Round-up: Time-traveling to the origins of 'Midnight in Paris'

Posted by · 7:55 am · December 27th, 2011

Also: Streep’s Thatcher turnaround and Ebert’s top docs

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Tech Support: Chris Cornell, Elton John, Madonna and 'The Muppets' throw down for Best Original Song

Posted by · 8:26 am · December 8th, 2011

Wrapping up the weekly category analysis at Tech Support, we turn today to the Best Original Song category.

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Off the Carpet: Contenders hope to stand out against big spending and buzz-heavy pics

Posted by · 9:09 am · December 5th, 2011

As campaigns heat up this season, the “Moneyball” way seems to translate. Modest hopefuls need to stand out to be seen, and being seen is perhaps more than half the battle this time of year.

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Oscar Talk: Ep. 72 — Gothams, Indie Spirits, NYFCC, NBR and 'We Bought a Zoo'

Posted by · 7:39 am · December 2nd, 2011

In this week’s podcast, Kris and Anne discuss a busy week for the awards circuit, from the Gotham Awards to the Indie Spirit award nominees to the New York film critics vote to the National Board of Review announcement. And somehow they find time to talk Cameron Crowe’s “We Bought a Zoo,” too.

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Tom Petty, Bob Dylan, Temple of the Dog: Cameron Crowe and his tunes

Posted by · 8:20 am · November 28th, 2011

With “We Bought a Zoo” having sneaked over the weekend, we’re reminded of Cameron Crowe’s love affair with music in his films.

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Oscarweb Round-up: Sneaking 'Zoo'

Posted by · 7:03 am · November 28th, 2011

In today’s round-up, Cameron Crowe’s “We Bought a Zoo” screened for the public, Ralph Fiennes talks his directorial debut, “Coriolanus” and THR rounds up this year’s actress hopefuls.

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Thanks to 'War Horse' and 'We Bought a Zoo,' it's high times for Dartmoor

Posted by · 2:25 pm · November 27th, 2011

Steven Spielberg’s “War Horse” and Cameron Crowe’s “We Bought a Zoo” are both set for release this holiday season, but with each comes ties to South England’s protected Dartmoor moorland, which could see an uptick in interest after Hollywood lifts its profile.

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Off the Carpet: Deep breath before the critics have their say

Posted by · 12:09 pm · November 21st, 2011

It’s getting to be crunch time for many studios looking to bring their product back around for awards voting bodies. Generally most critics groups and the like have just about everything, save for the really late-breaking films, by Thanksgiving. But the NYFCC changed that course a bit this year.

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Oscarweb Round-up: THR and sexism

Posted by · 7:08 am · November 18th, 2011

In today’s round-up, Melissa Silverstein goes off on The Hollywood Reporter vis a vis sexism, Olivia Colman gets a nice profile and Cameron Crowe’s “We Bought a Zoo” will sneak early.

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Oscarweb Round-up: Clooney cheers on the competition

Posted by · 8:20 am · November 16th, 2011

Ask most awards analysts who the current frontrunners for the Best Actor Oscar are, and you’ll probably get some combination of the names George Clooney, Jean Dujardin and Brad Pitt. Clooney probably knows that, which is why it’s both magnanimous and, who knows, perhaps slyly strategic for him to name Dujardin and Pitt’s performances, in […]

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Cameron Crowe's 'We Bought a Zoo' gets a nifty new poster

Posted by · 8:51 am · November 9th, 2011

Cameron Crowe’s “We Bought a Zoo” is one of the handful of films still waiting to be screened for the bulk of press this Oscar season. A nifty new poster has just landed for the film.

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Calling all original song contenders

Posted by · 1:28 pm · November 1st, 2011

This year’s Best Original Song race is slowly beginning to take shape. But we need to pull together a list of contenders before things get too far along. Possibilities from Chris Cornell’s “The Keeper” to a trio of tracks from “The Muppets” could all be in play this season, but what else?

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Off the Carpet: Building the perfect strategy

Posted by · 11:06 am · October 31st, 2011

It takes all kinds. Finding the right strategy to navigate an awards season is a tricky thing and it varies, naturally, from film to film. Whether it’s “Young Adult” of “The Artist” or “The Girl with the Dragon Tattoo,” there is no mold, no skeleton key, no single solution.

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