In Contention

Tag: At Close Range

  • Those underrated gems of the 1980s

    BirdFor me, no decade was as overall weak for films as the 1980s, a 10-year span when bad movies made a fortune good ones went unnoticed. Of course there were exceptions to that rule.  “Amadeus,” “E.T.: The Extra-Terrestrial” and “Platoon” were brilliant productions that also scored at the box office, but more often than not, great films were discovered on video, sometimes years after release.

    A quick glance at the decade will show you that “Raging Bull” was not hailed as a masterpiece right away, and was by all acounts a failure at the box office, as was Warren Beatty’s masterful “Reds.” Phillip Kaufman’s extraordinary space adventure “The Right Stuff” had all the makings of a great American film (which it was and remains) and a box office smash, but sadly never found an audience, falling by the wayside in the summer of 1983. Audiences were flocking to see junk like “Flashdance,” “Footloose,” “Top Gun” and “Dirty Dancing” while many great films opened and closed without causing a ripple.

    I went back through the 1980s recently and re-visited 15 films that deserved attention when they were released, deserved Academy Award nominations (or more than they got), and certainly should have found an audience at the time of their release. Many of them were admired by critics, but I have left out the obvious — “Raging Bull,”  “Blade Runner,” etc. — to include smaller films that need a little love. Here they are, in no particular order…

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  • Sean Penn on course for Oscar #2, and he deserves it

    Sean Penn in MilkWith two of the major critics awards won, actor Sean Penn seems to be headed for his second Academy Award for Best Actor for his brilliant work in “Milk.”

    Penn’s work through the 1980s and 1990s defined him as one of the greatest actors of his generation (if not the best) and certainly on the level with Marlon Brando, Jack Nicholson and early Robert De Niro.  I find it incredible to see him today in “Fast Times at Ridgemont High” and try to connect that actor and character to anything he has done in his career. It gives a very clear example of his seemingly limitless range.

    His first Oscar nod came for “Dead Man Walking” in 1995, with only the Independent Spirit Awards giving him the grand prize.  All the others went with Nicolas Cage in “Leaving Las Vegas,” a great performance to be sure, but for my money Penn was stronger. Four years later he was something of a surprise nominee for “Sweet and Lowdown,” a fine piece of acting, but a kind of out-of-nowhere nomination, as was his third nod for “I Am Sam,” which I still struggle with watching; it represents the only time I can “see” Penn acting.

    “Mystic River” won him his first and only Oscar, and I stand by it as a stunning example of the craft.  I agree with The New York Times, which declared it one of the great acting performances of all time. Bill Murray was a popular choice that year for “Lost in Translation” and no argument, he would have been a most worthy winner.  But I am pleased Penn won. For me, he captured the anger and rage of the character, as well as the disappointment and hurt over something so precious as a daughter, now lost. There was shame in his eyes for not having protected her, and to make up for that in his mind, he avenges her.

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