In Contention

Category: Daily

  • Best ‘Button’ TV spot of the year…

    …maybe the best TV spot of the year period.  Though it could have been longer.  I’m sure you’ve all seen the commercial featuring Arcade Fire’s “My Body is a Cage,” but in case you haven’t, I’m including it below.

    It’s a shame the film came up nil last night.  I spoke to Eric Roth this morning, who’s taking it all in stride.  Of course, he’s been on both sides of the situation, seeing “Forrest Gump” rack up win after win in 1994, only to watch “The Insider” go ignored in category after category five years later.  But as Jared Harris told me last night, the good thing is there will be plenty more opportunities as the season moves along.

  • Quick, for the researchers

    Anyone know if there’s ever been a performance in a specific category to win the most critics awards yet fail to receive an Oscar nomination?

  • CONTEST: Win a batch of ‘WALL-E’ goodies!

    For those participating in the “Dark Knight” contest, keep those entries coming.  Lots of dedicated souls have already chimed in.  I’ll close up shop on that one at midnight tonight, but for now, here’s your chance to win some “WALL-E” swag.

    Three items in the batch: a lovely paperback FYC picture book featuring images from the film and press quotes throughout (more of a media exclusive than a retail item), a nice compact copy of the film’s screenplay by Andrew Stanton and Jim Reardon, and a copy of the 3-disc collector’s edition DVD.  That’s got to have more than a few “WALL-E” fans out there chomping at the bit, so here’s the contest:

    Tell me in at least 1,000 words why “Bolt” is infinitely better than “WALL-E.”

    Kidding!  Okay, here’s the real contest: a trivia question!

    In what year were the initial seeds for “WALL-E” planted (no pun intended), who were the filmmakers in on the discussion and what other films were conceptualized during the same conversation?

    First to answer correctly wins the lot.  Ready…GO!

    WALL-E contest

  • Art Directors Guild Nominees

    The Curious Case of Benjamin ButtonPeriod Films
    “Changeling”
    “The Curious Case of Benjamin Button”
    “Doubt”
    “Frost/Nixon”
    “Milk”

    Fantasy Films
    “The Dark Knight”
    “Indiana Jones and the Kingdom of the Crystal Skull”
    “Iron Man”
    “The Spiderwick Chronicles”
    “WALL-E”

    Contemporary Films
    “Burn After Reading”
    “Gran Torino”
    “Quantum of Solace”
    “Slumdog Millionaire”
    “The Wrestler”

    Alright, so more surprising guild love for “The Wrestler.”  Very interesting.  But I’m rather shocked at the “Hellboy II” Snub in fantasy.  On the whole, though, does this clear anything up in this category?  I’ve been confused all year long.

    I’d say “Button,” “Skull” and “Slumdog” for the wins.

  • DGA discrepancies with AMPAS are not uncommon

    Frank Darabont on the set of The MistThe announcement of this year’s DGA nominees has left the sense that the races for Best Picture and Best Director are over.  Not so.  While the guild and Academy line up most of the time, and have a decent track record with the directing branch, we must not forget the years that proved otherwise.  This could be such a year.

    Ask yourself how many times the Best Picture category has lined up perfectly with the nominees for Best Director?  Please also be aware that the DGA has awarded their prize sometimes to directors not even nominated for an Oscar: Ron Howard for “Apollo 13” and Steven Spielberg for “The Color Purple” to name a couple.  So while the race is certainly clearer, it is by means over.

    I still believe Woody Allen stands a strong chance for being nominated for “Vicky Christina Barcelona,” just as I believe that Darren Aronofsky could sneak in for “The Wrestler.”  But who gets snubbed?

    Gus Van Sant, Christopher Nolan, Ron Howard, David Fincher and Danny Boyle are worthy nominees all, most deserving of their attention and potential award.  But who of those esteemed five could the Academy allow to slip away?  It’s a tough call.

    I hate to say it, but I think Fincher is the most likely snub.  A stunning film to be sure, and likely the major nominee recipient…just as “The Color Purple” was in 1985.  My gut tells me Fincher might get the shaft only because he’s been on that side of things before, and the others are just too hard to ignore.  That said, let’s not forget that Ron Howard has been a victim of this sort in the past, for his finest work in fact, “Apollo 13.”  And Nolan is in some dicey waters, though I doubt he could be the victim of the blockbuster mentality that haunted Spielberg for “Jaws” (and much of his career).

