I stopped by Vroman’s Bookstore in Pasadena yesterday evening to hear Steve Lopez read from his new book “The Soloist: A Lost Dream, an Unlikely Friendship and the Redemptive Power of Music,” fully expecting a run-of-the-mill book release PR thing. As it turns out, Lopez is a quick-on-his-heels delight of a public speaker, engaging, never tedious and insightful when it really counts.
And actually, there was no book reading, since Lopez had “lost his glasses for the third day in a row.” Instead, the LA Times columnist simply recounted, in maybe an hour’s time, his relationship with Nathaniel Ayers, a homeless resident of downtown Los Angeles and Skid Row — and a Juliard-trained musician all the same, whose story might be hard to believe, but can be captivating to the most cynical.
L.A. residents are quite familiar with Lopez’s “Points West” column that runs daily in the Times. One of the few living, breathing journalistic spirits of considerable heft at the paper, it seems, Lopez turns a phrase and transforms the mundane into the captivating with a truly gifted sense of the English language. He has introduced readers to members of an entire scale of notoriety, always with equal aplomb, and his articles about Ayers lit a spark for many Angelenos.
The articles, of course, have been adapted by screenwriter Susannah Grant into a film to be released later in the fall by DreamWorks. And Lopez’s book release this week is the beginning of a long road for Ayers’ story, one that will bubble to the surface on a much larger scale when the film lands in November. But what I learned listening to Lopez speak yesterday was how much of a concerted effort the book was for forwarding the issue of mental disorder in the United States, ailments that leave the public stigmatized, a dirty secret, of sorts, that the country seems unwilling to deal with in any up-front manner.
There are those, I’m sure of it, who feel this project seems a grating experience on the horizon of the film awards season. I, too, had my doubts as to something this potentially schmaltz-laden hitting the screens. But my view has shifted somewhat after hearing Lopez tell it. However opportunistic it might seem to the jaded for the film industry to seize upon a story like this, I have to say, I believe a lot of good could come of it in the end. I look forward to Joe Wright’s work even more so with this added context.
In the film, Lopez will be portrayed by Robert Downey Jr., while Jamie Foxx will portray Ayers. Oscar nominee Catherine Keener also stars.
I recorded Lopez’s talk, which runs right at an hour. I thought it would be a great way to initiate a new multimedia aspect of In Contention, and so, I offer it to you now. It’s a funny and insightful 60 minutes from one of the industry’s best columnists.
Have a listen:
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[…] 3) Steve Lopez talks about his new book, “The Soloist,” in Pasadena. (4/19) […]
[…] story was cleverly recounted with amusing detail by Lopez at a book reading in Pasadena last month, which was when I first […]
[…] “The Soloist” is, of course, largely Steve Lopez’s story. It is told from his perspective and is about, as the title of the book lets us know, “the redemptive power of music.” That would be Lopez’s redemption as much as Ayers’, seeing as the LA Times columnist has picked up his guitar again as a result of his relationship with the man. (Listen to Lopez discuss his interaction with Ayers and the process of committing that story to print here). […]
[…] the coolest cats in town, bar none. I met him a few months back at Vroman’s in Pasadena. He spoke at length to a crowd of eager bookworms about his encounters with Nathaniel Anthony Ayers on the streets of […]