In Contention

Tag: Three Kings

  • TELLURIDE: Clooney takes center stage

    George Clooney has been tapped this year for one of Telluride’s three big tributes, and it’s certainly the biggest of the trio. Whether it’s press and patrons schmoozing with the star at yesterday’s Patron Brunch, whispers around town (“Did you hear George Clooney is here?” “I really hope ‘The Ides of March’ is a TBA.”) or the ecstatic response to Alexander Payne’s “The Descendants,” this mountain burgh has been taken by Clooney fever.

    It’s a curious thing to see happen here at a festival that is so smooth and cool and not at all phased by celebrity. Clooney changes all those rules, though. And most of it has to be owed to his trooper disposition and charming charisma. He’s always “on,” and just about everyone wants to just throw back a few with the guy. Men want to be him, women want to…well, you get my drift.

    I tend to stay away from the tributes and spend that time taking in a film at Telluride. But since the actor is set to be feted later this evening, I thought I’d at least dedicate some space to his still in-progress career and the highlights that have brought him to this point.

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  • Wahlberg talks up ‘The Fighter’

    When I remarked in a post yesterday that the upcoming awards season looks a little short on the high-profile biopic contenders so beloved of Academy voters, I had a feeling I was forgetting something obvious. And so I was: “The Fighter,” David O. Russell’s biopic of against-the-odds boxing champ “Irish” Micky Ward, starring Mark Wahlberg in the title role.

    In Friday’s episode of Oscar Talk, Kris expressed his high hopes for the film, singling out Christian Bale (as Ward’s half-brother and trainer Dicky Eklund) as a rumored standout. His faith is reflected in the updated predictions to your right, including potential bids in the two top races, as well as three acting categories. (Melissa Leo is currently tapped for Best Supporting Actress, but Amy Adams could be in the mix too.)

    Anne Thompson responded somewhat skeptically to Kris’s enthusiasm, suggesting that Russell’s film (should it turn out well, of course) is in a position to take some in the industry by surprise — always a good place to be from an awards-campaign standpoint. Meanwhile, it would appear that the film’s minders are opting not to build up buzz via the fall festival track: in this Collider interview, Wahlberg explains that they’ll likely skip Toronto and the rest, choosing instead to “go out and go big” with a December release.

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  • ‘Three Kings,’ 10 years on

    (from left) George Clooney, Mark Wahlberg and Ice Cube in Three Kings2009 has been a bit of a nostalgia point all year long because it marks 10 years removed from one of the finest years of cinema ever.  There has already been commentary regarding a number of 1999’s releases.  We remembered the death of filmmaker Stanley Kubrick back in March and his final release, “Eyes Wide Shut,” a few months later in July.

    There was also our introductory installment of The Lists: a remembrance of the films of 1999 from last year, in case you missed it.  That covers a lot of my feelings of the movie year that was.

    One film I look back on fondly is David O. Russell’s “Three Kings.” It was the beginning of the fall.  The film was in theaters along with another film I and a number of my film school friends wanted to see, something called “American Beauty” with Kevin Spacey.  We decided to make a double feature out of it and Russell was up first.

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  • Remembering 1999, the movie year that was

    Brad Pitt in Fight ClubLast year I dedicated one of the first formal installments of The Lists to the films of 1999, one of the most electrifying slate of films to come along since Hollywood’s epic 1939 peak 60 years prior.  There was an embarrassment of riches, truly, great work from the classic masters, eye-opening new work from future masters and everything in between.

    There was exceptional independent filmmaking on display as well as impressive studio offerings.  Envelope-pushing was the norm while formulaic studies also seemed curiously refined.  As the century drew to a close, it seemed, in some ways, that 1999 would come to represent everything that made the medium so special for its first 100 hundred years.

    Over at Movie City News, Noah Forrest has dedicated a new column to the discussion.  He can be forgiven, I think, for twisting in the winds of indecision when it comes to pegging a personal best film from 1999, but he also offers a number of other superlatives to honor the films and performances from the year.

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  • Steve Lopez’s would-be Jackson column

    Steve Lopez as Vromans in PasadenaSpeaking of David Carr, he points us (via his must-follow Twitter page) to a Ventura County Star story today concerning Los Angeles Times columnist Steve Lopez’s recent keynote address for the National Society of Newspaper Columnists.  The part that caught my eye was a segment dedicated to Lopez’s description of his Michael Jackson column, had he decided to write one.

    I heard Lopez speak a little more than a year ago, when he was promoting his then-forthcoming book “The Soloist” (the story of his relationship with Nathaniel Anthony Ayers that was translated to the screen earlier this year with Robert Downey Jr. and Jamie Foxx in starring roles).  He spins a good yarn with the best of them.

