In Contention

Tag: Mamie Gummer

  • New generation

    Apropos of nothing really, except this thin story about her being cast in the latest John Carpenter thriller, but for the first time this afternoon I took time to properly look at Mamie Gummer. You might know her better under the name of “Meryl Streep’s daughter.”

    Gummer has been cropping up in supporting parts for a couple of years now, notably in “Stop-Loss,” “John Adams” and now in “Taking Woodstock,” while she played a younger incarnation of her mother in the dismal “Evening.” I can’t say she’s ever particularly stood out to me, but on glancing at the photo accompanying the Screen Daily story, I was suddenly startled by the family resemblance. If she goes on to major things, this could get quite unsettling.

    Mamie Gummer

  • TORONTO: ‘Good,’ ‘Me and Orson Welles,’ ‘Every Little Step,’ ‘The Loss of a Teardrop Diamond,’ ‘The Hurt Locker’

    Christian McKay in Me and Orson WellesListening to the conversations of the other critics in the various theaters, it becomes very clear that this year’s fest has been something of a disappointment, the first in a long, long time.

    At least one critic pointed out to me that Oscar and TIFF divorced this year, which has been mentioned ad nauseum and is probably a pretty fair assessment of the situation. A lot of the press are heading home today and tomorrow as the festival begins that slow march toward the end, always exiting with a whimper and never a bang.

    These last couple of days I have screened some interesting films: a noble failure, a superb documentary, a fine war film that is still not the great film we need about Iraq.  I will get to them as I can, but for now, some quick catching up…

    (Reviews after the jump.)

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