In Contention

Tag: Bruno Coulais

  • ‘Up’ triumphs at Annie Awards

    UpLast year, the industry-voted Annie Awards appeared to have entered a peculiar grudge match with Pixar Studios, as eventual Oscar-winner “WALL-E” came away empty-handed, while “Kung Fu Panda” swept the board.

    Whether that curious outcome was the result of peer envy or professional preference, the Annies appear to be back on board with Pixar, as “Up” took Best Feature and Best Director honors at last night’s ceremony. (Ironic, given that in this banner year for animation, a deviation from the expected would have been arguably better-received than last year’s shocker.)

    Still, the Annie voters spread the wealth, with “Coraline” and “The Princess and the Frog” dominating the technical categories. Interestingly, “Coraline” composer Bruno Coulais beat out Oscar frontrunner Michael Giacchino — nice to see that undervalued score getting a moment in the sun.

    Finally, the many devotees of “Fantastic Mr. Fox” will be comforted that it took writing honors for Wes Anderson and Noah Baumbach. Full list of feature winners after the cut.

    (more…)

  • Studio FYC sites on the march

    A Serious ManIt’s that time of year, when studios roll out their awards-centric websites for films in play.  You get screening info, news and notes, reminders of how AMAZING their films are (with critical quotes to back it up), goodies like screenplays and such, etc.  It’s a good way to see how wide the net is cast during the season (since any and everything gets a “For Your Consideration” blurb), but I’ve always found it’s a good way to revisit the year’s films.

    First up, Universal Pictures has put together its standard assemblage hawking “Public Enemies,” “Bruno,” “Funny People” and “It’s Complicated.” Skimming through the “Public Enemies” section I was instantly reminded that Elliot Goldenthal’s score was actually quite wonderful and could be a sleeper to watch in a field that is notorious for its insularity.  You can even skim through tracks in a dedicated section and download the screenplay.

    “Funny People” has a similar set-up, with score toggling, the script, etc., while “Bruno” has no script to offer.  But you can listen to the raved out score again if you wish.  The “It’s Complicated” section has material to come and only mentions “in all categories” as it pertains to FYC business.

    (more…)