    (more…)

  • Kevin Bacon makes the rounds

    Kevin Bacon in Frost/NixonAs “Frost/Nixon” continues to pop up as a formidable guild contender this awards season, I must say, despite my personal appreciation for the effective drama, I’m a little surprised.  It isn’t the expert craftsmanship of “Slumdog Millionaire” or the creative explosion of “Synecdoche, New York,” obviously, but it is a solid, well-constructed piece of work nonetheless.  And it is apparently reaping the benefits of being one of the few films of the year that is simply easy to watch.

    Well, one of the elements from the film that stood out to me more than any other was Kevin Bacon’s subdued performance as Nixon chief-of-staff Col. Jack Brennan.  Bacon is probably the ultimate “Wall of Shame” actor for the Academy, still waiting on his first nomination despite two decades of solid, effective work.  In a sense, his career is an interesting mirror of the film he stars in this year, a fine-tuned machine that isn’t overly miraculous but is inarguable all the same.

    Bacon remains one of my all time favorite interviews.  Probably my favorite interview.  We spoke once nearly five years ago when he was campaigning for “The Woodsman,” a 2004 drama starring Bacon as a pedophile trying to cope in society that should have earned the actor more kudos than it did.  What was supposed to be a 20-minute discourse turned into nearly an hour of discussion, and for me, just a kid in college hammering out a piece for another outlet, it was the bee’s knees.  He couldn’t have been cooler or nicer, offering plenty of advice for a film school grad hoping to poke his way into the business some day.

    With that in mind, I was happy to stumble upon this Daily Telegraph interview with the actor, who hasn’t received a lot of press for his work in “Frost” this year.  Less an example of good writing from journo Nigel Farndale than a case study in letting the subject tell the story, it does a wonderful job of casting the Hollywood particulars to the periphery in favor of concentrating on Bacon the man more than Bacon the actor.

    There are plenty insightful asides regarding Bacon’s family life, his philosophy of raising children, his insistence on living away from the fray in New york, etc.  Farmdale scatters the piece with this nugget or that regarding roles in “Footloose,” “JFK,” “Mystic River” and “A Few Good Men,” but mostly, its a character study of Bacon himself.  There was, however, this interesting remark concerning his adeptness at portraying military types on the screen that I thought I’d spotlight:

    “I don’t think I could cut it in the army but, hey, it was never going to arise. I’m an actor. I play marines. I’ve had them say ‘you could do it’ and I say ‘trust me, I could not’. I don’t think I have the marine mentality.”

    He gesticulates with his fork, conducting the conversation with it. ”But I don’t question my manliness. That’s not something I struggle with. One of the fun things about being an actor is that you can put yourself in situations where you test yourself.”

    As we all do if given the chance, Farndale asks about the infamous “Six Degrees of Kevin Bacon,” a game I should have to explain to anyone reading these words, but in case I do, click here.  Bacon’s response was inspired, I thought:

    Take me out of it and the idea of connectivity is kind of beautiful. A powerful, small world idea that says that whatever you or I are doing will affect other people down the road, for good or ill.

    It’s a great interview.  Check out the rest here.

  • 1/9 Oscarweb Round-up

    Michael Sheen• Patrick Goldstein is happy to NOT talk Oscar at an Oscar party. [The Big Picture]

    • Jeffrey Wells somehow reads “backlash” into a harmless, truthful quote. [Hollywood Elsewhere]

    • David S. Cohen considers the awards gala glut in the face of economic troubles. [Variety]

    • Tom O’Neil chats it up with “Last Chance Harvey” star Dustin Hoffman. [Gold Derby]

    • Jeremy Kay on films looking for the ticket sales boost of Golden Globe recognition. [The Guardian]

    • Brad Brevet calls Razzie founder John Wilson out on some dubious comments. [Rope of Silicon]

    • Christina Patterson sits down with “Frost/Nixon” star Michael Sheen. [The Times]

    • A brief back-and-forth with the critics’ choice for Best Young Actor Dev Patel. [Daily Telegraph]

  • A night at the Critics’ Choice Awards

    Sean Penn at the 14th Annual Critics\' Choice AwardsIt’s an event that keeps on getting better and better, a little awards show that’s escalated into one of the hallmarks of the film awards season, whether the “we’re one of the best Oscar predictors” stuff is annoying or not (which it is).

    The night had a number of surprises, but in a sense, one of those surprises became a foregone conclusion half-way through the show.  The whole room could tell — “Slumdog Millionaire” was going to walk away with the first clean BFCA sweep since “A Beautiful Mind” in 2001.  Nothing for “The Curious Case of Benjamin Button.”  Nothing for “Frost/Nixon.”  Nothing but the usual for the slowly-becoming-silver-medal-bound “The Dark Knight.”

