'12 Years a Slave' leads with 11 Chicago Film Critics Association nominations

Posted by · 8:49 am · December 13th, 2013

I was hit with a pang of sadness this morning when it occurred to me that the Chicago Film Critics Association’s list of nominees this year are the organization’s first since the passing of legendary Chicago critic Roger Ebert. What might he thought of this year’s crop of movies, and this group’s nominations, which were led by “12 Years a Slave?”

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Celebrities and colleagues turn out to honor film critic Roger Ebert at Chicago tribute

Posted by · 6:45 pm · April 11th, 2013

Hollywood and independent filmmakers, philanthropists and industry magnates, fellow critics and, yes, movie stars came together this evening in Chicago to pay tribute to the life of legendary film critic Roger Ebert, who passed away April 4 at the age of 70.

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On Roger Ebert and Terrence Malick

Posted by · 12:40 pm · April 10th, 2013

It is somehow fitting that the last word Roger Ebert would ever have on the movies concerned filmmaker Terrence Malick, whose sixth feature, “To the Wonder,” opens in theaters this weekend. Ebert has always been in awe of Malick, his reviews of the director’s films consistently revealing a tone of appreciation. And it all came to an apex last year when Ebert chalked up Malick’s “The Tree of Life” on his list of the 10 greatest films of all time for the decennial Sight & Sound poll of critics and filmmakers.

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Roger Ebert on my favorite movies

Posted by · 3:39 pm · April 4th, 2013

I always found that my taste tended to line up quite a bit with Roger Ebert’s, particularly when it came to our favorite movies of all time. His list of the 10 best ever overlapped with mine in three instances, while other films he loved — such as “Aguirre, the Wrath of God” — were certainly among those I held sacred.

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Roger Ebert mattered

Posted by · 12:32 pm · April 4th, 2013

There will be countless appreciations of the late film critic Roger Ebert today, plenty of them here at HitFix. And you can bet they will, each of them, be full of unique insights and takeaways from the critic’s life and times. He had such an invaluable impact on so many in this world of film commentary and criticism that the words will come like a landslide. And that very fact will reveal so much of his legacy.

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Roundup: Can GKIDS crash the animation Oscar race again?

Posted by · 6:17 am · November 14th, 2012

Also: Phoenix makes amends, and the most deserving Best Actor no-hopers.

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Terrence Malick's 'Tree of Life' cracks Roger Ebert's top 10 movies of all time

Posted by · 5:18 pm · May 2nd, 2012

The Sight & Sound poll of filmmakers and critics picking the greatest films of all time is 10 years old. Many in the cinephile community are anxious to see the result of the latest poll, which comes out later this year. Critic Roger Ebert, it turns out, chose one of last year’s top tier films to make the cut this time around.

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Round-up: The underperforming Sundance class of 2011

Posted by · 7:24 am · January 17th, 2012

Also: Luhrmann on ‘Gatsby’ in 3D, and Elton vs. Madonna

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Round-up: Time-traveling to the origins of 'Midnight in Paris'

Posted by · 7:55 am · December 27th, 2011

Also: Streep’s Thatcher turnaround and Ebert’s top docs

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Oscarweb Round-up: Ebert crowns 'A Separation'

Posted by · 7:07 am · December 16th, 2011

In today’s round-up, Roger Ebert publishes his top 10 list, the LA Times looks at the year in debut directors and Shailene Woodley praises George Clooney.

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Oscarweb Round-up: 'Dark Knight Rises' prologue to accompany 'Mission: Impossible?'

Posted by · 7:11 am · October 20th, 2011

In today’s round-up, Warner Bros. is reportedly planning to attach a prologue of “The Dark Knight Rises” to IMAX versions of “Mission: Impossible – Ghost Protocol,” River Phoenix’s last film will finally see the light of day and Mike Judge offers up a rare exhibition of “Beavis and Butt-Head” voices.

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Oscarweb Round-up: Questioning the accuracy of 'Moneyball'

Posted by · 5:19 am · September 26th, 2011

In today’s round-up, Steve Pond writes up the inaccuracies of “Moneyball,” Tom O’Neil kicks off his annual straw pull (with our own Guy Lodge participating) and battle of the half-eaten posters

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