In Contention

Tag: Ronald Harwood

  • Queen’s Honors for Harwood, Zeta-Jones, Okonedo

    Capping what was a pretty decent day for South Africa yesterday, one of the country’s most notable cinematic sons, Ronald Harwood, was accorded a knighthood in yesterday’s Queen Birthday Honors list. The Oscar-winning playwright and screenwriter (“The Pianist,” “The Diving Bell and the Butterfly,” “The Dresser”) is the only film figure granted that top honor in this year’s list. He offers this quote in response:

    “I was truly surprised and greatly delighted to learn that I was to receive this honour. I arrived in England in 1951, at the age of 17, from South Africa where I was born in the hope of making my way in the great world. So it has been a long, fruitful and immensely enjoyable journey, crowned by this splendid reward for which I am deeply grateful.”

    Lower down on the list is a trio of British actresses; most elevated among these is a second 2002 Oscar champ, Catherine Zeta-Jones, who was named a Commander of the British Empire for her film and charity work. (Okay, a CBE, but I like the mental image of the “Chicago” star commandeering an entire empire. You know she would.)

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  • 9/29 Oscarweb Round-up

    Amy Landecker• Arguing that “Public Enemies” looks “cheap” due to HD nearly three months after release. [The Huffington Post]

    • Dave Karger wonders if a bona fide left-field Best Picture nominee is in the cards in a 10-nominee paradigm. [Oscar Watch]

    • Getting the 70s bush right for “A Serious Man” (Amy Landecker officially rocks). [Vulture]

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  • Harwood and Oliver share Humanitas Prize

    To revisit some old friends from the 2007 awards season, the Humanitas Prize in the feature film category has been jointly awarded to Ronald Harwood, for “The Diving Bell and the Butterfly,” and Nancy Oliver for “Lars and the Real Girl.”

    The prize is a screenwriting award aiming to honour achievements that “explore the human condition and reveal our common humanity.” (Previous winners include “Crash,” “You Can Count on Me” and “The Shawshank Redemption.”) Under those criteria, both winners strike me as worthy — even if I find Harwood’s script a rather more substantial achievement.

    Amusingly, the tie leaves Diablo Cody as the lone unrewarded nominee in the category — somewhat appropriate given the lack of maturity or insight she recently displayed in her online hissy-fit. Oh well, to borrow her words, at least she still has her fake name engraved on an Oscar.

    Elsewhere, the Sundance Feature category was awarded to the TV-movie adaptation of “A Raisin in the Sun” over Tom McCarthy’s “The Visitor,” which strikes me as a little odd. But humanity isn’t exactly a quantifiable achievement, is it now?