    Two big wins for “Milk” were nice.  Sean Penn’s victory as Best Actor might have been inevitable, even though Mickey Rourke’s portrayal was probably the year’s most critically acclaimed of the year.  I couldn’t help keeping an eye trained on Mickey two tables over, one of the wandering cameras crammed in his face as Penn delivered his acceptance.  Clearly the “Wrestler” gang was a bit disheartened, nabbing only one win — for Bruce Springsteen’s title track.  But Fox Searchlight was beaming nonetheless with it’s five “Slumdog” trophies.

    I did as much mingling as the two minute commercial intervals would allow, but I did manage to finally meet the lovely Kate Beckinsale, nominated tonight for her criminally underseen performance in “Nothing But the Truth.”  She’s a real sweetheart, happy for the few pockets of support she’s been able to find for the film, which was essentially avalanched by the Yari bankruptcy last month.  There’s still Santa Barbara in a couple of weeks.

    I have to say, being in the middle of Heath Ledger’s standing ovation was somewhat emotional.  The win wasn’t surprising in hindsight, but as Laura Dern was opening the envelope, I couldn’t help but think the idea of major awards was suddenly a pipe dream for this performance.  But it all went away quickly and Christopher Nolan gave a touching, spot-on acceptance speech on behalf of the actor.

    (More, plus the full list of winners, after the jump.)

    (more…)

  • Discuss the Critics’ Choice award winners here!

    Alright, I’m off to the show.  Remember, the awards are televised live on VH1 at 9pm EST, 6pm EST.  If you haven’t given it a go yet, try your hand at predicting tonight’s festivities.  The original nominations announcement can be found here.

    Obviously I won’t be around to comment as the winners come down, so feel free to discuss them in this space while I’m gone.  And enjoy the show!

  • Predict the BFCAs

    I’ll refrain from participating here, given that I’m in the BFCA membership, but have at it in the comments section below if you want some space to predict tonight’s winners.  I’ll offer up a separate post just before I take off for you guys to discuss the winners, since I won’t be here to comment.

    The nominees are here if you need a refresher (and I’ll go ahead and include them after the jump, too, I guess).

    (more…)

  • “How many Oscar bloggers does it take to screw in a lightbulb?”

    When David Carr makes that crack at around the 1:50 mark in this recent Carpetbagger video, surrounded by Gold Derby’s Tom O’Neil and Hollywood Elsewhere’s Jeffrey Wells, I literally choked on my pecans with laughter.  I then proceeded to laugh further at Wells’s attempt at debunking “The Dark Knight”‘s Oscar hopes because of its “interminable third act.”  But even a fan such as yours truly had to give it to Carr’s comeback quip, “How many times did that sucker end?”

    Anyway, the video was shot at the recent New York Film Critics Circle awards and features interviews with Sean Penn, Courtney Hunt, Jenny Lumet, Sally Hawkins and Entertainment Weekly’s Lisa Schwartzbaum.  Take a look.  And someone give this guy a TV show already.

  • BAFTA Orange Rising Star nominees

    Michael Fassbender in HungerGuy has already touched upon some BAFTA coverage today.  The Brits like to draw out their nominations process as long is possible, and good on ’em for it.  You gotta compete in this flurry of awards season announcements.

    Anyway, the nominees for the Orange Rising Star award were announced earlier today, and they are:

    Michael Cera
    Noel Clarke
    Michael Fassbender
    Rebecca Hall
    Toby Kebbell

    This is a tough call for me, the toss-up being Michael Fassbender and Rebecca Hall.  The former was an absolute sensation in “Hunger,” while the latter is probably the best part of Woody Allen’s “Vicky Cristina Barcelona,” despite Penélope Cruz nabbing the raves.  My guess is Hall takes it.

    Here’s a bit from the press release:

    The Orange Rising Star Award is unique as it is the only Award presented at The Orange British Academy Film Awards to be voted for by the British public.  Film fans can have their say by voting via the Orange website HYPERLINK “http://www.orange.co.uk/bafta” orange.co.uk/bafta; or via text. The winner will be announced at The Orange British Academy Film Awards on Sunday 8 February 2009…

    Nominees must have featured in a film that has been entered for this year’s Orange British Academy Film Awards. Nominees will have usually already appeared in several feature films in their career so far.

    Last year’s winner was Shia LaBeouf, who announced this morning’s nominees.