    Anyway, Lopez’s piece would have begun in Iraq, when he was covering the Gulf War in 1991 and attempted to gain access to Saddam Hussein’s nearby summer palace.  He took two photographers with him and went as far as they could go, Lopez says.  When soldiers approached them with machine guns and began grilling the three journalists about their thoughts on George Bush and Saddam Hussein, however, one of the photographers started to make too many waves.

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  • David O. Russell steps up

    David O. RussellAfter the respective five-year gaps following “Three Kings” and “I Heart Huckabees,” it’s nice to see David O. Russell with a couple of irons in the fire. (Well, nice if you’re a fan at least — which I am.)

    With his long-delayed comedy “Nailed” (which has endured various financial troubles) finally due later this year, now Variety reports that Russell has another project on the horizon, this time an adaptation:

    David O. Russell is attached to direct “The Silver Linings Playbook” for the Weinstein Co. The “Three Kings” helmer is also adapting the screenplay, which is based on Matthew Quick’s debut novel.

    Story centers on Pat Peoples, a down-on-his-luck former high school teacher who has just been released from a mental institution and placed in the care of his mother.

    I confess the novel skipped my radar, but the blurb describes it as “an enchanting first novel about love, madness and Kenny G,” so I’m guessing the whimsy quotient is suitably Russell-friendly, which fine by me.

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  • THE LISTS: Top 10 films of 1999

    (from left) Joe Pantoliano, Laurence Fishburne, Keanu Reeves and Carrie-Anne Moss in The MatrixRemember that Entertainment Weekly cover from November of 1999?  The headline boldly proclaimed: “The year that changed movies.”  Indeed, it has become nearly a cliche to harp on and on about those 12 months of solid product as a time not equaled since the glory year that was, 1939, but to many, the truth was the truth.  1999 was the best year for films in a long, long time.

    And it wasn’t a microscopic view of “quality” either.  A broad net was cast, from genre successes aplenty to art house sensations, both finding equal play in the film awards circuit that year.  And so it is that hammering out a list of the 10 best constitutes to be a pastime of sorts for the movie lover, especially those like me who were experiencing an awakening of sorts around that time.

    1999 was my first year of film school — the dark ages, as I like to call them (because I’ve come to know film school as a fool’s errand of sorts, an education not easily passed from one person to the next but better learned through trial and tribulation).  But I was still an eager, unjaded soul and took a trip to the local theater one day with a troupe of friends for our own double feature: Sam Mendes’s “American Beauty” and David O. Russell’s “Three Kings.”  It was our first real understanding of the year that had been unfolding right before our eyes.

    “American Beauty” has, of course, aged quite poorly, though Russell’s Iraq war film remains a staple of sorts, a unique blip in a consistently uneven genre.  This was already the year that had seen the release of the first “Star Wars” installment in over 20 years (however disappointing), the last great exhibit from the portfolio of the cinema’s greatest artist (Stanley Kubrick’s “Eyes Wide Shut”) and a science fiction masterpiece that owed as much to William Gibson as anything else (at least those ideas were making it to the screen).

    Moreover, this was a cinematic year that would see releases from more top-tier directors than any other year: Kubrick, Scorsese, Lucas, Lynch, Allen, Fincher, Burton, Leigh, Minghella, Anderson, Almodóvar, Mann, Lee, Stone, Jordan, Sayles, Soderbergh, Forman, Burton, Pollack, Darabont and Howard, while simultaneously launching the exciting careers of untold newbies.  The range of quality, as expected, was certainly wide, but that all of these guys were in neck deep in their work during the same stretch of time had plenty to do with the perception of 1999, then and now.

    So with that, I felt that this week’s top 10 list (a Tuesday regularity now, if you haven’t been keeping score) would address 1999, the year that was.  Here are my picks:

    (from left) Mark Wahlberg, George Clooney and Ice Cube in Three Kings10. “Three Kings” (David O. Russell)
    David O. Russell is a visionary of sorts, but he seems to always be right at the surface, just about to break through with an unyielding brilliance, never fully harnessing the wicked talent he clearly has.  But for a brief moment in the fall of 1999, he discovered an outlet in this Iraq War dramedy that became more famous for its off-screen drama than what unfolded on-screen.  Pity, because I would rank “Three Kings” in a list of the 10 greatest war films ever made without flinching.  George Clooney, Mark Wahlberg, Spike Jonze and Ice Cube headlined a sprawling cast that probably deserved some ensemble attention.

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