In Contention

Tag: Vengeance

  • ‘Bright Star,’ ‘Precious,’ ‘Informant’ and 19 more to play TIFF

    Matt Damon in The Informant!The Co-Directors of the Toronto International Film Festival took to the stage this morning at the first of three summer press conferences to begin announcing the slate of films that will comprise this, the 34th annual Toronto International Film Festival.

    This morning’s announcement of 22 titles brought some pleasant surprises, as well as some expected announcements.

    The Opening Night Gala will be Jon Amiel’s “Creation” featuring Paul Bettany as Charles Darwin and Jennifer Connelly as his wife.

    There were several Gala Presentations announced, among them “Get Low,” a film featuring the great Robert Duvall as Felix Breazeale, a backwoods eccentric who exiles himself from society for more than 40 years. Bill Murray and Sissy Spacek co-star with Oscar winner Duvall.

    As expected, Lee Daniels’s festival circuit hit “Precious” will land in Toronto, already an Oscar contender, as well as “The Invention of Lying,” directed by Ricky Gervais and Matthew Robinson.

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  • Cracks show in Cannes lineup

    Johnny Hallyday in VengeanceAfter surveying the reviews of Johnnie To’s “Vengeance” and Brillante Mendoza’s “Kinatay,” it seems safe to assume that neither film is a contender for the Palme d’Or — in the latter, we may even have our first real critical punchbag of the Competition.

    ScreenDaily dismisses “Vengeance,” an action effort teaming Hong Kong genre lord To with iconic French actor/singer Johnny Hallyday, as a “revenge shoot-em-up which fires mostly blanks,” citing a “contrived plot,” “wooden English dialogue” and a “stilted” lead performance as the key problems. Variety is more charitable, calling it “smoothly executed” but ultimately “more of the stylish same” from the director.

    Less predictable, and a lot more contentious, appears to be “Kinatay,” a grim, ultra-violent (the title translates as “slaughter”) tale of an ordinary man drawn into a crime syndicate — though apparently a lot weirder than that generic premise indicates. Variety slates the film, labelling it both “unpleasant” and “banal,” and predicting a general critical drubbing.

    Roger Ebert confirms that prognosis, with a vicious takedown in which he claims the film surpasses Vincent Gallo’s infamous “The Brown Bunny” as the worst in the festival’s history:

    There will be critics who fancy themselves theoreticians, who will defend this unbearable experience, and lecture those plebians like me who missed the whole Idea. I will remain serene while my ignorance is excoriated. I am a human being with relatively reasonable tastes. And in that role, not in the role of film critic, I declare that there may not be ten people in the world who will buy a ticket to this movie and feel the money was well spent.

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  • Cannes: sizing up the Competition, part two

    Charlotte Gainsbourg in AntichristContinuing yesterday’s survey of the runners and riders in the race for the Palme d’Or…

    “ANTICHRIST” (Lars Von Trier)

    The pitch: You’ve seen the trailer. Charlotte Gainsbourg and Willem Dafoe star as bereaved parents who retreat to a remote woodland cottage to nurse their grief, only to be terrorised by unnamed forces of evil. (English dialogue)

    The history: Over his seven previous Competition appearances, Von Trier has enjoyed a gradual ascent from the Technical Grand Prize for 1984’s “Element of Crime,” to the Jury Prize for 1991’s “Europa,” to the Grand Prix for 1996’s “Breaking the Waves” (1996) to, at last, the Palme d’Or for 2000’s “Dancer in the Dark.” Nothing since then, however, with his masterful “Dogville” coming up surprisingly (and undeservingly) empty-handed.

    The outlook: The film may appear to be familiar (albeit bloody terrifying) horror fare in the trailer, but we should know by now never to presume what a maverick like Von Trier has up his sleeve. Cannes is usually averse to the genre, so whether the film made the lineup because it’s something more subversive, or simply because it’s directed by one of their favourite sons, remains to be seen. Either way, the film will need to be something special to get Von Trier back in the winner’s circle – after all, “Dancer in the Dark” proved so polarising, juries have been unwilling to take a chance on him since. He tends to put his actresses through the wringer, so perhaps there’s a chance for Charlotte Gainsbourg here – but who knows?

    “SPRING FEVER” (Lou Ye)

    The pitch: Erotic drama follows a young man hired to survey a married man’s homosexual affair; tangled relationships ensue as the spy and his girlfriend become sexually drawn to the adulterous couple. (Mandarin dialogue)

    The history: Not counting an unfortunate 2006 withdrawal after his “Summer Palace” fell foul of Chinese censors, this is Lou’s second Competition appearance.

    The outlook: There is a great deal of goodwill in the world-cinema fraternity for Lou, who has fought a continuous battle with the Chinese censorship board. His last film, the politically charged “Summer Palace,” resulted in the director receiving a five-year ban from filmmaking – a ruling Lou is flagrantly flouting by screening his new film (which was shot in secret on handheld cameras) at this year’s festival. It’s a courageous move, and I think there’s a strong chance the jury might like to demonstrate their support for the embattled auteur with a prize of some variety.

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