In Contention

Tag: State of Play

  • SUNDAY CENTS: ‘Obsessed’ impressed

    ObsessedAmerica liked it and they put a ring on it.

    Beyonce’s new thriller “Obsessed” topped the domestic box office this weekend with $28.5 million, adding another impressive performance to the budding actress’s career. Impressive box office performance that is.

    Whether or not Beyonce truly and gracefully inhabits the character of a woman forced to kick ass when some other crazy bitch starts stalking her man, I can’t be certain. This should easily make $70 million+ from a $20 million budget so all involved have just gotten a nice bonus.

    Despite gunning for the same target audience, Universal’s “Fighting” also performed admirably and earned $11.4 million for third place. You can’t accuse them of not being straight to the point and enough males or teens must have thought that a movie called “Fighting” had to be bad ass and worth their $10. Channing Tatum’s career lives to fight another day.

    Actual star power enters the fray at number four with “The Soloist.” Joe Wright’s once-Oscar hopeful earned $9.7 million, which is okay but not enough to justify moving out of the 2008 season. Even though audience reaction is bound to be positive, I just don’t see the legs being great here and a sub-$30 million finish won’t have anybody remembering these folks when ballots are due next year.

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  • First look at Russell Crowe in Ridley Scott’s ‘Robin Hood’

    When Russell Crowe was on Letterman the other night, it totally escaped me that the filming of Rilsey Scott’s “Robin Hood” was responsible for his new “Gladiator” hair do.  Now we get our first official look at Crowe in character, courtesy of USA Today:

    Russell Crowe in Robin Hood

    And here’s Crowe pitching “State of Play” in the aforementioned Letterman segment. There’s a quasi-interesting/humorous Helen Mirren story thrown in:

  • Was it worth the wait?

    Jamie Foxx in The SoloistWhen Joe Wright’s “The Soloist” was shifted from prime Oscar territory last autumn to a considerably more low-profile 2009 slot, many presumed that the film was something of an artistic disappointment. However, word also went round that the move was a sympathetic one, aimed to place less pressure on a film that, despite the talent involved, was more crowdpleaser than prestige item.

    Meanwhile, two diametrically opposed trade reviews do very little to clear up the picture ahead of the film’s release next week. (They appeared a few days ago, but escaped my notice until now.) Todd McCarthy’s Variety pan confirms the suspicions of the sceptics, actually suggesting that the film appears uncomfortably caught between awards-baiting and more populist urges:

    Neither rarefied art film nor widely accessible inspirational drama, “The Soloist” falls between the cracks both creatively and commercially … Joe Wright’s first American feature has moments of power and imagination, but the overworked style and heavy socially conscious bent exude an off-putting sense of self-importance, making for a picture that’s more of a chore than a pleasure to sit through.

    Charismatic and dynamic as they’ve been on any number of previous occasions, both Foxx and Downey seem to labor here as they grapple with roles viewers will find difficulty warming to. Downey, in particular, fails to find either outer charm or inner soul in Steve Lopez.

    The Hollywood Reporter’s Kirk Honeycutt, however, sings a very different tune, describing the film as “excellent, if flawed.” His disagreement is most pronounced on the matter of the film’s lead performances, going so far as to suggest that they remain strong awards contenders:

    Robert Downey Jr. and Jamie Foxx are on fire in the lead roles: They’re both charismatic as hell without sacrificing any of the emotional honesty necessary for you to believe that these movie stars are a scruffy reporter and a mentally ill musician … True, Academy members tend to remember only the last three months of a year when voting, but these performances are extraordinary enough that the memory should not fade by fall.

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  • Question of the day

    Is it really all that surprising that a film that glorifies the profession of journalism is being well-received by film critics across the board?

  • Wells stumps for Bateman

    Jason Bateman in State of PlaySo far, the reviews for Kevin Macdonald’s “State of Play” seem uniformly warm — which comes as a relief to me after the rather indifferent vibe I got from the film’s entire marketing strategy.

    Todd McCarthy describes it as an “efficient, admirably coherent thriller” — welcome adjectives considering the level of condensation required from the original six-hour miniseries — and casts praise in multiple directions, from Russell Crowe’s lead turn (“a brilliant character actor hiding inside a leading man’s body”) to Mark Friedberg’s production design (“won’t likely be matched anytime soon”). Screen International’s Fionnula Halligan sings a similar tune, commending the film for its “edgy bristle” and “surgical” adaptation.

    Both critics also take time to single out the supporting contribution of Jason Bateman for praise, but it’s Jeff Wells who is most impressed by the “Arrested Development” star, going so far as to advocate:

    Hollywood Elsewhere hereby submits Jason Bateman’s performance in State of Play — a performance I admittedly didn’t mention in my review posted earlier today — as the first supporting performance of 2009 deserving of award consideration. He plays a sleazy Washington, D.C. publicist named Dominic Foy, and is quite good in a sort-of sweaty and grotesque way.

    Wells, meanwhile, is also a fan of the film as a whole. Good news all round, then — I’m looking forward to the weekend just a little bit more.

  • SUNDAY CENTS: Whoa, Montana!

    Hannah Montana: The MovieMiley Cyrus proved to be just as popular in two dimensions as she was in three as “Hannah Montana: The Movie” opened at the top of the Easter box office chart with $34 million.  Given that $17 million of that came from Friday alone, one could assume that this will be a one-week wonder.  However, most kids were out of school for Good Friday so you have to cut it a little bit of slack.

    The debut couldn’t quite match the $40 million of “High School Musical 3” but it far outpaces the $20.6 million debut of the last Disney Channel princess to get her own movie (anybody remember Lizzie McGuire?)

