In Contention

Tag: Dave Gibbons

  • Fearful symmetry

    (from left) Malin Akerman and Patrick Wilson in Watchmen(I was going to hold onto this and some more stuff until the beginning of the week, but we’re ready to go so let’s hit it during the weekend.)

    I’m not one of those guys who says this work or that cannot be filmed.  I don’t share the arrogance that demands faithful representation of a beloved piece of literature on the screen, and even with my own devotion to comic books and, of course, Alan Moore’s “Watchmen,” I always thought there was a great movie in there waiting to be unleashed.

    I think it was Quentin Tarantino who once said he would never translate a comic book to the screen because there are just too many damn people to please.  There’s some truth there, mixed with a little pomposity.  I had Zack Snyder’s back.  I enjoyed “Dawn of the Dead” enough and was one of “300”’s few serious vocal champions.  I would have preferred a director with a penchant for grit take up the reins on “Watchmen” but I found myself curiously okay with the stylized ballet Snyder seemed to be interested in creating.

    But in a nutshell, “Watchmen” damn near stole my faith in movies.  Maybe that’s a stretch, but come on, it’s all up there on the screen.  Minus a climax that was likely changed for the better given what will and won’t work in a film, every inch of Alan Moore and Dave Gibbons’s hard work is laid out for us at 24 frames per second.  And you know what?  It doesn’t work.  And we can’t say anyone involved in the production botched the adaptation because it’s faithful to a fault.

    I think we can blame the woeful, stomach-churning, cringe-worthy failure that this is on the frothing-at-the-mouth fandom that scared Snyder and company away from being creative, from understanding the value of compositing (a tactic Christopher Nolan has so expertly employed with the Batman franchise) and from, at best, realizing that the tone we manifest in our minds as we flip through a work of graphic fiction can’t be satisfied by lifting nearly every inch of hard-boiled, wordy (if eloquent) narration.  God bless him for trying to please them all, but what they wanted ain’t art.

    “Watchmen” is an awful, awful film.

    (more…)

  • 11/11 Oscarweb Round-up

    Marisa Tomei in The Wrestler• Peter Bart worships at the alter of Brian Grazer and Ron Howard. [Peter Bart]

    • Tom O’Neil reports on the 14 animated features submitted for toon consideration this year… [Gold Derby]

    • …and he interviews “Changeling” psycho Jason Butler Harner inside Hannibal Lecter’s prison cell deep in the bowels of the Hollywood Museum. [Gold Derby]

    • Jeffrey Wells has his “Eureka” moment regarding “Frost/Nixon.” [Hollywood Elsewhere]

    • Kim Voynar has the right idea about exploring issues of nudity in films, but picks the wrong example to kick it off.  Uh…Marisa Tomei DOES play a stripper. [Movie City News]

    • Russell Crowe talks his 50 lb. “Body of Lies” weight gain across the pond. [Daily Telegraph]

    • Five picks for a black James Bond. [New York Daily News]

    • Despite “W.” having come and gone, Christopher Campbell kicks around Josh Brolin’s Oscar chances. [Spout Blog]

    • Lev Grossman talks to “Watchmen” artist Dave Gibbons. [Time]

  • Making Dr. Manhattan

    Yahoo! Movies has a nice new featurette up about creating Dr. Manhattan in Zack Snyder’s “Watchmen.”  There are also a few production journals from production designer Alex McDowell, costume designer Michael Wilkinson, illustrator Dave Gibbons, director of photography Larry Fong, Snyder, etc.  Very interesting stuff.  Check it out here.

    These kinds of in-depth craft features are becoming a staple.  Two weeks ago we told you about the Apple exclusive on those Set to Screen “Australia” featurettes, which could go a long way toward directing attention to the work of these folks.  Kind of like DVD special features let loose on the net.  I’m betting you see more and more of this during the awards season as studios get wise to the value of peeling back the curtain and embossing the craft particulars of their films.