10 times the Critics' Choice was right and Oscar was wrong

Posted by · 1:05 pm · January 13th, 2015

From “The Master’s” Philip Seymour Hoffman to “Gods and Monsters'” Ian McKellen, we note 10 instances where the BFCA picked the right winner at the Critics’ Choice Awards and Oscar didn’t.

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Roger Deakins looks back on 1997's 'Kundun,' his only Scorsese collaboration to date

Posted by · 11:39 am · December 25th, 2014

Continuing a series of short interviews with “Unbroken” cinematographer Roger Deakins covering a range of topics from “Sid and Nancy” to “The Shawshank Redemption” to “Barton Fink.”

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HitFix's 2014 Oscar Power List: Where do Scott Rudin and Amy Pascal land?

Posted by · 9:20 am · December 16th, 2014

HitFix presents the second annual Oscar Power List for 2014, counting down the power brokers, influential artists, intrepid businessmen and women and creative strategists who populate the Oscar landscape.

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Jonah Hill says he'd paint Martin Scorsese's house if he was asked

Posted by · 10:40 pm · February 10th, 2014

Jonah Hill showers his “Wolf of Wall Street” director Martin Scorsese with mad love and talks about reuniting with Leonardo DiCaprio on an upcoming project.

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Martin Scorsese and Leonardo DiCaprio look back on a fruitful collaboration

Posted by · 11:43 pm · February 6th, 2014

Martin Scorsese and Leonardo DiCaprio hit the stage at the Arlington Theatre Thursday night as co-recipients of the Santa Barbara International Film Festival’s Cinema Vanguard Award. A two-hour discussion, moderated by The Hollywood Reporter’s Todd McCarthy, covered all bases of their 12-year pas de deux, including, of course, their introduction to each other’s work.

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'Wolf' nominees Scorsese and DiCaprio move forward on separate prestige projects

Posted by · 10:35 am · February 4th, 2014

Martin Scorsese and Leonardo DiCaprio look to be going separate ways again with upcoming projects after the two have consistently collaborated on a number of projects over the last decade. Scorsese’s “Silence” is moving along with casting while DiCaprio has kick-started a new vehicle for his “Wolf of Wall Street” co-star Jonah Hill.

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Roundup: How the Best Picture rule change narrowed Oscar's usual crop

Posted by · 6:33 am · January 22nd, 2014

In today’s roundup of notable online news and views, Mark Harris brings figures to the table to argue that the Best Picture expansion has narrowed the Academy’s palette, George Clooney tricks Matt Damon into thinking he’s putting on pounds and Team Ebert reports from the Sundance premiere of “Life Itself.”

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Notable facts and figures from the 2014 Oscar nominations

Posted by · 9:58 am · January 16th, 2014

From Meryl Streep’s record 18th nod to Megan Ellison’s rare double, we round up some unusual statistic and records from this year’s Oscar nominations.

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Check out a visual effects reel for 'The Wolf of Wall Street'

Posted by · 10:38 am · January 14th, 2014

Lift the veil on how seemingly mundane environments were achieved in Martin Scorsese’s latest.

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Roundup: Scorsese's open letter on film's bright future

Posted by · 4:18 am · January 8th, 2014

In today’s roundup of notable online news and views, Martin Scorsese writes an open letter to his daughter in which he waxes lyrical about the future film. Meanwhile, Armond White denies allegations that he heckled Steve McQueen at the NYFCC Awards.

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'Wolf of Wall Street's' DiCaprio and Scorsese to receive Santa Barbara fest honor

Posted by · 6:00 am · January 2nd, 2014

The Santa Barbara International Film Festival has announced a tandem honor for “The Wolf of Wall Street” star/producer and director Leonardo DiCaprio and Martin Scorsese in the form of the Cinema Vanguard Award. Three years ago, the duo talked to In Contention about where they saw their partnership heading.

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Leonardo DiCaprio says 'Wolf' critics 'missed the boat entirely'

Posted by · 11:50 am · December 30th, 2013

Leonardo DiCaprio talks to HitFix’s Kristopher Tapley about the high ambitions of his latest film, “The Wolf of Wall Street,” varying interpretations of its depiction of corporate greed and excess and how it fits into the landscape of his two previous films — “Django Unchained” and “The Great Gatsby” — as an indictment of the corrupted American dream.

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Roundup: What foreign Oscar contenders gain, even when they lose

Posted by · 5:00 am · December 30th, 2013

In today’s roundup of notable online news and views, a look into the ins and out of campaigning for the Best Foreign Language Film Oscar. Also: The best movie costumes of 2013, and ranking Scorsese’s filmography from best to worst.

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'Wolf' dispute reminds us that Martin Scorsese is no stranger to controversy

Posted by · 1:35 pm · December 29th, 2013

As we inch closer to the end of the year and one capped off by a trumped up “controversy” regarding Martin Scorsese’s “The Wolf of Wall Street,” maybe we should all take a moment to appreciate the fact that a 71-year-old artist can still rile us so.

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Thelma Schoonmaker remembers how 'Goodfellas' almost didn't happen

Posted by · 10:51 am · December 26th, 2013

In the final installment of a six-part series, Thelma Schoonmaker recalls Martin Scorsese’s 1990 mafia masterpiece “Goodfellas,” and how it owes a debt to her husband, the late director Michael Powell.

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Tell us what you thought of 'The Wolf of Wall Street'

Posted by · 11:55 am · December 25th, 2013

He kept us waiting, but Martin Scorsese’s crazed trip finally hits theaters today. We want to hear your thoughts — share them here, and vote in our poll.

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Thelma Schoonmaker recalls the heated controversy and moving testament of 'The Last Temptation of Christ'

Posted by · 10:13 am · December 25th, 2013

Editor Thelma Schoonmaker looks back on Martin Scorsese’s most controversial work to date, 1988’s “The Last Temptation of Christ,” and recalls being moved to tears by its power.

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Thelma Schoonmaker hopes Martin Scorsese's 'Bringing Out the Dead' will eventually get its due

Posted by · 7:47 am · December 24th, 2013

Editor Thelma Schoonmaker talks to HitFix about how often her collaborations with Martin Scorsese have gone unrecognized in their time, specifically the 1999 Nicolas Cage drama “Bringing Out the Dead.”

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