In Contention

Tag: Bertrand Tavernier

  • CANNES: ‘Outrage,’ ‘The Princess of Montpensier,’ ‘Black Heaven’

    Nothing quite clicked into gear today, I’m afraid – the one screening I really wanted to make, Xavier Dolan’s warmly received sophomore feature “Heartbeats,” filled up before I could get in the door, while the films I did see made for a pretty uninspiring day’s viewing.

    I’m usually quite a stickler for taking notes during festival screenings – overlapping and psychotically askew, given my minimal mastery of night-writing, but notes nonetheless – but today the notepad stayed largely unblemished. That usually means one of two things: I’m too lost in the film to keep jotting, or it simply provokes no thoughts from me whatsoever. Guess which one applies today.

    I’m afraid it was with a mostly clear conscience that I sacrificed an early evening screening of Jia Zhang Ke’s “I Wish I Knew” in order to attend the swish London Film Festival shindig at the Palais Stephanie Hotel. (Yes, any big festival teems with parties for other festivals – just drink your champagne and go with it.) I confess I didn’t get on that well with Jia’s previous feature “24 City,” and guessed the new film would be in a similar vein – friends’ reports suggest that was a good guess.

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  • CANNES PREVIEW: Sizing up the Competition, part two

    Continuing the breakdown of the 18 titles in contention for the Palme d’Or at the Cannes Film Festival, which begins Wednesday. (Catch up with yesterday’s preview here.) Among them is the film I’ve put a sneaky wager on to take the gold — though given the foolhardiness of predicting festival awards, I don’t encourage you to do the same.

    As we learned this morning, one additional title will be added to the Competition lineup over the course of the weekend; I will update accordingly. Let’s get back into it:

    “ON TOUR” (Mathieu Amalric)

    The pitch: Better known to most audiences as one of France’s finest actors, sometime filmmaker Amalric brings some lighter fare to the lineup, directing himself as the down-at-heel manager of a touring group of American burlesque dancers. Christina Aguilera does not star.

    Past form: Though his 2003 feature “Public Affairs” played Cannes in 2003, this is Amalric’s first brush (as director, that is) with a major festival competition.

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