    Seth Rogen tested his appeal by appearing in a pitch black comedy from the creators of HBO’s “Eastbound & Down” and the result was a relatively soft $11.1 million for “Observe and Report.”  The women who make up more than 50% of the audience for films like “I Love You, Man” and “Knocked Up” just weren’t interested in a film that includes possible date rape in its trailers.  Go figure.  Warm reviews and a long life on DVD will have to be the rewards for making something unique and interesting.

    Way back in seventh place is Fox’s third disaster of the year, “Dragonball Evolution,” with a limp $4.7 million.  Missing the boat by a good 10 years in terms of this property’s appeal, the existence of the film in 2009 is completely baffling.  I’m gonna go out on a limb and declare its Oscar prospects to be minimal.  Maybe if Fox Searchlight had released it instead.

    Even with no school on Friday, “Fast & Furious” dropped a hefty 59% from last weekend.  Apparently the title refers to how the film will exit the theaters.  “Adventureland” had a better decline of 40%, but still too high for a film relying on word of mouth to get somewhere.  It’s partly my fault since I thought about seeing it this week but ultimately saw “Duplicity” instead.  Probably a mistake, since that film was mildly amusing at best.

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  • Kevin Macdonald steps up to ‘The Eagle of the Ninth’

    Cover of The Eagle of the NinthI first heard about Kevin Macdonald’s plans to adapt Rosemary Sutcliff’s “The Eagle of the Ninth” way back in 2006 when I sat down for a lunch interview with screenwriter Jeremy Brock (who co-wrote Macdonald’s “The Last King of Scotland”).  The machinery being what it is in this town, you have to wait until a trade gets a hold of it before it’s real “news,” and so here’s Variety’s story.

    I like that Macdonald is diving headlong into features, one after another.  I’m especially glad to see he’s not disenchanted after some troubling times on “State of Play.”  The last time I talked to him he was fuming over the then recent departure of Brad Pitt from the film.

    In any case, “Eagle” (which I see will still be written by Brock) deals with “a wounded Roman soldier and his loyal Celtic slave who try to solve the mystery of the Ninth Legion, a brigade of Roman soldiers that vanished after heading into the untamed Highlands of Scotland 15 years earlier,” according to Variety.  I’ve been meaning to pick up a copy of Sutcliff’s book for some time.  Anyone here read it?  Thoughts?

    Jamie Bell is set to star and Focus will distribute.  In the meantime, I’m still chomping at the bit to see “State of Play” (which I won’t catch until April 8).  I hope it works.  Macdonald is one of the good guys, so here’s hoping he keeps a steady heading.

  • OFF THE CARPET: Handicapping 2009 a year in advance!?

    Ewan McGregor and Hilary Swank in AmeliaAhh.  The dust is settling.  And on the horizon, just visible through the mist and waiting to drive us all up the wall once again: the 2009 Oscar season.

    I’ve been writing this year-in-advance column for probably six years now, and I always look forward to gazing ahead.  No one dives in so pathetically deep this far out as yours truly, but in exchange for not having a life for the past few months, I get to unload this burden the day after our annual season’s peak and forget about little gold men entirely for a few months.

    It’s quite liberating.

    The most interesting thing about the season to come, from my vantage point, is the lack of a dreaded “frontrunner status” for any of the contenders.  Some might say Clint Eastwood’s Nelson Mandela project (which is not called “The Human Factor,” mind you — the director says the film is currently untitled and is based on John Carlin’s book “Playing the Enemy”).

    Others might say Rob Marshall’s “Nine” (coming from a money-tight company hoping to avoid echoes of “Memoirs of a Geisha”).  But I don’t see a “Geisha” from here, or a “Charlie Wilson’s War,” expected heavies waiting to miss the mark.  The field is curiously flat, and as a result, excitingly broad.

    Let’s get to it, shall we?

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  • Double feature

    I believe this is what graphic designers term the “Washington-movie grid format.” Either that, or the creative well at the Universal/Working Title marketing department is running dry. It wasn’t that great the first time, guys. (EDIT: I see our friend Glenn has joined the dots too. Great minds, and all that.)

  • My top 10 most anticipated films of 2009

    Johnny Depp in Public EnemiesNo explanations, just my annual unfiltered, edge-of-my-seat anticipations.  My tastes tend to skew entertainment from afar; I don’t look forward to the Oscar stuff until later in the year, when the pieces of that crazy puzzle are slowly revealed.

    Here’s what I’m looking forward to:

    1. “Watchmen” (Zack Snyder, Warner Bros. Pictures, March 6)
    2. “Public Enemies” (Michael Mann, Universal Pictures, July 1)
    3. “Avatar” (James Cameron, 20th Century Fox, Dec. 18)
    4. “A Christmas Carol” (Robert Zemeckis, Walt Disney Pictures, Nov. 5)
    5. “Terminator Salvation” (McG, Warner Bros. Pictures, May 22)
    6. “Shutter Island” (Martin Scorsese, Warner Bros. Pictures, Oct. 2)
    7. “Green Zone” (Paul Greengrass, Universal Pictures, TBA)
    8. “X-Men Origins: Wolverine” (Gavin Hood, 20th Century Fox, May 1)
    9. “State of Play” (Kevin Macdonald, Universal Pictures, April 17)
    10. “2012” (Roland Emmerich, Columbia Pictures, July 10)

    Least anticipated: “Inglorious Bastards”

    You?

  • ‘State of Play’

    I saw this trailer go up on Yahoo! Movies earlier tonight but I’ve been waiting for a YouTube copy.  Well, here it is, and despite a somewhat pedestrian feel, I’m really looking forward to it.  Kevin Macdonald is a promising talent (and he went through his share of trouble on this shoot, I gather).  Hopefully it shapes up: