I’m digging into March’s Criterion Blu-ray release of “The Third Man” (which largely ports over most of the 2007 Criterion double-dip), and I have to say, Orson Welles’s first appearance in the film, that knowing smile illuminated by window light, a Viennese woman barking at Joseph Cotton’s novelist-turned-gumshoe, is flat out one of the most […]

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