In Contention

Tag: Ron Fricke

  • WEEKLY WRAP: Weinstein takes the gloves off, Hollywood mourns its own, doc and animated fields shortlisted

    • The Academy honored legends Francis Ford Coppola, Eli Wallach, Jean-Luc Godard and Kevin Brownlow at the annual Governors Awards.

    • Kris attended a Summit Entertainment holiday party, chatting with the talent in attendance.

    • Disney revealed a clever plan geared toward presenting “Toy Story 3” as a legitimate Best Picture contender.

    • The Weinstein Company lawyered up on the MPAA rulings on “Blue Valentine” and “The King’s Speech”

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  • LIFE WITHOUT OSCAR: 1991 and 1992

    Catch up with the idea behind this series here.

    1991 was a banner year for the Academy bucking trends. Of course, “Silence of the Lambs” was the big winner, a first for the horror genre and the first time the winning film was available to own on home video before nominations came out. That it was only the third film to win the “big five” was even more impressive.

    Arguably more daring was the Best Picture nomination bestowed upon “Beauty and the Beast,” which remains the only animated film to get the call in a field of five. Also noteworthy is the Best Picture nomination for “The Prince of Tides” and Best Director omission for Barbra Streisand. Many cried sexism since it was the third straight time a female-directed Best Picture nominee failed to also receive a nomination for Best Director.

    Instead, we got John Singleton, our first African American Best Director nominee and our youngest, at age 24! How exciting must it have been to be following the Oscars this year? I wouldn’t know because…

    1992 was the first year I watched the Oscars. I vividly remember Billy Crystal singing and dancing his way through the nominees and Clint Eastwood collecting his gongs for “Unforgiven.” I hadn’t seen a single nominated film from the big categories and since I was living in Cyprus and the show would have been at 4am live, I imagine my Dad must have taped it onto VHS for me, but I remember loving every second of it.

    But enough Oscar nostalgia. The real good films are never nominated anyway and here’s the proof.

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