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Tag: Oscarweb

  • 10/2 Oscarweb Round-up

    Rosemarie Dewitt in Rachel Getting Married• Jeffrey Wells reports that Jim Sheridan’s “Brothers” has been pushed to 2009. [Hollywood Elsewhere]

    • Patrick Goldstein hypothesizes that the year-end Oscar glut is detrimental to quality films and, in a round about way, that studios should forgo the Oscar spending.  Gasp! [The Big Picture]

    • David Poland apparently missed the qualifier “largely” in disputing a section of Goldstein’s lede. [The Hot Blog]

    • Michael Ordoña talks to the wonderful Rosemarie Dewitt about her work in “Rachel Getting Married.”  Best in show, in my opinion. [Los Angeles Times]

    • Tom O’Neil spotlights the tech crew of “Eagle Eye,” wonders if Oscar might be in their future. [Gold Derby]

    • Karina Longworth reports on the “Wrestler” press conference at the New York fest. [Spout Blog]

    • Andrew O’Hehir talks to Bill Maher — boy is he making the rounds for “Religulous.” [Beyond the Multiplex]

    • Chris Ayers heads over to Ixtlan for a “W.” chat with Oliver Stone. [The Times]

    • The 25 greatest movie posters of all time.  Too heavy ont he vintage stuff, but a fun list. [Premiere]

  • 9/30 Oscarweb Round-up

    Mickey Rourke• Mark Olsen reports on the first U.S. screening of German foreign film Oscar entry “The Baader-Meinhof Complex.” [The Big Picture]

    • Jeffrey Wells passes along a note from an exhibitor acquaintance who thinks “Milk” is a home run, but “Frost/Nixon” is a bit stale. [Hollywood Elsewhere]

    • Then he picks the five likely Best Picture nominees, based on the criteria of stories involving journey and redemption. [Hollywood Elsewhere]

    • In a truly tasteless display, Elizabeth Snead makes wise cracks alongside 28 photos of Mickey Rourke’s more bizarre fashion decisions through the years. [The Envelope]

    • David Poland responds to the manipulation of Nikki Finke. [The Hot Blog]

    • Nathaniel Rogers doesn’t think any of the “Reader” hub-bub is a big deal at all. [The Film Experience]

    • Anne Thompson runs down the stacked Best Actor category with the potential Downey vs. Foxx “Soloist” showdown in mind. [Thompson on Hollywood]

    • Tom O’Neil corrals seven pundits for his own predictions chart to light a fire under the collective rear of the Buzzmeter techs. [Gold Derby]

    • James Rocchi chats it up with “Religulous” maestro Bill Maher. [Cinematical]

    • Karina Longworth reviews “Che” and reports from the NYFF Soderbergh press conference. [Spout Blog]

    • Adam Moss corners Woody Allen in the Big Apple. [New York Magazine]

  • 9/29 Oscarweb Round-up

    Michael Cera• A happy ending of sorts for Matilda Rose in the wake of Heath Ledger’s death. [Agence France-Presse]

    • Kenneth Branagh is in talks to direct “Thor.”  Weird, but badass. [Variety]

    • Tom O’Neil traces Paul Newman’s frustrating quest for Oscars. [Gold Derby]

    • James Rocchi talks to “Miracle at St. Anna” director Spike Lee. [Cinematical]

    • The Los Angeles Times have hired an east coast outsider and called it awards coverage.  Well, we wish him well. [The Envelope]

    • Nikki Finke primises to report all the “juicy backstory” on the Rudin/Weinstein situation — because she’s a journalistic disgrace. [Deadline Hollywood Daily]

    • “Quantum of Solace” will have more product placement than any Bond film before it. [The Independent]

    • Mark Olson grills Jonathan Demme on “Rachel Getting Married.” [Los Angeles Times]

    • Meanwhile, Susan King takes on “Rachel” screenwriting Jenny Lumet. [Los Angeles Times]

    • Chris Lee gets some quality time in with Leonardo DiCaprio re: “Body of Lies.” [Los Angeles Times]

    • Michael Cera: heart throb. [Newsweek]

    • Or, Michael Cera: almost famous. [New York Times]

    • Greg Kinnear dishes on his roles in “Flash of Genius” and “Ghost Town.” [Associated Press]

    • Bill Maher Q&A’s it up on “Religulous.” [New York Post]

    • And again, with director Larry Charles in tow. [New York Times]

    …okay, I gotta cut it off there.  Tons of items out there today.

