single-plexes) in those smaller markets:

    To me, the movie road trip is how you earn your stripes in the film fiend brigade. You can say you love fine cinema and blah blah blah. But save it for Flowery Film Theory 101. The physical, monetary, time-consuming act of seeking out one small, great film in a far away land (like Des Moines) says a lot more about your dedication to movies than wordy adoration.

    This brings back plenty of memories, because like I said, I’ve been there.  I certainly haven’t had these year-end prestige flicks at my disposal here in Los Angeles all my life, and if you have, consider yourself lucky.

    I grew up in a little burg called Salisbury, North Carolina, maybe an hour or so north of Charlotte.  I remember making that journey in 1997 to see “Jackie Brown” and a year later to see “The Thin Red Line.”  The Manor art house theater over on Providence Road became a destination for the really small stuff, like “The Red Violin” or “Limbo.”

    When I pushed off to college in Winston-Salem (another half-hour north) in 1999, there were times I’d still have to make that journey: “The Man Who Wasn’t There,” “Amelie,” etc.  And by that time I was already running a site, so the necessity went beyond desire.  But as I look back on it, I wouldn’t have it any other way.  It recalls those pre-jaded years when films were just films and the curtain had yet to be pulled back.

    So I hear you, David.  Way to keep the spirit alive.  You’ve more than earned your stripes in my book.

    What about you guys?  What’s the farthest you’ve ever traveled to see a film that wasn’t playing in your area?  Have you ever made the journey knowing the film would be in your town in a few weeks, figuring, ‘Screw it, I have to see this movie RIGHT NOW?”  Tell us your story in the comments section below.

  • 1/6 Oscarweb Round-up

    Jamie Callum• Patrick Goldstein busts Miramax’s balls for fudging a “Doubt” praise quote. [The Big Picture]

    • David Poland analyzes the top 10 collective for Oscar tea leaves. [The Hot Blog]

    • Sam Thielman reports from the NYC Lincoln Center Q&A with David Fincher… [Variety]

    • …and Lane Brown gives the director some more grief for his “charm offensive.” [Vulture]

    • Alex Billington has Jamie Callum’s “Gran Torino” music video (and the balls to state “those of you that have seen this by now know that it’s actually a great movie.”) [First Showing]

    • Paula Schwartz reports from the New York Film Critics Circle awards with a few embarrassing quotes from the always entertaining Rex Reed. [The Carpetbagger]

    • Todd Martens touches on Bruce Springsteen’s favor to Mickey Rourke and Darren Aronofsky. [Pop & Hiss]

    • Anita Singh sits down with “Slumdog Millionaire” star Dev Patel. [Daily Telegraph]

    • Susan King previews the Palm Springs International Film Festival. [The Envelope]

    • Chrissy Iley chats it up with Frank Langella. [The Sunday Times]

  • EXCLUSIVE: Best Makeup contenders narrow to seven

    Luke Goss in Hellboy II: The Golden ArmyThe first bake-off of the season is here, narrowing the Oscar contenders for Best Makeup down to seven.  The finalists are:

    “The Curious Case of Benjamin Button”
    “The Dark Knight”
    “Hellboy II: The Golden Army”
    “The Reader”
    “Synecdoche, New York”
    “Tropic Thunder”
    “The Wrestler”

    No major surprises here.  My predicted three are still in the mix.  In fact, I missed the top seven in my chart by just one, “The Reader” in favor of “Frost/Nixon.”  But the show of support for “The Wrestler” is certainly telling, and perhaps a worthy inclusion, given the attention to brutal battle detail in the pro wrestling flick.

    If there are any surprise omissions, it might be the aforementioned “Frost/Nixon,” or perhaps “W.”  Oh, and “The Chronicles of Narnia: Prince Caspian.”  I believe the first installment made it this far.  No go on the considerably less popular sequel.  But on the whole, this process seems to have been organic enough, leaving us with a solid septet.  I could see any combination of three making it in.

  • USC Scripter nominees — ‘Iron Man’ surprises!

    Cover of Tales of Suspense #39Now THAT’s what I call crashing the party.  I don’t know how you nominate “Iron Man” over “The Dark Knight” in a category such as this, but nice to see someone standing up and being original.

    The 2008 USC Scripter nominees are:

    “The Curious Case of Benjamin Button”
    “Iron Man”
    “The Reader”
    “Revolutionary Road”
    “Slumdog Millionaire”

    I kind of expect Mr. Roth to win here, even if “Button” is beaten out by “Slumdog” at the Oscars.  But we’ll see.  The winner will be announced at the Jan. 30 gala, which I’ll be attending.  If you recall, this will be the first year the USC Libraries will unveil the winner at the actual show.

