In Contention

Tag: Geoff Johns

  • ‘Green’ means go see it

    It didn’t really hit me how excited I (still) was for “Green Lantern” until the lights dimmed and the green hit the screen. It can’t be understated how much of a long-time-coming type of thing this is, a theatrical version of such a vast cosmic comic book creation. And given the mechanics of the world, the amount of digital wizardry needed to conjure it, not to mention some dense continuity that never presented a clear-cut story for the screen, it’s understandable that it took so long.

    But things started to change in 2004. Geoff Johns, a long-time DC guy who had written on a number of the company’s books (and already had a nice film education under his wing from his time as a Richard Donner mentee), started re-tooling the DC universe, beginning with one of his favorite characters: Hal Jordan. The “Rebirth” storyline led into a revitalized line of books featuring the Green Lantern Corps, a more than 3,000-member strong organization of intergalactic peace keepers, with Jordan right in the center of things. The elements Johns began tinkering with and re-envisioning — which were themselves building toward the “Blackest Night” and “Brightest Day” comic events of the last two years — began to reveal a way into the material for the screen. And now, “Green Lantern.”

    (more…)

  • COMIC-CON: WB brings ‘Green Lantern,’ ‘Harry Potter’ and ‘Sucker Punch’ to San Diego

    One of the most anticipated events at this year’s convention was Warner Bros. Pictures’ presentation of footage from Martin Campbell’s upcoming “Green Lantern” adaptation.  Starring Ryan Reynolds as test-pilot-turned-intergalactic-enforcer Hal Jordan, the film is the first big screen adaptation of the superhero to date.

    Comics writer and head of DC Entertainment Geoff Johns said during the panel discussion, moderated by Hero Complex‘s Geoff Boucher, that there was a time he thought an adaptation would never see the light of day. Working as an intern with Richard Donner over a decade ago, the project had begun to pick up some momentum. When he heard a studio exec ask if the film could be done without the ring, his heart sank and he figured it was a doomed property.

    Today Johns is one of the key architects of the new DC universe on the page, having spent five years re-inventing and streamlining the world of Green Lantern as well, and for him, the film is a dream come true.

    (more…)

  • LA Times on DC vs. Marvel

    Full disclosure: I don’t do comics. It’s not a matter of snobbery or dislike — I quite admire the medium, in fact — but I wasn’t brought up on them and can’t fabricate the kind of lifelong enthusiasm they inspire in others. The pile of unread novels on my bedside table is high enough without bringing graphics into the equation.

    This is a roundabout way of saying that talk of the rivalry between Marvel and DC Comics means about as much to me personally as that of the teams atop the German Bundesliga table — I understand both the game and the stakes, but my knowledge of the players themselves is elementary at best. So I found this LA Times article, in which Geoff Boucher and Ben Fritz break down the recent fortunes of Marvel and DC’s respective film production divisions, rather enlightening.

    With DC Entertainment’s extreme polarities of success (Christopher Nolan’s Batman pictures) and failure (the still-reeking “Jonah Hex”) putting them on shakier economic ground than the more consistent Marvel, the studio has appointed former “Harry Potter” brand manager Diane Nelson and comic-book writer Geoff Johns to take the reins. Nelson’s background is telling: parent company Warner Bros. will be relying heavily on DC Entertainment to plug the gap left when the Potter film series concludes next year.

    (more…)

  • COMIC-CON: Settling in for the “con”

    San Diego Convention CenterI’m just settling in here at the Bayside Hilton next to the San Diego Convention Center.  Killer view, badge pick-up within the hour.  It’s all happening, etc.  But I find myself pondering the “Con” aspect of it all more and more these days.

    Of course, I disagree with David Poland’s notion that the festivities here don’t manage to move the needle at all.  The mood is set, legions of journalists (every Tom, Dick and Harry with a Blogspot or a Live Journal gets in as “press” these days) spread the word and a culture is born right here, every year.  It’s an unknowable variable, of course.  Things can go one way or the other, and nothing will necessarily be made or broken.  But the publicity opportunity is rather undeniable.

    Which brings me back to a point I made just this afternoon, the idea of the web universe largely playing the role of extended mouthpiece for a studio system more and more desperate to reach audiences and drum up excitement in advance of their product’s unveiling.  It’s marketing 101.  But it’s not journalism, any more than the cut-and-paste press releases you find in the trades every morning.

    So why do we cover it?

    (more…)