In Contention

Tag: Leonard Nimoy

  • ‘Star Trek’ under the stars

    Griffith ObservatoryThe swank, spare-no-expense shin-dig last night at the historic Griffith Observatory was officially a DVD release party for one of the summer’s biggest critical and fiscal hits.  But with nearly the entire Hollywood Foreign Press Association’s membership on hand, the general vibe of awards season in the air and the obvious implications of a fall DVD release for an early-year hopeful, it’s fair to say it was ostensibly a call to Oscar arms for a film that has a pretty good shot at one of this year’s 10 Best Picture slots.

    Most of the “Star Trek” cast was on hand — Zachary Quinto, Bruce Greenwood, Karl Urban, John Cho, Clifton Collins Jr. — but Leonard Nimoy and Walter Koenig were the ones causing the biggest stir, as of course they would.  A specialty drink menu (Spock’s Mind Meld Mojito, Red Matter, Romulan Ale), little red matter balls in giant flower vases, telescopes trained on Jupiter, bright in the Southwest sky (including one of the big ones in the Observatory), the Observatory itself lit up by projected galactic imagery, the whole thing had a nifty, novel, interstellar vibe.

    And it might pay off.  After all, it only takes a little wining and dining to get the HFPA on your side, right?  But seriously speaking, there are a couple of Best Picture slots that, to my mind, are up for grabs.  Should the big anticipated films miss with the awards constituencies, then it’s just as well for a film like “Star Trek,” still one of the year’s best films.

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  • 9/8 Web Round-up

    Viggo Mortensen at the 36th annual Telluride Film Festival• John Hillcoat and Joe Penhall already looking for life after “The Road.” [Variety]

    • The “Slumdog” kids set to star opposite Anthony Hopkins? [PR Inside]

    • Eugene Hernandez reports from the Telluride tribute to Viggo Mortensen. [indieWIRE]

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  • 5/11 Web Round-up

    Tilda Swinton in Julia• With J.J. Abrams’s reboot landing in theaters this weekend, and Emmy talk on the brain, Tom O’Neil asks which versions of the popular series deserved small screen awards attention. [Gold Derby]

    • Geoff Boucher, meanwhile, talks to Leonard Nimoy and gets the actor to admit that some “Star Trek” fans can be “scary.” [Hero Complex]

    • Sukhdev Sandhu: “Why I love Cannes.” [Daily Telegraph]

    • The editing of an NPR review of “Outrage” sparks same. [indieWIRE]

    • Neil Gaiman discusses the adaptation of “Coraline” across the pond. [Empire]

    • Donna Freydkin talks to actress Tilda Swinton about her role in “Julia.” [USA Today]

    • David Poland loses himself in a dazzling 63-second shot from Steven Soderbergh’s 1999 film “The Limey.” [The Hot Blog]

    • Similarly, Glenn Kenny gets caught up on a “strangely evocative” frame from Sidney Pollack’s “Three Days of the Condor.” [Some Came Running]

    • Stephen Frears talks “Cheri,” which released in the UK over the weekend.  (Guy’s review here.) [The Guardian]

  • REVIEW: “Star Trek” (****)

    Star TrekFrom pulse-pounding beginning to edge-of-your-seat end, J.J. Abrams’ “Star Trek” moves at a break-neck pace that never lets up, never misses a beat and shockingly, never loses itself in its labyrinthine story.  It is a near-perfect action thrill ride that ticks off every box on the ultimate movie experience checklist and perhaps adds a few more.

    Fans of Gene Roddenberry’s series may or may not be impressed by Abrams and screenwriters Roberto Orci and Alex Kurtzman’s re-imagining of a sacred geek mythos, but they’ll do well to understand that their beloved universe is in tact.

    Despite the expectation that Gen-Y casting across the board would make for a moan-inducing CW-style prequel, the filmmakers have smartly devised a way to launch their own “B” timeline in a series that could go a million different directions from here.  That their brilliant scheme makes for a stand-alone classic with something for everyone is unexpected to say the least, and exhilarating as a result.

    Chris Pine stars as famed Federation Captain James Tiberius Kirk, though particulars of the story (which I dare not spoil here) put him on a different universal plane than William Shatner’s incarnation that has delighted audiences for decades.  A wildcat that seemingly breaks the hell-raiser mold, Kirk is born under chaotic circumstances in the film’s initial sequence.  We soon catch up to him as a youth racing through the fields of Iowa to the sounds of a then centuries-old Beastie Boys track before zipping ahead to encounter his bar-hopping mid-20s self in the form of Pine’s cock-sure stud.

    Intercut with the Kirk story is the equally brief introduction of the Vulcan Spock who, as a result of being half-Vulcan, half-human, is seen as disadvantaged by a society that demands a sense of perfection.  Zachary Quinto (television’s “Heroes”) takes the reins of the character, who enlists in the United Federation of Planets as one of the top minds in the corps before meeting Kirk and developing a relationship that will ultimately rest at the heart of the film.

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