In Contention

Tag: Take It All

  • OSCAR GUIDE: Best Music (Original Song)

    Nora Arnezeder in Paris 36Year after year, the original song category tends to prove that something is broken in the music branch of the Academy.  But to be fair, that’s a bit of a half-truth overall, as the original score field has begun to loosen up a bit and allow for newbie talent to get a foot in the door as of late.

    Still, when it comes to voting on the songs with a seemingly arbitrary system, not to mention a rash of rules that feel made up along the way (and overtly subjective at that), the branch certainly makes a given tune earn it with one hell of an uphill climb along the way.  That having been said, the category nailed down a decent slate of nominees this season.

    The nominees are:

    “Almost There” from “The Princess and the Frog” (Randy Newman)
    “Down in New Orleans” from “The Princess and the Frog” (Randy Newman)
    “Loin de Paname” from “Paris 36”     (Reinhardt Wagner; Frank Thomas)
    “Take It All” from “Nine” (Maury Yeston)
    “The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” (T Bone Burnett and Ryan Bingham)

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  • TECH SUPPORT: Best Original Song

    Jeff Bridges in Crazy HeartOver the last five months, Gerard has diligently canvassed and re-canvassed the various crafts categories here at In Contention.  The one category we have held back on all this time, as contenders have slowly fallen into place, was Best Original Song.  Today, it’s time to dig into the field.

    This has turned into something of a banner year for original songs in feature films.  We’ve had the great pleasure of bringing a number of hopefuls to you via our “listen to” posts, and look forward to continuing that into the new year.  But inevitably, frontrunners are bound to show up, and I think we can successfully narrow the field now.

    Before diving in, it’s worth reiterating the voting process in this category.  I’ll simply let the Academy’s rule book speak for itself:

    “An original song consists of words and music, both of which are original and written specifically for the motion picture. There must be a clearly audible, intelligible, substantive rendition (not necessarily visually presented) of both lyric and melody, used in the body of the motion picture or as the first music cue in the end credits.

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  • Listen to Marion Cotillard’s ‘Take It All’ from ‘Nine’

    Marion Cotillard in NineThis year’s big, bombastic musical “Nine” features two original song compositions from Maury Yeston.  We’re happy today to feature one of them: “Take It All,” performed in the film by actress Marion Cotillard.

    Of all the tracks in the film, both original and pre-existing, this one has the most impact if only because it comes during one of the film’s few truly emotional and affecting moments.  It would be spoiler territory to reveal the particulars of that scene, but the lyrics pretty much, uh, say it all, if you will.

    The tunes of “Nine” won’t have the same problem so many other original songs will have this year because, as movie musical numbers would, they are used within the context of the film.  Indeed, they push the story from point A to point B throughout, and “Take It All,” for my money, was the payoff culmination of all of that, partly due to the power of the track, but mostly due to what Cotillard does with it and how her performance resonates in the actual scene.

    Have a listen to the track below and tell us what you think.

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