In Contention

Tag: Ben Burtt

  • REVIEW: “Star Trek” (****)

    Star TrekFrom pulse-pounding beginning to edge-of-your-seat end, J.J. Abrams’ “Star Trek” moves at a break-neck pace that never lets up, never misses a beat and shockingly, never loses itself in its labyrinthine story.  It is a near-perfect action thrill ride that ticks off every box on the ultimate movie experience checklist and perhaps adds a few more.

    Fans of Gene Roddenberry’s series may or may not be impressed by Abrams and screenwriters Roberto Orci and Alex Kurtzman’s re-imagining of a sacred geek mythos, but they’ll do well to understand that their beloved universe is in tact.

    Despite the expectation that Gen-Y casting across the board would make for a moan-inducing CW-style prequel, the filmmakers have smartly devised a way to launch their own “B” timeline in a series that could go a million different directions from here.  That their brilliant scheme makes for a stand-alone classic with something for everyone is unexpected to say the least, and exhilarating as a result.

    Chris Pine stars as famed Federation Captain James Tiberius Kirk, though particulars of the story (which I dare not spoil here) put him on a different universal plane than William Shatner’s incarnation that has delighted audiences for decades.  A wildcat that seemingly breaks the hell-raiser mold, Kirk is born under chaotic circumstances in the film’s initial sequence.  We soon catch up to him as a youth racing through the fields of Iowa to the sounds of a then centuries-old Beastie Boys track before zipping ahead to encounter his bar-hopping mid-20s self in the form of Pine’s cock-sure stud.

    Intercut with the Kirk story is the equally brief introduction of the Vulcan Spock who, as a result of being half-Vulcan, half-human, is seen as disadvantaged by a society that demands a sense of perfection.  Zachary Quinto (television’s “Heroes”) takes the reins of the character, who enlists in the United Federation of Planets as one of the top minds in the corps before meeting Kirk and developing a relationship that will ultimately rest at the heart of the film.

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  • 11/26 Oscarweb Round-up

    WALL-E• Jeff Wells is beside himself because Oscar prognosticators understand “Che” has a snowball’s chance in hell at a best Picture nomination. [Hollywood Elsewhere]

    • Noah Forrest podcasts “Changeling” screenwriter J. Michael Straczynski. [Movie City News]

    • Anne Thompson gets the “Australia” goods from Hugh Jackman. [Thompson on Hollywood]

    • Tom O’Neil, meanwhile, wonders if pundits are underestimating the film…nah. [Gold Derby]

    • The economy takes a bite out of one of the season’s biggest Oscar bashes. [Vanity Fair]

    • Pete Hammond is a party pooper, makes sure we all understand a SAG strike could put a damper on the season. [Notes on a Season]

    • Nathaniel Rogers talks to “Rachel Getting Married” gals Rosemarie DeWitt and Jenny Lumet. [The Film Experience]

    • Peter Bart joins my Brandon Walters bandwagon, says director Baz Luhrmann has created a star. [Peter Bart]

    • Kevin Kelly talks to “WALL-E” and “Star Wars” sound whiz Ben Burtt. [Spout Blog]

    • Patrick Goldstein digs into the emotional chill factor of “The Curious Case of Benjamin Button.” [The Big Picture]

    • A Harvey Milk Cliff’s Notes for your “Milk” screening preparations. [USA Today]

  • 11/9 Oscarweb Round-up

    Warner Bros. Pictures' Watchmen• Steve Weintraub has a sweet four-video series on Ben Burtt’s process for creating the sounds of “WALL-E” and the “Star Wars” films.  Worth a look if you’re into the tech arena like we are. [Collider]

    • Bad news for Baz Luhrmann’s “Australia.”  A forced happy ending. [News.com.au]

    • Cherry Jones gives her approval of Meryl Streep’s turn in “Doubt.” [Gold Derby]

    • But elsewhere, the odds are being stacked against the film. [Vulture]

    • Dave Karger and Missy Schwartz discuss the season’s most unknown commodities: “The Curious Case of Benjamin Button” and “Revolutionary Road.” [Oscar Watch]

    • Brad Brevet finds some striking similarities between the new “Watchmen” poster and an old “Dark Knight” international one-sheet. [Rope of Silicon]

    • In the midst of AFI Fest, John Horn gets some quality time with “Slumdog Millionaire” director Danny Boyle. [Los Angeles Times]

    • Meanwhile, Anne Thompson responds to a second “Slumdog” screening. [Thompson on Hollywood]

    • The new gadgetry of Bond. [New York Daily News]

    • Amy Raphael profiles Kelly Macdonald as “Choke” lands across the pond. [The Guardian]

    • Also in the U.K., Toby Jones continues to stir the waters with below-the-radar portrayals. [The Times]

    • Deborah Solomon cranks out a Q&A with “Frost/Nixon” director Ron Howard. [New York Times]

    • Jeffrey Wells defends the violence of Matteo Garrone’s “Gomorrah” against the potential ignorance of the foreign film committee. [Hollywood Elsewhere]