    As for Oscar, the WGA will be the first true road to the adapted screenplay category.  The guild that stirred up a storm a year ago will announce its nominees on Thursday.  Could “Iron Man” pop up here again?  Time will tell.

  • You’re kidding me with the surprise, right?

    David Carr says the film “crashed the Producers Guild nomination list.”  Susan King says it was “perhaps the biggest surprise of the nominees.”  The guys at HitFix put the film in both the headline and the lead, indicating some level of surpassed expectation (though that is admittedly my own reading of the editorial choices).

    Help me out here.  Am I the only one who thought “The Dark Knight” was guaranteed a PGA nomination this morning?  It was probably the film’s most likely mention in the entire precursor circuit, and that includes any nomination Heath Ledger has received.  This is a group that respects the dollar, folks.  “Harry Potter,” “Shrek,” “The Incredibles.”  Hell, there were even those expecting “Spider-Man” might crack the list in 2002.  So it’s kind of easy to anticipate a $500 million behemoth like this making it in, no?

    Am I crazy?

  • Don’t go changin’

    Typically Monday is “Off the Carpet” day, but I see absolutely zero reason to touch the charts this week.  The only races that are shaping up to be interesting are a couple of the performance fields, and the technical categories will be up in the air until we start hearing from the guilds (ADG kicks it off on Friday, ACE a week from today).

    In the meantime, my predicted five Best Picture nominees have not changed in over a month.  Coincidentally (or fatefully) they are the same five films chalked up for nods by the PGA this morning, and most likely, the same films that will pop up Thursday when the DGA announces.

    So, no column or chart update this week.

  • CONTEST: Win a beautiful ‘Benjamin Button’ coffee table book with your best haiku poem!

    Alright, here’s the first in a string of contests this week, kicking things off with an opportunity to win a copy of “The Curious Case of Benjamin Button: The Making of the Motion Picture,” a beautiful coffee table book with lovely images throughout in the vein of Taschen collectibles.  Have a look at the Amazon page here.  We’ve got two to give away.

    I wracked my brain over the best way to go here.  I didn’t want another boring caption contest, so I figured I’d get abstract.  HAIKU CONTEST!  Give us your best haiku poem on the perils of aging backwards in the comments section below.  The two best haikus take the prizes.  (And yes, multiple entries are acceptable.)  Make sure you’re singed in with a valid email address so we can notify the winners swiftly, and stay tuned later this week for more contests and giveaways.

    (FYI, haiku contest idea stolen outright from Sasha Stone and Awards Daily.)

    Cover of The Curious Case of Benjamin Button: The Making of the Motion Picture

  • PGA nominations announced

    Well, it seems I was off by one.  Could this be the first year ever that the PGA matches with Oscar 5/5?  We’ll soon find out.  DGA on Thursday (the real precursor to watch), as well as the BFCA Awards.

    And the nominees are:

    Motion Picture
    “The Curious Case of Benjamin Button”
    “The Dark Knight”
    “Frost/Nixon”
    “Milk”
    “Slumdog Millionaire”

    Animated
    “Bolt”
    “Kung Fu Panda”
    “WALL-E”

    Documentary
    “Man on Wire”
    “Trouble the Water”
    “Standard Operating Procedure”

  • Broadway helmer Diane Paulus on ‘The Wrestler’

    Mickey Rourke in The WrestlerI stumbled across this interesting bit of praise for “The Wrestler” amid Variety’s typically dense Award Central section.  The high marks come from Broadway director Diane Paulus, who is set to open a revival of “Hair” on March 5.  I love her equation of professional wrestling to “one of the most powerful expressions of theater of our time.”

    Too often I think those who would rather bash wrestling for not being a “sport” per se miss the point that it is a brand of entertainment, a level of performance and worth plenty more than the uneducated, back-handed swipe it so often receives.  Thankfully, Darren Aronofsky and Robert D. Siegel understood that.  It’s refreshing to see someone like Paulus does as well:

    I have been fascinated by the world of professional wrestling for years. I believe that when theater in the 20th century is studied from the vantage point of 500 years from now, professional wrestling — and in particular, the heyday of 1980s wrestling — will emerge as one of the most powerful expressions of theater of our time. So, to watch Darren Aronofsky’s “The Wrestler” is to experience a long overdue homage to the power of professional wrestling. The film gets at the guts of what drives the allure of the ring for Randy “the Ram” Robinson — and through the charisma of Randy “the Ram” what draws in the bloodlust-driven spectators.

  • ‘Milk,’ ‘Slumdog,’ ‘WALL-E’ nominated by Vancouver critics

    Josh Brolin in MilkThe Vancouver Film Critics Circle have dished out their list of nominees, three per category, and “Milk,” “Slumdog Millionaire” and “WALL-E” filled out the group’s Best Film ballot.  “Milk” and Philippe Falardeau’s “C’est pas moi, je le jure!” led the nominations tally with four mentions each.