  • 9/27 Oscarweb Round-up

    Josh Brolin in W.• Anne Thompson reports that Paramount Vantage will officially debut the “Revolutionary Road” trailer on Sunday’s episode of “Mad Men.”  Very smart. [Thompson on Hollywood]

    • The toughest journalist gigs in cinema. [Time Out]

    • In the introductory post of his long in the works awards blog (welcome to the fray), Pete Hammond bangs the drums for Dustin Hoffman in “Last Chance Harvey.”  Overture will have a tough enough time with one Best Actor hopeful, though, let alone two. [Notes on a Season]

    • Tom O’Neil rounds up a bunch of thoughts from the Oscarweb regarding potential Oscar hosts. [Gold Derby]

    • Steven Zeitchick gets excited about the foreign film race. [Risky Biz Blog]

    • Michael Cieply and Charles Solomon shed light on a credit dispute among the principles of Universal’s animated endeavor “The Tale of Despereaux.” [New York Times]

    • John HIscock spends some quality time with “Appaloosa” star Viggo Mortensen across the pond. [Daily Telegraph]

    • Oscar winner Helen Mirren is set to take on the role of an Israeli Nazi hunter with “Shakespeare in Love” director John Madden at the helm. [The Independent]

    • Anthony Breznican gets a first look at Oliver Stone’s “W.” [USA Today]

  • 9/25 Oscarweb Round-up

    The Godfather• Jeffrey Wells talks with legendary Oscar-winning lenser Gordon Willis about “The Godfather Restoration.” [Hollywood Elsewhere]

    • Talia Shire discusses same with Alex Simon and Terry Keefe. [The Hollywood Interview]

    • Nikki Finke shits herself with weird fury over the Condon/Mark Oscar news from yesterday, finally admits she has testicles. [Deadline Hollywood Daily]

    • Patrick Goldstein responds to it all, giving that nut-bird credence as a result. [The Big Picture]

    • Tom O’Neil thinks Will Smith would be a fantastic Oscar host.  Naaahh. [Gold Derby]

    • Lynette Rice gets the rumors started with Ricky Gervais as a possibility. [Entertainment Weekly]

    • Roger Moore could care less about his Bond legacy. [The Independent]

    • Michael Moore’s election year freebie. [New York Times]

    • Three films that broke through the “chick flick” barrier. [Test Pattern]

    • Spike Lee and “Miracle at St. Anna” own the local paper this week, starting with a big overview/interview from Tom Roston… [Los Angeles Times]

    • …then a spotlight on hottie starlet Valentina Cervi… [Los Angeles Times]

    • …and finally, John Horn takes the opportunity to wonder whether audiences will care about WWII films this season, with four films yet to come. [Los Angeles Times]

    • Scott Bowles gets a first look at Ridley Scott’s “Body of Lies.” [USA Today]

    • 10 literary classics to turn into blockbusters. [Spout Blog]

  • 9/24 Oscarweb Round-up

    Harvey Weinstein• David Poland adds a nice perspective to yesterday’s nothing “news” about Weinstein vs. Rudin. [The Hot Blog]

    • Patrick Goldstein sticks his toe in the scuffle as well. [The Big Picture]

    • Ditto Brad Brevet. [Rope of Silicon]

    • 10 things you need to know about “The Wrestler.” [Vulture]

    • Jeffrey Wells thinks “Miracle at St. Anna” is a poblem movie because he didn’t get an invite. [Hollywood Elsewhere]

    • When will Hollywood start feeling the credit crunch? [The Guardian]

    • Keira Knightley could be lined up to play F. Scott Fitzgerald’s Zelda Sayre. [The Independent]

  • 9/22 Oscarweb Round-up

    Quantum of Solace• “Real” men of the screen are a dying breed, according to Peter Bart. [Peter Bart]

    • Journos keep beating a dead horse about the new “At the Movies” failure. [eFilmCritic]

    • And again. [The Hot Blog]

    • Anne Thompson salutes Telluride and New York for steering clear of high profile American cinema, but as she notes, was there really a choice this year? [Thompson on Hollywood]

    • Erik Davis talks Bond with Daniel Craig and Marc Forster. [Cinematical]

