In Contention

Tag: Carancho

  • 11/16 OSCARWEB ROUND-UP: Cooper to remake ‘Carancho,’ Liman talks ‘Fair Game,’ dogpiling on Harrison Ford

    • Scott Cooper set to remake “Carancho.” [Deadline]

    • Erik Childress looks forward to the self-aware “legitimate opinions” of critics groups. [Cinematical]

    • John Lopez writes up Oscar’s longshots. [Little Gold Men]

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  • LONDON: Five foreign Oscar contenders

    (Please note that one of the films reviewed here, “Aftershock,” was not screened as part of the London Film Festival programme — but since I saw it this week, it made sense to include it in this discussion.)

    Admittedly, 11 out of 65 is a figure that is only impressive if you’re counting the listenable tracks on most latter-day hip-hop albums, but as a measure of the number of Best Foreign Language Film contenders I’ve seen, it’s more than I’ve ever managed by this early point in the race. For that, I have my growing trail of film festivals to thank (even if I also have Venice schedulers to blame for ensuring that I missed Canada’s hot prospect “Incendies” in favour of — of all things — “Miral”), and this year’s London Film Festival has served me particularly well in this regard.

    I’ll be seeing Belgium and Spain’s entries toward the back end of the festival, but having attended screenings of five contenders in the past week (four of them at the fest), it seemed a neat number for a cluster-review. (I’ve already discussed the hopefuls from Algeria, Czech Republic, Greece, Mexico, South Africa and Thailand on these pages, as well as in Friday’s episode of Oscar Talk. Meanwhile, I thought it less curmudgeonly to limit myself to a 140-character review of India’s entry a few weeks back.)

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  • Foreign Oscar update

    I neglected to mention this over a busy weekend, but the deadline for Best Foreign Language Film Oscar submissions passed on Friday. That doesn’t necessarily mean we have all the contenders set in stone, however — we’re still waiting on the official list from the Academy, which always features a couple of latecomers and a switched selection or two.

    Still, to all intents and purposes, the eventual Oscar shortlist is set to come from the 62 titles entered thus far. (Check out our updated list here.) The most notable submission among the last-minute stragglers is Argentina’s “Carancho,” a romantic legal thriller from director Pablo Trapero — whose previous feature, the strong female proson drama “Lion’s Den,” was the country’s unsuccessful Oscar submission in 2008.

    The film stars Ricardo Darin, a familiar face to that voting branch; the Argentine superstar has headlined five of the country’s last nine entries, including reigning Oscar champ “The Secret in Their Eyes.” The film played in Un Certain Regard at Cannes, where it was rather well-received. I’ll be catching up with it at the London fest this month.

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