Philip Roth is author of 25 novels and other works of non-fiction. Revered in America, he has won every major American literature prize, including the National Book Foundation’s Award for Distinguished Contribution to American Letters in 2002. Despite his literary success, his films have had a difficult journey to the silver screen.
I joined the long line of Roth fans that were disappointed with Robert Benton’s adaptation of “The Human Stain,” the 2000 novel that received the National Book Award for the best work of American fiction. It was an extraordinary book and perhaps Roth’s finest. And I believed that it would translate nicely onto the silver screen. While the novel weaved in and out of the past and present, the transitions weren’t so frequent that it would create a problem for the screenwriter, Nicholas Meyer (Oscar-nominated for “The Seven-Per-Cent Solution.”
Benton was able to attach an exceptional cast that included Anthony Hopkins, Nicole Kidman, Ed Harris and Gary Sinise. But when the film bombed with critics and audiences alike, it was quickly pulled from mainstream movie houses and relegated to small boutique theaters, and for short periods of time. It made only $5.3 million against a production budget of $30 million.
Mr. Roth’s work has been adapted again by Mr. Meyer this year. Taking the pages of “The Dying Animal” and turning them into the film “Elegy,” Mr. Meyer and the film’s director, Isabelle Coixet have managed to create a finer adaptation of the text, and a far better film.