    • Speaking of Bond, apparently the character won’t be uttering a few of his infamous lines in the latest installment. [The Independent]

    • John Horn sits down with Diablo Cody on the set of “Jennifer’s Body.” [Los Angeles Times]

    • Dennis Lim, meanwhile, chats it up with “Class” director Laurent Canet in the wake of his film landing the official French foreign film selection for this year’s Academy Awards. [New York Times]

    • Giles Hattersly gets some quality time with “I’ve Loved You So Long” star Kristin Scott Thomas. [The Times]

    • Kevin Kelly talks to “Zack and Miri Make a Porno” director Kevin Smith at Fantastic Fest. [Spout Blog]

  • 9/21 Oscarweb Round-up

    NOTHING.  Seriously, everyone seems to be taking the week off.  Except the industrious Nathaniel Rogers, who has revamped his Oscar predictions over at The Film Experience, of course.  Other than that, it’s all quite on the Oscar front.

    Happy Sunday.  And as always, go Skins!

  • 9/19 Oscarweb Round-up

    Benicio Del Toro• Peter Sciretta wraps up the Toronto Fest, live from Fantastic Fest.  It’s that time of the year… [/Film]

    • Oscar winner Diablo Cody responds to the haters: “I like my fake name.  It’s engraved on an Oscar.  Yours isn’t.” [MySpace]

    • Mark Olsen apparently reported over a week ago that Kathryn Bigelow’s “The Hurt Locker” will not be released by Summit Entertainment until 2009 and no one knew about it. [Los Angeles Times]

    • The news kind of sucks for Sasha Stone’s latest Oscar column thesis… [Awards Daily]

    • …while it seems a questionable move to Jeffrey Wells. [Hollywood Elsewhere]

    • Jeffrey Anderson runs down the best of Keira Knightley’s costume epics. [Cinematical]

    • Kevin Kelly talks to “Waltz with Bashir” star/director Ari Folman. [Spout Blog]

    • Lou Lumenick wonders if Heath Ledger’s legacy can equal that of James Dean beyond the inevitable Oscar nomination and Halloween get-ups (I know that’s my costume this year…the only reason I haven’t cut my hair since May). [Lumenick on Film]

    • Karl Rozemeyer talks to “Appaloosa” star Viggo Mortensen… [Premiere]

    • …as well as “Che” star Benicio Del Toro. [Premiere]

    • Alan Moore will be “spitting venom all over” Zack Snyder’s “Watchmen.” [Hero Complex]

  • 9/18 Oscarweb Round-up

    Val Kilmer in Batman Forever• Nathaniel Rogers just can’t seem to get excited about “Appaloosa.” [The Film Experience]

    • Dave Karger, meanwhile, sits down with Ed Harris to talk about the film.  GREAT interview. [Entertainment Weekly]

    • With westerns on the mind, Kyle Rupprecht recounts the best modern entries in the genre. [Moviemaker Magazine]

    • Sasha Stone cherry-picks some of Nancy Kriparos’s wonderful Toronto coverage in case you missed the finer points. [Awards Daily]

    • Is Val Kilmer going to be the next Governor of New Mexico??  I just like how the piece constantly reminds you that he played Batman, both in the headline and through a quote from Bill Richardson.  [The Independent]

    • Sam Adams talks to “Duchess” star Ralph Fiennes. [Los Angeles Times]

    • Patrick Goldstein, meanwhile, talks to director Gary Fielder about how Jim Brown made “The Express” work. [The Big Picture]

    • Want a bleacher seat for the Oscar arrivals? [Oscars.org]

    • Scott Bowles gets Stacey Snider and our old pal Chad Hartigan on the record regarding the “Titanic” reunion set to unfold in “Revolutionary Road.” [USA Today]

    • Kevin Kelly gets a nce sit-down with “Hurt Locker” director Kathryn Bigelow. [Spout Blog]

  • 9/15 Oscarweb Round-up

    Keira Knightley in The Duchess• Anne Thompson offers her perspective on Toronto’s winners and losers. [Thompson on Hollywood]

    • Nathaniel Rogers digs back into the recent past of the festival’s Audience Award to see what is in store for “Slumdog Millionaire.” [The Film Experience]

    • Has “The Visitor” begun an award-winning streak that will culminate with Oscar recognition?  [Screen Daily]

    • Susan Wloszczyna spends some quality time with “it” boy Mickey Rourke. [USA Today]

