In Contention

Tag: The Last Station

  • TELLURIDE: ‘The Last Station’ premieres to the world

    (from left) Christopher Plummer and Helen Mirren in The Last StationMichael Hoffman’s “The Last Station,” adapted from Jay Parini’s novel about the last days of famed Russian author Leo Tolstoy, has been on my radar for quite some time.  There seemed to be an air of awards potential around Christopher Plummer, who stars as a dwindling Tolstoy, and Helen Mirren, as his fiery wife, Countess Sofya.

    The film had its world premiere tonight here in Telluride in front of a packed audience.  The line was out the door and around the block, partly because it’s opening night, partly because of the fact that Helen Mirren is on-hand (though, as it turns out, not until later tonight).  But those hoping to hear a nice chat with the actress after the film weren’t disappointed for long:  Hoffman had Vladimir Tolstoy in tow, overseer of the Tolstoy estate, and a number of other Tolstoy family members as well.

    But first, the film.  It’s a delightful effort with bright comedic spots throughout, but it’s also thematically resilient in its depiction of a relationship, 48 years on, nearly torn apart by diverging philosophies on religion, property, etc.  It’s a touching exploration of love in its many forms.  “Yes, love is hard,” Hoffman said after the screening.  “You want to do what you need to do, they want to do what they need to do, but I don’t know what else to do.”

    (more…)

  • OFF THE CARPET: Handicapping 2009 a year in advance!?

    Ewan McGregor and Hilary Swank in AmeliaAhh.  The dust is settling.  And on the horizon, just visible through the mist and waiting to drive us all up the wall once again: the 2009 Oscar season.

    I’ve been writing this year-in-advance column for probably six years now, and I always look forward to gazing ahead.  No one dives in so pathetically deep this far out as yours truly, but in exchange for not having a life for the past few months, I get to unload this burden the day after our annual season’s peak and forget about little gold men entirely for a few months.

    It’s quite liberating.

    The most interesting thing about the season to come, from my vantage point, is the lack of a dreaded “frontrunner status” for any of the contenders.  Some might say Clint Eastwood’s Nelson Mandela project (which is not called “The Human Factor,” mind you — the director says the film is currently untitled and is based on John Carlin’s book “Playing the Enemy”).

    Others might say Rob Marshall’s “Nine” (coming from a money-tight company hoping to avoid echoes of “Memoirs of a Geisha”).  But I don’t see a “Geisha” from here, or a “Charlie Wilson’s War,” expected heavies waiting to miss the mark.  The field is curiously flat, and as a result, excitingly broad.

    Let’s get to it, shall we?

    (more…)