In Contention

Tag: Elizabeth Banks

  • Downey, Jenkins among EW’s Entertainers of the Year

    It’s interesting to note that, in addition to citations for the respective casts of “The Dark Knight” and “Sex and the City: The Movie,” only five film actors made EW’s recently unveiled list of the 25 Entertainers of the Year. (Six if you count their #2 pick, Tina Fey — which I don’t.)

    Perhaps it chimes in with the widespread feeling that 2008 isn’t a vintage year for cinema, perhaps the worlds of TV and music simply had more to offer, or perhaps I’m simply over-analysing. It’s curious to see arguably the year’s two most overexposed stars, Angelina Jolie and Brad Pitt, absent from the list — make of that what you will.

    Nevertheless, the list was topped by a movie star: Robert Downey, Jr. Even with the bumping of “The Soloist” from the 2008 slate, it’s difficult to deny what a great year he’s had — between “Iron Man” and “Tropic Thunder,” he really found his popular touch, and even the most elitist critic had a kind word for him. Whether or not that unlikely Oscar campaign for the latter film takes flight, he has, as EW aptly puts it, “pulled off one of the smartest second acts in showbiz history.”

    Other names present on the list include Meryl Streep, James Franco and Elizabeth Banks — but the most surprising and delightful inclusion is Richard Jenkins. I can’t imagine that the humble 61 year-old character actor ever thought he’d appear on a list alongside the likes of Leona Lewis and The Jonas Brothers, but good for him. It’s an appropriate recognition for a year that saw him supplement a career performance in “The Visitor” with cunning appearances in two mainstream crowdpleasers. Here’s EW’s take:

    Richard Jenkins has had a colorful career, but he never seemed like an actor who’d get interrupted during dinner. After growing up in De Kalb, Ill., he became one of those ubiquitous character actors whom only a few know by name: the gay federal agent in Flirting With Disaster, the psychiatrist in There’s Something About Mary, the deceased patriarch in HBO’s Six Feet Under, and on and on. This year, Jenkins played Will Ferrell’s stepdad in Step Brothers and a gym manager in Burn After Reading. Though Jenkins has worked with just about every big-name filmmaker and actor in Hollywood, The Visitor writer-director Tom McCarthy was still considered brave for elevating him to leading man. ”There was never a question about whether he could do this,” he says. ”Richard has proven himself.’

    Indeed he has. That Best Actor nomination for “The Visitor” looks more and more likely to me.

  • 10/28 Oscarweb Round-up

    Philip Seymour Hoffman in Doubt• Michael Cieply says “Welcome to the pop Oscars” regarding the big budget Oscar pushes this year. [New York Times]

    • Tom O’Neil reports that the two biggest stars in “Doubt” won’t be at the AFI world premiere on Thursday. [Gold Derby]

    • Patrick Goldstein wonders why Oscar consistently shies away from the funny bone. [The Big Picture]

    • A chat with “Dear Zachary” director Kurt Kuenne. [indieWIRE]

    • Nicholas Lezard comments on Gus Van Sant’s potential adaptation of Tom Wolfe’s “The Electric Kool-Aid Acid Test.” [The Guardian]

    • Anthony Breznican profiles Elizabeth Banks and her star-making year. [USA Today]

  • THE LISTS: Top 10 performances you’re underestimating

    Every year it seems there are a number of performers in the thick of an Oscar hunt that don’t get the same attention as the expected heavy-hitters.

    It’s no surprise, of course, that Oscar prognostication would lean toward the anticipation of what lies ahead, unseen, unproven.  The mystery stays in tact, if for precious few moments.  But a number of nominated actors and actresses, year after year, tend to bank on the underestimation of the masses, allowing those heavy-hitters to fall by the wayside and provide just the opportunity they were waiting for all along.

    Here, then, is an attempt to shine a light on 10 stealthy contenders that seem to be flying low on the radar so far this season:

    Richard Jenkins in The Visitor10. Richard Jenkins, “The Visitor”
    At the moment, “The Visitor” star Richard Jenkins might seem like the obvious bet for a list such as this.  But with Overture Films planning an Oscar campaign for the character-actor-turned-leading-man and a year increasingly giving credence to smaller films, this gem of a performance from way back in the first quarter of the year could find room to make a move.  A prime DVD release date will keep the film fresh in voters’ minds and perhaps divert some of the attention away from the Brad Pitts, Sean Penns and Frank Langellas for a spell.

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  • 9/12 Oscarweb Round-up

    Meryl Streep in Doubt• Not that “Righteous Kill” is going to be an Oscar movie, but Brian Williams scoring a sit-down with Al Pacino and Robert De Niro for the first time is pretty sweet. [MSNBC]

    • Roger Ebert clears up the TIFF tiff that the New York Daily News was dying to report. [Chicago Sun-Times]

    • So far, Lou Lumenick has had nothing to say for himself. [Lumenick on Film]

    • David Poland takes Mike Leigh’s advice, catches Uros Stovanovic’s “Tears For Sale.” [Movie City News]

    • Recounting the decades-long journey of “On the Road” from page to screen. [The Independent]

    • A solid profile of 2008 “it” girl Elizabeth Banks with a hell of a lede. [Associated Press]

    • Peter Knegt, Brian Brooks and Jenny Sung chime in from Toronto. [indieWIRE]

    • Xan Brooks follows up yesterday’s Sodebergh/Douglas/Liberace news with a list of the 10 most eyebrow-raising casting decisions. [The Guardian]

    • Jeffrey Wells echoes our own John Foote’s sentiments that Christian McKay is a show-stopper in “Me and Orson Welles.” [Hollywood Elsewhere]

    • According to Anne Thompson, the “Doubt” trailer will land on Apple some time today. [Thompson on Hollywood]

    • And to whet your appetite, I found this interesting little trailer for a stage production of John Shanley’s drama in…Wisconsin. [YouTube]

  • PAGE TO SCREEN: “W” by Stanley Weiser

    Page to Screen at In Contention“Thirty days!  I’d like to shove a plate of Freedom Fries down that slick piece of shit’s throat.  Givin’ me lectures?  The next chance I get I’ll be glad to veto something French.  Damned glad.”

    Those were the words that seemed to send a shot through the industry when Stanley Weismer’s script “W” made its way into a number of hands last April.  The speculation set in, the timidity, and in more ways than one, it did so with good reason.

    I have heard “W” praised by smart journalists and gifted filmmakers alike, but when I flipped through its pages last spring, I was met with an effort taxing in its elementary construction.  Packed to the brim with dialogue meant to secure George W. Bush’s position as a simpleton who managed his way into the most powerful position in the free world, “W” reads more like a parody than the modest character study it aims to be.

    The script is bookended with a device that draws a distinct clarity about the film’s ultimate point: Bush is a simple man meant for pretzels, beer and a love of baseball, not a man who should have the keys to 1600 Pennsylvania Ave.  And that’s a valid enough thesis, because the narrative — to its credit — doesn’t try to lambast Dub-ya throughout.

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