The foreign Language film category has been marred in controversy for the last few years. When films like “4 months, 3 weeks and 2 days” and “Persepolis” were unceremoniously nixed from the field a few years ago, a special new “executive committee” was established to have final say on the fallen, hopefully saving the committee (which has to see all the titles to vote) some embarrassment.
Still, there is an inherent bias throughout the votership here. Violence rarely plays well, and they are loathe to be accepting of non-traditional filmmaking. One need only look back one year to 2008’s “Departures” upset for evidence. For thee reasons, the category always seems ready to surprise.
The nominees are:
“Ajami” (Scandar Copti and Yaron Shani)
“The Milk of Sorrow (La Teta Asustada)” (Claudia Llosa)
“A Prophet (Un Prophète)” (Jacques Audiard)
“The Secret in Their Eyes (El Secreto de Sus Ojos)” (Juan José Campanella)
“The White Ribbon (Das Weisse Band)” (Michael Haneke)
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