In Contention

Tag: Day & Night

  • The In Contention Readership Ballot

    Today’s the big day. No more Oscar Guide, no more polls, just a few choice hours left in the season and then, the 83rd annual. (And not a moment too soon.)

    I appreciate everyone participating in the daily polls this month and last, which accompanied each of our Oscar Guide entries. It offers us a nice glance at the majority opinion of how the race SHOULD go down, so I’m happy to offer up, for the second-straight year, the In Contention Readership Ballot.

    There were a handful of frisky choices this year, though not too many. Your big winners were Christopher Nolan’s “Inception” and David Fincher’s “The Social Network” (which is owed Best Picture by your estimation).  Both films racked up five of your wins.  Nothing else was close. And, interestingly enough, the film likely to walk away with the most awards tonight? It only deserves one prize in your book: Best Actor.

    Check out the ballot after the jump, and good luck to your favorites tonight.

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  • Clean sweep for ‘Dragon’ at Annie Awards

    (Sorry we’re a bit late getting to this — Kris had more exciting plans for the evening and I like to sleep sometimes.)

    It’s a shame one can’t talk about “How to Train Your Dragon”‘s success at the Annie Awards without dragging politics into it. There are those of us who think it legitimately deserves to beat “Toy Story 3” on its own merits, and the sense of entitlement that comes from many of the protests on Pixar’s behalf isn’t appealing.

    But as when DreamWorks’s “Kung Fu Panda” upended “WALL-E” at the awards two years ago, there’s no way not to view this, to a large extent, as an anti-Pixar vote. If you’re not aware of the behind-the-scenes drama, this is it in a nutshell: last summer, Disney and Pixar withdrew from the International Animation Film Society-Hollywood, which organizes the awards, in protest at the voting procedures that enabled that aforementioned 2008 upset. (That Disney/Pixar had still taken the top prize in 13 out of 18 years, including last year’s win for “Up,” didn’t make them any less huffy.)

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  • OSCAR GUIDE: Best Short Film (Animated)

    Once again this year, Magnolia Pictures and Shorts International are teaming up to bring the Best Short Film nominees to a theater near you on February 11.  It’s the third straight year of this partnership and it remains a stellar way of getting these otherwise fringe categories out to the masses.

    This year’s animated short field features a typically varied mixture of styles and approaches.  But it is, I feel, a less impressive line-up than we’ve seen in recent years.  Nothing really stands out as profound or instantly worthy of awards consideration, but there are certainly particulars of each that warrant praise.  What’s more, it could be perceived as a relatively open race.

    The nominees are:

    “Day & Night” (Teddy Newton)
    “The Gruffalo” (Jakob Schuh and Max Lang)
    “Let’s Pollute” (Geefwee Boedoe)
    “The Lost Thing” (Shaun Tan and Andrew Ruhemann)
    “Madagascar, carnet de voyage (Madagascar, a Journey Diary)” (Bastien Dubois)

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