    David Fincher showed up in the Best Director category for “The Curious Case of Benjamin Button,” while Fernando Meirelles’s all but forgotten “Blindness” managed three performance nominations, all in the “in a Canadian film” fields.

    The nominees:

    Best Film
    “Milk”
    “Slumdog Millionaire”
    “WALL-E”

    Best Canadian Film
    “C’est pas moi, je le jure!”
    “Heaven on Earth”
    “The Necessities of Life”

    (More after the jump.)

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  • ‘Wrestler’ leads with five OFCS nominations

    (from left) Evan Rachel Wood and Mickey Rourke in The WrestlerA little late coming around to the Online Film Critics Society nominations, but eh, nothing terribly unique about them, beyond mentions for Benicio Del Toro in lead actor and “The Wrestler” in Best Pic (which led the field with five nominations).  I also like the novel choice of “Let the Right One In” as an adapted screenplay nominee (well, not THAT novel).

    It’s interesting to note a total lack of acting nominations for “The Curious Case of Benjamin Button.”

    Best Picture
    “The Curious Case of Benjamin Button”
    “The Dark Knight”
    “Slumdog Millionaire”
    “WALL-E”
    “The Wrestler”

    Best Director
    Darren Aronofsky, “The Wrestler”
    Danny Boyle, “Slumdog Millionaire”
    David Fincher, “The Curious Case of Benjamin Button”
    Christopher Nolan, “The Dark Knight”
    Andrew Stanton, “WALL-E”

    (More after the jump.)

    (more…)

  • R.I.P. Pat Hingle

    I love how much Commissioner Gordon detail Hingle offers up in this clip, which I believe is from the 2005 special edition DVD release of “Batman.” Especially considering none of that background was really utilized in Tim Burton’s film. Anyway, he will be missed. It’s a shame most one-off obits have paid strict attention to his “Batman” roles, ignoring wonderful work in films like “Hang ‘Em High,” but I suppose Gordon will be the most memorable role for most.

  • I’ve had it with this stuff

    Cover of Mad MagazineIf Jeffrey Wells’s consistent misplaced head-slapping over Heath Ledger’s death wasn’t enough, along comes this moron Jerry Portwood stirring more disrespect with the following:

    We don’t usually pay much attention to Mad Magazine, but when we saw their cover for their “20 Dumbest People, Events and Things” featured a version of Heath Ledger’s Joker, we had to laugh. Although Ledger himself doesn’t make the list (the complete 20 can be seen after the jump), accidentally killing yourself when you are about to star in one of the biggest movies in history should certainly get you ranked as one of the dumbest people. But in a year with so many other dumb dumb details, I guess he didn’t make the cut.

    I’ve seriously had it with this mean-spirited, willful segment of the journalistic community that thinks it’s okay to be so dreadfully judgemental of this scenario, now nearly a year old if you can believe it.  It’s easy to be up on the white tower with your laptop slinging subjectivity and another thing altogether to be in the trenches as a driven, hard-working actor who dedicates himself and might just need a little help getting to sleep at night.

    It was a tragedy, plain and simple.  Nothing “stupid” about it.  Walk in his shoes, then you have the right to say something so vile.  Until then, you’re just another douche bag with an opinion no one wants to hear.

    We’ve all been there.

  • 1/5 Oscarweb Round-up

    (from left) Bill Condon and Laurence Mark• “Che” tops David Poland’s top 10 list, which also includes…”Mamma Mia!”  That’s originality for ya. [The Hot Blog]

    • David Carr does some number crunching on a few Best Picture contenders. [The Carpetbagger]

    • Michael Cieply spends some time with the producers of this year’s Oscar telecast. [New York Times]

    • Lewis Beale on the Jewish image in Hollywood. [Los Angeles Times]

    • Brad Brevet draws a connection between Walt Kowalski and Ethan Edwards. [Rope of Silicon]

    • Christopher Rosen spotlights performances from “Ghost Town,” “Che” and “The Visitor” as the year’s most overlooked. [New York Observer]

    • Karina Longworth responds to negativity over her dubious review of “Dear Zachary.” [Spout Blog]

    • A week old, but yours truly walks through the acting critics awards landscape at year’s end with a few organization members. [Variety]

  • Fitzgerald biopic gets an upgrade

    I must admit my heart sank last year when it was announced that Nick Cassavetes was slated to direct “The Beautiful and the Damned.”

    The story of F. Scott Fitzgerald’s unhappy, alcohol-fuelled marriage to the Zelda Sayre, the schizophrenic socialite who became the embodiment of Flapper glamour, it should, by rights, make for pretty powerful cinema. With “Benjamin Button” on everyone’s minds at the moment, and the intriguing possibility of Baz Luhrmann filming “The Great Gatsby,” the moment is ripe for a Fitzgerald study on film.

