Venice Film Festival
The big deal on the Lido today was Oliver Stone rolling into town for his Hugo Chavez documentary “South of the Border” — I did my level best to catch the screening this afternoon, but demand greatly exceeded seat supply on this particular occasion. Tomorrow, perhaps.
Otherwise, the search continues at the festival for a talk-of-the-town critical hit: I had hoped that the extraordinary “White Material” might be it, but the reception so far seems to be warm rather ecstatic. Still, given the general goodwill towards Claire Denis (who has surprisingly never claimed major festival gold) and the undeniable quality of the film, it has to be regarded as one of the frontrunners.
The title that keeps resurfacing in conversation, interestingly enough, is Todd Solondz’s “Life During Wartime”: people really like the film, it seems, and the fact that an extra screening has been arranged for it may or may not be significant. If I were a betting man, this is where I’d place my chips. Anyway, onto some short takes of the great, the good and the befuddling.
“White Material” (****)
I’ve been chided elsewhere for not being direct enough in my reviews, so let’s just get this out of the way: Claire Denis is one of the greatest filmmakers alive, and “White Material” is one of her greatest films.
(UPDATE: For whatever reason, my initial source failed to mention that George A. Romero’s latest zombie opus, “Survival of the Dead,” is also in competition.)