    • Keira Knightley talks “The Duchess” and fashion with Mark Ellwood. [New York Daily News]

    • Jenni Miller sits down with “The Brothers Bloom” star Adrien Brody. [Premiere]

    • Michelle Kung gets Ed Harris on the record. [The Wall Street Journal]

    • Spike Lee puts his Clint Eastwood fued to bed…whatever. [Deadline Hollywood Daily]

  • 9/14 Oscarweb Round-up

    Danny Biyle• Anne Thompson wraps up this year’s Toronto/Telluride corridor. [Thompson on Hollywood]

    • Jeffrey Wells, meanwhile, recaps the Toronto fest. [Hollywood Elsewhere]

    • David Poland thinks Toronto’s “car wreck for expectations” might be a good thing. [The Hot Blog]

    • Peter Scieretta reports on a release date for “The Wrestler”: December 19. [/Film]

    • James Rocchi chats it up with David Poland via podcast in Toronto. [Cinematical]

    • Oscar-winner Kevin Costner defends his Hollywood legacy — and he damn well should. [The Times]

    • Patrick Goldstein spends some time with Toronto “smart shoppers” Tom Bernard and Michael Barker, co-chiefs of Sony Pictures Classics. [The Big Picture]

    • Kevin Kelly talks to filmmaker Danny Boyle, fresh off his People’s Choice win in Toronto for “Slumdog Millionaire. [Spout Blog]

    • Geoffrey Macnabb welcomes Mickey Rourke back to the top with open arms. [The Independent]

  • 9/11 Oscarweb Round-up

    Mickey Rourke in The Wrestler• James Rocchi gets “Hurt Locker” director Kathryn Bigelow on the record. [Cinematical]

    • Ditto Anne Thompson. [Thompson on Hollywood]

    • David Poland has considerable praise for John Malkovich’s work in “Disgrace.” [The Hot Blog]

    • Anthony Kaufman reports Toronto as a shot in the industry’s arm. [Wall Street Journal]

    • A.O. Scott from that of sobering realism. [New York Times]

    • Patrick Goldstein gets some choice quotes out of Darren Aronofsky and Mickey Rourke.  [The Big Picture]

    • David Germain makes sure you’re aware that Rourke is in the midst of a career comeback. [Associated Press]

    • Danny Wood corners Javier Bardem in Madrid for a little “Vicky Cristina Barcelona” talk. [The Independent]

  • 9/9 Oscarweb Round-up

    (from left) Larry Charles and Bill Maher on the set of Religulous• Jeffrey Wells digs “Nothing But the Truth” (again), but wasn’t so much for the Toronto debut’s after party. [Hollywood Elsewhere]

    • Lou Lumenick, meanwhile, calls the film “silly” and “an endless mopefest.” [Lumenick on Film]

    • Nancy Kriparos catches up with a few more flicks in Toronto, including the awards sneaker “Dean Spanley.” [Awards Daily]

    • Peter Bart talks to Bill Maher about the comedians new documentary “Religulous.” [Peter Bart]

    • James Rocchi is on board for “The Wrestler,” calling it a reflection of “poisonous” American entertainment culture. [Cinematical]

    • Peter Sciretta also reviews the film… [/Film]

    • …after fumbling to produce an incoherent initial reaction IMMEDIATELY after seeing the film. [/Film]

    • Bob Tourtellotte reports a toned-down, hype-controlled festival. [Reuters]

    • Stephanie Zacharek gets some face time with Ed Harris. [Salon]

    • Presumably trying to beat Variety’s list of 10 to the punch, Karen Durbin picks five actors to watch (including the overreaching “Miracle at St. Anna” star Omar Benson Miller). [New York Times]

    • Anne Thompson hands MTV’s credit over to /Film for yesterday’s Depp/Hoffman/Batman “news.”  Nothing confirmed yet on that, of course. [Thompson on Hollywood]

    • And about that…Devin Faraci is holier than thou. [CHUD]

  • 9/8 Oscarweb Round-up

    Seth Rogen and Elizabeth Banks in Zack and Miri Make a Porno• Jen Yamato wonders what the hell happened to Oscar-winner Cuba Gooding Jr. [Rotten Tomatoes]

    • Jeffrey Wells puts up a positive review of Kevin Smith’s “Zack and Miri Make a Porno,” philosophizes on the photographical approach to actually shooting a porno. [Hollywood Elsewhere]

