In Contention

Tag: Michael Ondaatje

  • TELLURIDE: That’s a wrap on the “Show”

    If you’ve been keeping up with the Telluride coverage then you know my thoughts on the 10 films I was able to catch over that four-day spread.  So I’m not going to bore you with a tedious recap here.  Instead, now that I’m back and relaxed in LA, not looking at the clock and rushing to make this or that event, I think I’ll just take a moment to reflect in general.

    On the way to yesterday afternoon’s Labor Day picnic, as I crossed over the San Miguel River on a quaint wooden bridge, I was struck with the disappointment that has been rotting at the back of my mind during the entire festival: God I wish I could take the time to smell the roses there.

    Telluride is a beautiful place to launch a film festival and its tranquility is reflected in festival-goers’ sensibilities.  There aren’t mobs of people out to see stars.  There aren’t flashbulbs popping off around every other corner.  Everyone is very much here for the movies and the chance to discover something new.  I don’t think it has been tainted, or at the very least, programmers and directors have gone a long way to keep that face out in front.

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  • TELLURIDE: Settling in with the freshly unveiled line-up

    I’m just settling in here in the Colorado mountainside as the Telluride Film Festival prepares to draw the curtain on its 37th dance tomorrow afternoon.

    As I look over the schedule (I Tweeted the films earlier this morning), I’m seeing plenty to chew on. For starters, the world premiere of Peter Weir’s “The Way Back” is slated for tomorrow night. I was crushed, though, to see it slotted at the exact same time as the world premiere of Mark Romanek’s “Never Let Me Go.” But both will screen plenty throughout the fest, as a tribute to Weir is in store to go along with the former, while Romanek and actress Carey Mulligan are in town to promote the latter.  Author Kazuo Ishiguro will also be here to sign copies of his novel.

    Telluride is preempting Toronto on Romanek’s film, as well as the new Errol Morris documentary, “Tabloid.” Meanwhile, Sylvain Chomet’s animated “The Illusionist” has been playing the festival circuit all year and is definitely near the top of my must-see list.

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