In Contention

Tag: Rebel Without a Cause

  • INTERVIEW: Dennis Hopper

    Dennis HopperThe voice on other end of the line sounds nothing like the many wild and somewhat insane characters Dennis Hopper has portrayed throughout his career, which now spans more than 50 years. This is a man who has walked with James Dean (his mentor), John Wayne (who affectionately labeled him a “pinko”) and Francis Ford Coppola.

    As a director, Hopper was part of the movement that would bring the New American Cinema into play, closing the 1960s with his biker flick “Easy Rider,” and though he won prizes at Cannes and was hailed around the world, he has rarely directed since.

    Hopper portrayed perhaps the single most terrifying character in a film with his seething work as Frank Booth in David Lynch’s “Blue Velvet.’  The same year he was nominated for an Oscar for his work as the town drunk seeking redemption with his son through basketball in “Hoosiers.”  Even Hopper was stunned that the Academy failed to nominate him for Lynch’s film instead.  He remembers roaring, “HOOSIERS?  You’re kiddin’ me, man” when being told of the nomination. “Blue Velvet” was a film the Academy obviously feared, allowing a single nomination to David Lynch for his dreamy, surrealistic direction of the classic.

    Currently Hopper is celebrating the upcoming DVD release and a low-key Oscar campaign for Best Supporting Actor in “Elegy,” a fine little film in which he portrays the poet best friend of Ben Kingsley’s introspective professor — Sir Ben as Hopper calls him.

    “I was a big fan of Isabel’s [Coixet, the film’s director] work”, he explains. “So when my agent called and said I had an offer to be in a film with Sir Ben Kingsley and Penelope Cruz, I jumped in. It was a very human story, the sort of film I like to see, and being a big fan of Philip Roth helped me along. The film had comedy and tragedy, and most of all characters I think we can all identify with.”

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  • James Dean: over-appreciated icon?

    James Dean in GiantLet me state that I am aware of how much trouble I am going get myself into by writing this.

    With all the praise for Heath Ledger and his apparently electrifying performance in “The Dark Knight,” comparisons have been drawn to 50s method actor James Dean.  Great at his trade, a troubled social life, an early death, what might have been, etc.

    Ledger was a great actor, he should have won the Academy Award for his stunning performance in “Brokeback Mountain” and no doubt will be nominated for his turn as the Joker.  But Ledger’s body of work, though small, was superb and demonstrated a range that vastly surpasses that of James Dean, who was frankly similar in every role.

    The first time I saw James Dean on screen I too was stunned by performer, but for reasons you might not expect. Having heard so much about him, having read everything I could get my hands on, the film “East of Eden” was playing on the late show one night in the days before home video. I set my alarm and went to the cinema, and over two hours later I went back to bed wondering what all the fuss about.

    Later of course I watched “Rebel Without a Cause” and “Giant,” and still to this day I cannot understand those who believe Dean was one of the greatest American actors, so much so that he was elevated to the status of an icon.

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