The recent barrage of end-of-decade collectives has probably been enough to sate the appetite of even the keenest listoholic — but having consciously avoided most such lists while I worked on my own, I’m still wallowing in them.
So I can’t resist mentioning out the lists of two of the world’s leading film magazines — the eccentric, über-cinephilic Cahiers du Cinéma, and my own favorite, Sight & Sound. The Cahiers list is exactly what you’d expect from them, with a cineaste’s twisted valentine to Hollywood atop the pile, while its one concession to populist commercial cinema is a typically perverse choice:
1. “Mulholland Drive” (David Lynch)
2. “Elephant” (Gus van Sant)
3. “Tropical Malady” (Apichatpong Weerasethakul)
4. “The Host” (Bong Joon-ho)
5. “A History of Violence” (David Cronenberg)
6. “The Secret of the Grain” (Abdelatif Kechiche)
7. “West of the Tracks” (Wang Bing)
8. “War of the Worlds” (Steven Spielberg)
9. “The New World” (Terrence Malick)
10. “Ten” (Abbas Kiarostami)
