In Contention

Tag: Year One

  • SUNDAY CENTS: Box office ‘Trans’-stormed!

    Transformers: Revenge of the FallenAfter a critical mauling the likes of which is usually reserved for Uwe Boll, Michael Bay’s mega-budget sequel “Transformers: Revenge of the Fallen” opened to the second largest five day opening of all-time behind “The Dark Knight.” Is that surprising? Not really.

    The original film is one of only two non-sequels in the last three years to make over $300 million at the box office and was the highest selling DVD of 2007, beating the much-higher profile third films in the “Spider-Man,” “Shrek” and “Pirates of the Caribbean” franchises. In short, for whatever reason, people loved that film and the two years that passed was short enough to strike while the iron was hot, but long enough to significantly improve effects and get bigger, badder robots on screen for longer.

    $112 million for the three days and $201.2 million since opening Wednesday are the official estimates and that is astounding. Word of mouth could be absolutely poisonous and the film would still out-gross the original and collect over a half billion worldwide. This was the blockbuster that summer has been waiting for and it will take less than 10 days to pass “Up” as the highest grossing film of the year so far.

    The only other new action came from “My Sister’s Keeper” at number five with $11.8 million. For a cancer drama, that’s a fine start, but a troubling amount of it came from Friday, indicating some kind of fanboy rush. Are there groupies for this book like there are for “Twilight?” Just couldn’t wait to see if they added a cancer-free twist at the end? Very odd.

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  • 6/23 Web Round-up

    Shohreh Aghdashloo in The Stoning of Soraya M.• How Sacha Baron Cohen ensnares his victims. [Daily Telegraph]

    • 26 titles announced for this year’s Toronto fest. [indieWIRE]

    • Anna Pickard breaks down the recent “2012” trailer. [The Guardian]

    • Gina Piccalo talks to Shohreh Aghdashloo, star of “The Stoning of Soraya M.” [Los Angles Times]

    • Noah Forrest joins the “Year One” dogpile. [Movie City News]

    • Michael Cieply profiles “Transformers: Revenge of the Fallen” producer Lorenzo di Bonaventura. [New York Times]

    • An antidote of sorts to last week’s slew of dad lists with good cheer: the 10 most horrible dad movies. [Premiere]

    • Brad Brevet talks to “The Hurt Locker” director Kathryn Bigelow. [Rope of Silicon]

    • Simon Pegg profiled across the pond. [The Times]

  • 6/22 Web Round-up

    Last Year at Marienbad• Steve Appleford taps into Spinal Tap, 25 years later. [Los Angeles Times]

    • Dennis Lim, meanwhile, revisits the “last gasp of an old-fashioned modernism” that is “Last Year at Marienbad.” [Los Angeles Times]

    • A few of the cinema’s most inspiring, moving and emotional dad moments. [Empire]

    • John Hiscock talks “Year One” with Jack Black. [Daily Telegraph]

    • Popcorn as a sexual aid? [The Guardian]

    • Lou Lumenick, spinning his wheels, wonders whether the top brass shakeup at Paramount this week is prelude to a merger with Universal Pictures. [Lumenick on Film]

    • Sam Mendes beat Martin Scorsese to the “Middlemarch” punch. [The Independent]

    • Speaking of which, Brad Brevet accuses Sam Mendes of attacking the state of American marriage.  If the shoe fits… [Rope of Silicon]

  • SUNDAY CENTS: Audiences accept Bullock’s ‘Proposal’

    The ProposalWith absolutely nothing targeted towards the date crowd yet this summer, Sandra Bullock and Ryan Reynolds took the stalest looking romantic comedy all the way to the top of the box office with $34.1 million. That’s far and away Bullock’s best debut as she’s used to figures in the high teens and then leggy runs after that. For Reynolds, well, it’s not even his biggest opening this summer but he now has thousands of Grandma’s to count as new fans. Given the dearth of direct competition, I think this has enough gas in the tank to get to $100 million.

    Way past that figure is “The Hangover,” dropping a microscopic 18% in second place for $26.9 million and $152.9 million total. There’s not much left to say here except that this is a film that tapped into the zeitgeist and there’s no duplicating or explaining it. Moving on.

    “Up” also held well, passing the domestic total for “WALL-E” and it’s still in the top three. While the film certainly stands on its own, some of that success is due to “Ratatouille” and “WALL-E” building the company’s reputation amongst adults. They set ‘em up, and Carl Fredricksen knocks ‘em down.

    Fourth place is where you’ll find the other new release, “Year One.” Plagued with bad buzz from vitriolic internet users, a $20.2 million opening isn’t actually half bad. The Friday to Saturday drop is, however, and this will be lucky to get to $50 million total. It may not make it’s money back until way down the line but nobody’s getting fired over this one and Michael Cera will live to see another painfully awkward day.

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  • SUNDAY CENTS: Bad ‘Hangover’ for new openers and holdovers

    The Taking of Pelham 123After denying “Up” the bragging rights of a repeat at the top of the box office at the last minute, “The Hangover” has accomplished that feat itself.

    The R-rated comedy dropped a minuscule 26% to add another $33.4 million to the bank and give it a very real shot at $200 million-plus. That’s a benchmark reserved for very few comedies and only the best of the best like “My Big Fat Greek Wedding” and “Crocodile Dundee.”  Speaking of those two, it’s a pity Nia Vardalos didn’t look to Paul Hogan’s career for a glimpse at the dangers of repetitive ethnic-centric comedy. If there’s a bigger success story than “The Hangover” this summer, we are in for some big shockers.

    Speaking of shockers, I saw the movie this week and I didn’t like it at all. Aside from some fresh stuff from Zach Galifianakis, it was pretty stale to me. It’s no “Wedding Crashers,” that’s for sure.

    “Up” also held up extremely well, dropping only 31% and staying in the runner-up spot with $30.5 million. It now seems likely to pass “Cars” and wind up the sixth highest grossing Pixar film when all is said and done.* I’ve always said that miscarriages in cartoons equals big bucks and finally somebody listened.

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