After a sidestep into the writing races last week, we return to the performance categories in our rundown of notable work from the first half of the year’s release slate. And so we land upon the category that perhaps needs this feature most of all: where the Best Actress conversation still includes some names from the January-to-June window, no leading men from early 2010 are to be found even on the fringes of the awards race.
Of course, when you consider the options, it’s not hard to see why: all the strongest performances came in films that nobody saw, films that the Academy wouldn’t touch with a ten-foot pole, or both. In four of my five selections below, moreover, the actor is operating at a rather higher level than the film around him — and yet it’s here where I think some of the whole year’s most adventurous work in the category is to be found.
I wish it wasn’t quite such a bleak set of films to be celebrating in this of all weeks, but that’s just how it worked out. I’m sure at least one omission will confound some readers, as, I imagine, will one inclusion — but therein lies the fun. Check out my picks after the cut and contribute yours in the comments. Remember: first half.
The Edinburgh International Film Festival closed today with an awards ceremony that culminated in Duncan Jones’s sci-fi debut feature “Moon” landing the fest’s most coveted prize, the Michael Powell Award for Best British Feature. The jury, headed by Joe Wright and including Oscar-nominee Frank Langella, said of the film: