Oh dear. Colour me very disappointed indeed. “Mammoth,” Lukas Moodysson’s would-be entry into the mainstream, had me so hopeful — not least because it features Gael Garcia Barnal and Michelle Williams, arguably the two most exciting actors of their generation. But judging from a hostile crowd reception and cool-to-icy reviews, it appears the film isn’t likely to join Moodysson’s “Fucking Amal” or “Together” in the pantheon of greatness.
IndieWire’s Eugene Hernandez reports that the film actually elicited boos at its screening — something that should always be taken with a pinch of salt, given the weird, unnecessarily cruel crowd mentality that often reigns at European festivals. (Just ask Sofia Coppola.) But Screen International’s trustworthy Jonathan Romney’s review isn’t much more merciful:
Mammoth is an elephantine dud from a director who has plenty to say about the state of the world – and not a whit of new insight to offer nor artistic invention to express it … Moodysson’s humourless, finger-wagging script ticks every expected box, and he’s not averse to heavy visual underlining … The film’s title (alludes) – geddit? – to the capitalist global system, a wasteful titan doomed to extinction, though it applies equally well to the lumbering shaggy monster that Moodysson has created here.
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