In Contention

Tag: Tuesday After Christmas

  • First foreign Oscar submissions

    I was waiting for news of these to begin trickling in… in my memory, the flood of official submissions for the Best Foreign Language Film Oscar usually begins earlier than August. Anyway, we’re there, so expect a lot more of these updates between now and October 1, the Academy’s formal (if not entirely inflexible) deadline for participating countries to enter their films.

    The first three confirmed entries come from Taiwan, Romania and Iraq — the latter two countries awaiting their first nominations in the category, while Taiwan seeks to return to the race for the first time since its sole win, with “Crouching Tiger, Hidden Dragon,” a decade ago.

    The most high-profile of the three is Romania’s pick: Florin Serban’s debut feature “If I Want to Whistle, I Whistle,” was one of the few critically embraced Competition titles at February’s Berlin Film Festival, where it scooped the runner-up Silver Bear prize. As is my wont at festivals, it seems, I missed it both at Berlin and at Edinburgh, though I’ve heard glowing reports from colleagues of the film, a character study of a teenager, on the brink of release from a detention center, whose rehabilitation is disrupted when his neglectful mother re-enters his life.

    (More, including trailers for all three films, after the jump.)

    (more…)

  • CANNES: ‘Chongqing Blues,’ ‘The Strange Case of Angelica,’ ‘Tuesday, After Christmas’

    Regret to inform that my second day at Cannes was not an especially satisfactory one: three films that all fell short in one way or another and my first shutout (owing to my dingy yellow-card status) from a Competition screening – despite queuing 45 minutes in advance. (That’d be Korean genre piece “The Housemaid,” by the way, which doesn’t appear to have set the Croisette alight, to go from colleagues’ reactions.)

    Two upsides exist to this turn of events. First, I’m managing to catch up on plenty of reading while in the screening queue, so can confidently inform you that the latest Kazuo Ishiguro volume is a thorough disappointment, even if I can tell you nothing of “The Housemaid.” Second, it freed up time for a commiserating drinks session with Sasha Stone and Jeffrey Wells, winding up on the beach at an open-air screening of “From Here to Eternity.” At festivals, there’s always a plan B.

    (more…)