Last night Peter Jackson showed up at the Horton Plaza United Artists theater a few blocks north of the convention center with protege Neill Blomkamp and actor Sharlto Copley in tow. The occasion: the first ever screening of Blomkamp’s “District 9,” a sci-fi installment that finds itself in the midst of a heavy “what the heck is it?” campaign right now that hopes to drum up anticipation for the August 14 release (and will no doubt see a spike in that once the web press finds time to sit at their laptops and hammer out reactions).
I didn’t really know what to expect. I haven’t follwed the viral on this to the letter like so many and I really just thought it would be a nifty diversion during the Con if nothing else. But it was so much more. The film, which I won’t even discuss plot-wise, isn’t a watershed moment for sci-fi cinema by any means, so don’t let me over state.
What it is, however, is a dedicated, small piece of character-driven genre, much like Duncan Jones’s “Moon” in that way, that was smartly nurtured by Jackson. It also has plenty of seat-leaping action moments to go around, but at it’s heart, it is a near one-man show from actor Sharlto Copley, a fresh young talent who, quite frankly, stunned the hell out of me with his control of a character that is quite complicated in some ways.
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