In Contention

Tag: Roberto Benigni

  • The Great Performances: 1998

    Edward Norton in American History XFor all my bitching about Roberto Benigni winning Best Actor in 1998 for his incessant mugging in “Life is Beautiful,” I was also thrilled the Academy watched enough films and paid enough attention to realize that Edward Norton was deserving for his magnetic turn as a neo-Nazi who sees the light in “American History X.” Norton was electrifying as Derek, the charismatic leader of a group of skinheads, handpicked by the older gentleman, played with menace and sleaze by Stacey Keach, who believes in what Hitler taught and seeks to spread the word to the youth of California.

    Norton gave the best performance by an actor I saw in 1998, but the Academy got caught up in the groundswell of support of Benigni’s movie, a fable set in a death camp. I’m not a fan, either of his overwrought, over the top performance, or the film itself. No rant, you all know what I think there.

    That said, there was a bounty of great male performances in 1998, many of which went unnoticed by the Academy. They did their best to get it right, though.  Joining Norton and Benigni for nominations were Nick Nolte in “Affliction,” Ian McKellen, superb in “Gods and Monsters,” and Tom Hanks as the weary soldier in Steven Spielberg’s magnificent “Saving Private Ryan.”

    Not even nominated, however, were Warren Beatty for his brilliant turn as the truth-talking senator in “Bulworth,” Joseph Fiennes in Best Picture winner “Shakespeare in Love,” Jim Carrey in “The Truman Show,” George Clooney in “Out of Sight,” Brendan Gleason in “The General” and John Travolta in “Primary Colors” or “A Civil Action,” take your pick.  And perhaps the most deserving of all: Jeff Bridges as The Dude in “The Big Lebowski,” the actor’s finest work, in my opinion.

    Each of the aforemenetioned men gave stronger performances than the eventual Oscar winner, yet failed to nab a nomination.  Jeez!

    (more…)

  • 10/21 Oscarweb Round-up

    Daniel Craig in Quantum of Solace• Kim Voynar sets up Film Essent at MCN. [Movie City News]

    • Tom O’Neil collects some more guesses from Oscar prognosticators. [Gold Derby]

    • And he reports that “Slumdog Millionaire”‘s Dev Patel will be campaigned as a supporting actor. [Gold Derby]

    • John Campea explores the reasons why “The Dark Knight” will land a Best Picture nomination in the wake of delayed and underwhelming competition. [The Movie Blog]

    • Eugene Hernandez and Peter Knegt discuss the Gotham nods. [indieWIRE]

    • Brooks Barnes looks into Wall Street’s creative affect on Hollywood. [New York Times]

    • Brad Brevet sits down with “Happy-Go-Lucky” helmer Mike Leigh. [Rope of Silicon]

    • Lauren Schuker looks at Paramount’s two release date retreats as a sign of the economic crisis. [Wall Street Journal]

    • The meteoric downfall of Roberto Benigni. [Spout Blog]

    • Anne Thompson had a good time watching “Quantum of Solace.” [Thompson on Hollywood]

  • What’s the worst Best Actor choice of all time?

    Roberto Benigni at the Academy Awards in 1999With the Bat frenzy settling down, and the Toronto Fest looming just ahead, I thought I’d get back to, well, complaining about the Academy’s more lame-brained calls over the years!

    What has been the group’s single worst choice for Best Actor in its 80 year history?  My choice: Roberto Benigni for “Life is Beautiful” in 1998.

    I remember sitting stunned when his name was called out at the Screen Actors Guild awards for his incessant, mugging in the film, possibly the most over-praised endeavor of 1998. What this meant of course was that he now had the inside track to win the Academy Award for Best Actor for this ridiculous performance.

    And he did just that, clowning around, jumping up on the seats of those around him, massacring the English language (which he speaks perfectly fine) with his acceptance speech, trying his best to be endearing and beloved.

    How and why did this performance — and this film — become so beloved by the AMPAS?

    Among the performances Benigni defeated that year were Edward Norton’s seething work in “American History X,” Tom Hanks’s superb turn in “Saving Private Ryan” and Nick Nolte’s raging performance in “Affliction.” Each performance was vastly superior to Begnini’s, and as always, some of those not nominated could have easily taken his place.  Jim Carrey in “The Truman Show” comes to mind.

    Hollywood, however, fell in love with Mr. Begnini as he cruised through cocktail party after cocktail party, dinner at Barbara Streisand’s house, the entire town entranced by a brown-eyed clown.

    His performance was little more than over the top shameless mugging for the camera — “acting” at its worst. For that he gets an Oscar, along with nominations for Best Director and a win for Best Foreign Language Film??

    There have been terrible Oscar wins in the past, of course: “The Greatest Show on Earth,” Elizabeth Taylor for “Butterfield 8,” Al Pacino in “Scent of a Woman.  But has the Academy ever been so incredibly bamboozled by a film and a performer as they were in 1998?

    What about you?  What do you think is the Academy’s all time worst choice for Best Actor?  Or Best Foreign Language Film for that matter?