In Contention

Tag: Laura Ziskin

  • Hero takes a fall

    In coming up with an idle, pop-related title for this post, I was faced with two choices: the one I eventually went with, or “We don’t need another hero.” I decided against the latter — partly because I’m sure other writers have already exhausted it, partly because The Bangles can always do with another shout-out — but in This Our Summer of the Superhero, it’d certainly be apt. With “Green Lantern” following “Thor,” “X-Men: First Class” and, earlier, its troublesome near-namesake “The Green Hornet” on the 2011 release schedule, and with “Captain America” still to come, casual moviegoers could be forgiven for wondering if their local multiplex has been part-colonized by ComicCon.

    It stands to reason that with so many darts being thrown at the same aesthetic and commercial target, some will hit their mark more squarely than others. If “Thor” managed to widely surpass expectations, the law of averages decrees that at least one of its Spandex-clad rivals will likely fail to meet them — or at least live down to expectations that had already been lowered. Critically, at least, it seems “Green Lantern” is taking that bullet: Kris may have appreciated Martin Campbell’s revival of one of the DC library’s dustier properties, but the first wave of reviews has been largely dismissive, with even the film’s vastly expensive effects work taking a beating from both high-end print critics and more genre-friendly bloggers like Drew McWeeny.

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  • Something else to remember Laura Ziskin by

    Across the movie blogs today, you’ve probably seen news of the sad passing of Hollywood super-producer Laura Ziskin, who lost a long battle with breast cancer over the weekend. Most of the obituaries have her name welded to the word “Spider-Man” in their headlines — certainly, her revival of the franchise in 2002 remains the most profitable work of her career. Still, that superhero franchise is hardly the only thing we owe her: also on her producing résumé are two films that shaped the careers of their female stars, “Pretty Woman” and “To Die For,” while industry legend has it that she was a key champion of “Fight Club” in the face of dismayed execs. One credit of hers I haven’t seen mentioned too often, however, is the 1987 Roger Donaldson thriller “No Way Out” — a remake, but one of my favorite pulp pieces of its era, and a reminder of what a terrific movie star Kevin Costner was back in his pre-Oscar prime. The trailer doesn’t really flatter the film, but if you’ve never seen it, let this be your excuse.