    • Logan Hill profiles “The Brothers Bloom” star Rachel Weisz back East. [New York Magazine]

    • Scott Macaulay goes party-hopping in Toronto. [Filmmaker Magazine]

    • Dave Karger and Missy Schwartz put together a video mid-term report for Toronto. [Entertainment Weekly]

    • Focus Features honcho James Schamus is honored with the Trailblazer Award at the Woodstock Film Festival.  WELL deserved. [MovieMaker Magazine]

    • Lou Lumenick considers Dakota Fanning a “formidable actress” in “The Secret Life of Bees,” but doesn’t see Oscar on the horizon. [Lumenick on Film]

    • A preview of Clint Mansell’s “Wrestler” score pops up online…I’m loving it. [MySpace]

    • Tommy Lee Jones sues Paramount over “No Country for Old Men” profits.  Show me the money. [Associated Press]

    • Anne Thompson’s heart goes out to Charlie Kaufman. [Thompson on Hollywood]

  • 9/7 Oscarweb Round-up

    Heath Ledger in The Dark Knight• Peter Sciretta thinks “The Dark Knight” will eventually beat the $600 million “Titanic” domestic take with re-releases in future years.  Fair enough, but the worldwide gross is insurmountable and always will be. [/Film]

    • Tom O’Neil wonders whether Peter O’Toole has an Oscar win in store for his work in “Dean Spanley.” [Gold Derby]

    • Kevin Kelley spends some time with Brad Pitt. [Spout Blog]

    • Kim Voynar calls the newly re-edited version of Fernando Meirelles’s “Blindness” a “vast improvement” over the cut screened at Cannes. [Cinematical]

    • James Rocchi, meanwhile, talks to “Appaloosa” helmer Ed Harris. [Cinematical]

    • David Poland catches up with opinions on a few Toronto films, including “The Secret Life of Bees” from Fox Searchlight. [The Hot Blog]

  • 9/6 Oscarweb Round-up

    Gerard Butler and Thandie Newton in RocknRolla• Nancy Kriparos keeps her Oscar diary going with looks at “Passchendaele,” “RocknRolla” and “Burn After Reading.” [Awards Daily]

    • Tom O’Neil and Jeffrey Wells talk up the Oscar prospects of Danny Boyle’s “Slumdog Millionaire.” [Gold Derby]

    • Wells, meanwhile, seems to be talking himself out of seeing Spike Lee’s “Miracle at St. Anna” as best he can. [Hollywood Elsewhere]

    • David Poland calls “Lovely, Still” the first real surprise of Toronto. [The Hot Blog]

    • Anne Thompson responds positively to Richard Linklater’s “Me and Orson Welles.” [Thompson on Hollywood]

    • The Kingdom of Jordan will leap into Oscar’s foreign language film race for the first time ever with Amin Matalqua’s “Captain Abu Raed.” [Variety]

  • 9/5 Oscarweb Round-up

    Rinko Kikuchi in The Brothers Bloom• Stephen Zeitchik and Borys Kit tackle the covert war films playing this year’s Toronto fest. [Hollywood Reporter]

    • Jeffrey Wells is hearing that Danny Glover’s narration track in Fernando Meirelles’s “Blindness” has been nixed. [Hollywood Elsewhere]

    • And he responds unfavorably to Rian Johnson’s “Brick” follow-up, “The Brothers Bloom.” [Hollywood Elsewhere]

    • James Rocchi, however, is diggin’ it. [Cinematical]

    • But back to “Blindness, Pete Hammond charts the film’s second chance following mixed-to-negative reactions in Cannes. [The Envelope]

    • The tenacious Sheigh Crabtree scores some exclusive footage from Paramount Vantage’s “The Duchess.” [The Envelope]

    • Brad Brevet begins tracking the Best Foreign Language Film race. [Rope of Silicon]

    • Regarding “Rachel Getting Married,” David Poland continues the Robert Altman comparisons in his review (which really aren’t as applicable as the critical fraternity seems to think, I must say). [The Hot Button]

    • Tom O’Neil catches up with everyone else, ponders a Toronto minus the usual Oscar heavies. [Gold Derby]

    • Why do we always get one of those “Hollywood is at a crossroads” stories every few years? [Peter Bart]