As is clear from their determination to cling to the ungainly handle “Precious: Based on the Novel Push by Sapphire,” the team behind the upcoming big-screen adaptation of New York poet Sapphire’s well-regarded 1996 novella are keen to acknowledge the film’s literary heritage. (And not just because a lousy February release stole their original title.)
It’s not surprising. “Push” was a minor publishing phenomenon in the 1990s that has since become a solid modern entry in the canons of both African-American and youth literature – the book wears its debt to Toni Morrison and Alice Walker proudly on its sleeve – so the film obviously wants to announce itself to Sapphire’s devoted readership.
More subliminally, however, I suspect the film’s prominently advertised literary cache aims to differentiate it from any number of urban-leaning titles with similar themes but minimal artistic cred – and to lend it a varnish of prestige to awards voters wary of the subject matter.
A glance at the bare-bones synopsis for “Push” or “Precious” – illiterate, physically and emotionally abused Harlem girl recovers sense of self-worth thanks to inspirational teacher – offers little indication of how the final work will be superior to Hollywood schlock of the “Dangerous Minds” ilk, or even Lifetime TV territory. (On the surface, this could easily turn into a facsimile of “Life is Not a Fairytale: The Fantasia Barrino Story,” minus the eventual fame and fortune.)
I’ve kind of been expecting a piece along 