    Cassevetes, however, was hardly a safe pair of hands for the project: his first two features were patchily promising enough, but “John Q,” “The Notebook” and “Alpha Dog” inspired little confidence in his abilities. So I’m thrilled to hear that he is out, and that John Curran, a far more interesting (and suitable) filmmaker, is now on board.

    Curran’s last two films, 2004’s searing “We Don’t Live Here Anymore” and his exquisite 2006 follow-up, the Maugham adaptation “The Painted Veil,” were both among the most undervalued films of their respective years. The latter, in particular, demonstrated a fine grasp of the period, and literary sensibility, that is necessary to take on Fitzgerald as a subject.

    Keira Knightley is still attached to play Sayre; there may be grumbles about the young Brit beauty doing yet another period piece, but it strikes me as smart casting, and a formidable challenge for the actress. If she pulls it off, it could bear more fruit than her recent attempts at Oscar-chasing. No word yet on who’s playing Fitzgerald, but if anyone’s listening, might I suggest Ryan Gosling?

  • Pre-PGA housekeeping

    I hadn’t realized I’d let my predictions linger, unattended, since November — I revised them in my head and guess I thought that would somehow magically appear on the site. Anyway, I thought it best to do some cobweb-clearing before the PGA announcement later today (for the record, I’m going with “Button,” “Knight” “Milk,” “Slumdog” and “WALL-E”) sends the guessing game into a new dimension. You can find my revised nomination predictions here.

    I’m still playing with some quirky, no doubt foolhardy, notions, but I like to keep things fun before the Guilds force us to get serious. Many categories still look like a complete crap-shoot to me: in the confounding Best Actress race, for example, I’m experimenting with a Kate Winslet snub, while dipping (reluctantly) into the Angelina Jolie pool for the first time. It doesn’t feel good.

    In the top race, I’m still banking on “WALL-E” leapfrogging “The Dark Knight” as the populist choice, though I wouldn’t be surprised to see both in there. I’m happy with four of my Best Picture runners, but couldn’t settle on a fifth: “Revolutionary Road” is freezing over, “Frost/Nixon” has ticked all the boxes but doesn’t seem to be anyone’s favourite, and the other most-mentioned contenders are a pretty passionless bunch too. Instead of flipping a coin between them, I decided to go a little crazy and try “Happy-Go-Lucky” on for size.

    Below the cut, for the hell of it, some winner picks to accompany Kris’s last week. In the top race, I’ve moved on from my earlier prediction of a “Milk” victory (seeing the film helps sometimes), but something still doesn’t feel right about “Slumdog Millionaire” to me — it seems like the kind of film that would benefit from going into the Oscar race as an underdog rather than the favourite. I honestly have no idea, so I’ll take that as an excuse to go mental again until I get a clearer sign.

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  • Coming up: contest week!

    Now that I’m back from the holidays and getting some things back in order, I’ve decided I’ve got more swag for my own good.  So in the interest of making some space at casa de Tapley, we’re having a week full of giveaways.  So all you “Benjamin Button,” “Dark Knight” and “WALL-E” fans, get your thinking caps on.

    More tomorrow.

  • For the completists

    Over at Gold Derby, Tom O’Neil lists all the runners-up (with points tallies) from yesterday’s National Society of Film Critics awards, along with other gossipy tidbits from the days proceedings. (Most stupid/amusing nugget: Eve, the eerily Applesque female robot from “WALL-E,” garnered a lone Best Actress vote.)

    The full list is below the cut, but here are a couple of bits and bobs that jumped out at me. It’s interesting to see that Sally Hawkins and Sean Penn won their respective categories by a landslide, in a single round of voting. (Seriously, what does distant runner-up Mickey Rourke have to do to gain some traction?)

    Meanwhile, “Waltz With Bashir” pulled off its stunning Best Picture victory in the second round of voting, after its animated cohort “WALL-E” led in the first round. Talk about a good day for the animated medium. What a second Best Picture citation from one of the ‘big three’ critics groups could have done for “WALL-E”s chances is a matter for contemplation, but it’s still very much on the radar — I’m still betting (naively, perhaps) it’ll make the Academy’s top five.

    Elsewhere it’s nice to see Michelle Williams’ extraordinary work in “Wendy and Lucy” at least appearing in the mix, while “Synecdoche, New York” and “A Christmas Tale” (narrowly behind “Happy-Go-Lucky”) make the NSFC’s Best Screenplay table a very classy one indeed. An interesting oddity in the Best Supporting Actress category is that Viola Davis actually tied on points with winner Hanna Schygulla (a truly inspired choice, for my money), but was placed second as she appeared on fewer ballots.

    Finally, can I just say how much I love these guys for giving Eddie Marsan some props? Finally.

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