  • DGA nominees

    DGAI think we’re locked and loaded, folks…

    David Fincher, “The Curious Case of Benjamin Button”
    Christopher Nolan, “The Dark Knight”
    Ron Howard, “Frost/Nixon”
    Gus Van Sant, “Milk”
    Danny Boyle, “Slumdog Millionaire”

    What more is there to add at this point?  This is where John Shanley needed to show up if there was any more hope for “Doubt.”  This is where Darren Aronofsky needed to stake a claim if there was any Best Picture juice in “The Wrestler.”  Ditto Stephen Daldry and “The Reader,” I guess.  But with this, I think the consensus has become overwhelming and a bit difficult to ignore.

  • Speaking of Bat fans

    I have to give props to Bill Ramey, better know as “Jett,” and the hard work he’s been putting into Batman On Film for well over a decade now.  This is the kind of fan Christopher Nolan and company set out to apease to a certain extent when they marched into this franchise less than 10 years removed from its own crashing and burning at the hands of Joel Schumacher.  Those were choppy waters, but now the sea is calm.  And Bill keeps doing his thing.  Check out his 2008 year-in-review piece for all the Bat highlights of the year.  It’s a nice bit of reminiscence to say the least.

  • CONTEST: Win a hardcover “Art of ‘The Dark Knight’” companion book by showing off your Bat obsession!

    (I meant to have this up yesterday but I totally forgot.  My bad.)

    Thanks everyone for participating in the “Benjamin Button” contest from Monday.  I’ll be sifting through all those haiku entries to surmise a winner over the weekend.  Today, however, you all have a shot at winning a copy of “The Dark Knight: Featuring Production Art and the Full Shooting Script,” one hell of a dazzling hardcover collectible that you’d better believe is on MY shelf.  (Check out the Amazon page here.)

    I’ve got one to giveaway, however, so let’s have another contest!

    This one is going to require a little more effort on the part of the readership.  Here’s your chance to show me how much of a Bat fan you really are.  Send us a photo demonstrating your Bat-fanaticism — decked to the nines in Bat regalia, perhaps, or simply surrounded by all of your Bat paraphernalia.  And of course, you don’t have to have some big Bat collection to prove your fandom.  The more creative the better.  Something that simply tells me, “Woah, this person is into the Bat.”  Go all out — you only live once.

    Send all entries to ktapley@incontention.com.  We’ll post the winning pic here next week.  Have at it!

    (And check back tomorrow for our final contest of the week, featuring “WALL-E” goodies!)

    Cover of The Dark Knight: Featuring Production Art and the Full Shooting Script

  • 1/8 Oscarweb Round-up

    Rebecca Hall• Patrick Goldstein waxes on about why he thinks “WALL-E,” “The Reader” and “The Wrestler” will be Oscar losers (for Best Pic). [The Big Picture]

    • Peter Bart observes Oscar campaign “combat fatigue” at the Palm Springs International Film Festival. [Peter Bart]

    • Hans Zimmer and James Newton Howard talk to KCRW’s Jason Bentley. [KCRW]

    • David Carr does some pre-DGA speculating. [The Carpetbagger]

    • Tom O’Neil takes a stab at predicting tonight’s Critics’ Choice Awards. [Gold Derby]

    • While a few online mag staffers take a stab at the Globes. [Premiere]

    • In praise of Clint Eastwood’s…face. [Slate]

    • Xan Brooks wonders what the point of the People’s Choice Awards is. [The Guardian]

    • Rebecca Hall gets some much-deserved ink across the pond for popping up on the BAFTA Best Newcomer shortlist. [Daily Telegraph]

    • Howard Feinstein talks to “Man on Wire” director James Marsh. [indieWIRE]

    • John Horn on the perils of high-brow cinema in the marketplace. [Los Angeles Times]

    • Esther Walker says “Revolutionary Road” will change the obscurity of Richard Yates. [The Independent]

    • Kevin Maher talks to Liev Schreiber about the action hero redefining of his career as of late. [The Times]

  • BAFTA announces foreign-language nominees

    I remain perplexed as to why they announce these separately from the main field of nominees (why further ghettoise a ghetto category?), but oh well. The BAFTA nominees for Best Film Not In The English Language are:

    “The Baader Meinhof Complex”
    “Gomorrah”
    “I’ve Loved You So Long”
    “Persepolis”
    “Waltz With Bashir”

    Hardly surprising, though you’d think the dismal UK reviews for “The Baader Meinhof Complex” might have put them off a bit. Better options out there, folks… I’m just sayin’. (I’m not sure whether “The Class”‘s late-February release date made it ineligible, but in any case, why has this masterwork been so sorely overlooked this awards season?)

    Can’t really complain about the rest. You know where I stand on two of them in particular, while I’m glad to see “Persepolis”‘s distant UK release date hasn’t caused the film to slip their minds.